Sonata for Flute Sheet Music to download and print

Sonata for Flute

Sonata for Flutes

Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Music - Digital #FM532. Published by Forton Music - Digital (F2.FM532). ISBN 9790570484317.Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.

#Sonata for Flutes

Sonata for Flute and Piano

#Sonata for Flute and Piano

Thérèse Brenet: Sonata for flute and piano

#Thérèse Brenet: Sonata for flute and piano

Sonata for Flute and Piano, Op. 12

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright Â© Tyler J. Holt, Composer.

#Sonata for Flute and Piano, Op. 12

Force of Nature Flute and Piano

Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027495 Composed by Till M…(+)

Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027495 Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till MacIvor Meyn #550251. Published by Till MacIvor Meyn (A0.1027495). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, â€˜Force of Natureâ€™ is a three-movement sonata for flute and piano that considers natural forces that are unseen, but whose powerful effects are nonetheless evident. In the first movement, Prevailing Winds, the piano presents a flurry of chord clusters that yield to an introductory flute melody. Ostinato patterns, prevalent throughout most of the movement in the piano, support the flute lines with a rhythmic drive. An extended flute cadenza explores motives presented to close the movement. The middle movement, Reflection/Refraction, reveals a slowly building spectrum of string and wind colors. Dissonance Tango continues and amplifies the push and pull of tensions, focusing on the power of passion as it develops in the heat of the Latin dance.
$22.00 20.13 € #Flute and Piano #Till MacIvor Meyn #Force of Nature #Till MacIvor Meyn #SheetMusicPlus

Sonata for Flute (or Violin) And Piano - Opus 6

Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits â€“ both musically and technically. The flute is capable of much more than just being pretty â€“ and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical â€“ the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.

#Sonata for Flute

Sonata for Flute No. 1 (Piano Score Only)

Sonata for Flute No. 1 (Piano Score Only) Flute and Piano

Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20…(+)

Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99 10.05 € #Flute and Piano #Ian Lester #Sonata for Flute No. 1 #Ian Lester #SheetMusicPlus

#Sonata for Flute No. 1