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Still Got Time
SheetMusicPlus
Sheetmusic to print
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Still Got The Blues
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.868576 By Gary Moo…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.868576 By Gary Moore. By Gary Moore. Arranged by Dean Mounts. Rock. Score and parts. 51 pages. Mounts Mounts #4324249. Published by Mounts Mounts (A0.868576). Rocker Garry Moore's 1991 hit is scored for a female vocal with big band in his Bluesy style. An optional alto sax part is provided to cover all guitar solos in the absence of a guitar. Playing time – 4:15.
$45.00
41.49 €
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Jazz Ensemble
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Gary Moore
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Still Got The Blues
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Mounts Mounts
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SheetMusicPlus
Ragtime Miniatures for Two Flutes - Set 2
2 Flutes (duet)
Flute - Intermediate - Digital Download Composed by Pat Holmberg. 21st Century, Ragti…
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Flute - Intermediate - Digital Download Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes – Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student’s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student’s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play—a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99
9.21 €
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2 Flutes (duet)
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Pat Holmberg
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Ragtime Miniatures for Two Flutes - Set 2
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Patricia Tanttila Holmberg
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SheetMusicPlus
Negotiations for Trombone and Harp
Harp, Trombone (duet)
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - Digital Download SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 pages. Sy Brandon #5287559. Published by Sy Brandon (A0.755284). Negotiations was inspired by the Kim/Trump summit in June 2018. It is not a political commentary, but rather a reflection on the three stages that often take place during the negotiation process. The first movement Bombastic is filled with syncopation, loud dynamics, and strong articulation. It is at a fast tempo. Each instrument presents its point of view with different motivic material. The trombone hammers away at making its point through fast repeated notes and both instruments repeat their motives frequently in an argumentative manner. The second movement Compromise is at a slow tempo and is imitative. The imitation varies in some degree as each side makes small adjustments to what the other side has said. Sometimes the imitation is through alternating phrases and other times it is more canonic. Accord is the title of the third movement. This movement proceeds as if the two instruments are one with the trombone stating the agreement and the harp supporting the trombone. Tweaks are still being made as slight variations occur as the material repeats, but the sense of accord is present throughout and the movement and composition end triumphantly.
$14.99
13.82 €
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Harp, Trombone (duet)
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Sy Brandon
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Negotiations for Trombone and Harp
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Sy Brandon
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SheetMusicPlus
Still Got Time
Piano, Vocal and Guitar
Interactive Download SKU: HX.376819 By PARTYNEXTDOOR and Zayn. This edition: Intera…
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Interactive Download SKU: HX.376819 By PARTYNEXTDOOR and Zayn. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 11 pages. Published by Hal Leonard Europe (HX.376819).
$4.99
4.6 €
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Piano, Vocal and Guitar
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PARTYNEXTDOOR and Zayn
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Still Got Time
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Hal Leonard Europe
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SheetMusicPlus
Still, Still, Still (Downloadable)
Organ
Organ - Medium - Digital Download SKU: MQ.10-360-09E Composed by Paul Manz. Advent,…
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Organ - Medium - Digital Download SKU: MQ.10-360-09E Composed by Paul Manz. Advent, Christmas, Passion/Palm Sunday. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-360-09E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-360-09E). Set 10 of the commemorative edition of the Ten Chorale Improvisation books that made Paul Manz such a well respected composer. Written over a period of time from 1968 to 1980, and include some of the most well-known works of Paul Manz. Each volume contains a biography of Dr. Manz, full indexes of his complete works as well as historical information.Tunes include: Go Tell It Gottes Sohn ist kommen O Jesu Christ, dein Kripplein Still, Still, Still Stowey Une jeune pucelle Valet will ich dir geben (2 settings) W zlobie lezy Wachet auf.
$5.00
4.61 €
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Organ
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Paul Manz
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Still, Still, Still
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Still, Still, Still - trombone quartet
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.726090 Composed by Aus…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.726090 Composed by Austrian traditional melody. Arranged by Todd Marchand. Christmas,Folk,Holiday,Traditional. Score and parts. 7 pages. Con Spirito Music #4792351. Published by Con Spirito Music (A0.726090). Still, Still, Still is an Austrian carol and lullaby thought to have originated c. 1819 in the state of Salzburg. The tune appeared for the first time in Salzburgische Volkslieder mit ihren Singweisen (1865), a collection of folk songs from Salzburg compiled by Maria Vinzenz Süß (1802-1868), with the text attributed to G. Gotsch.Although a number of verses exist, three are commonly sung in their English translation:Still, still, still, one can hear the falling snow. For all is hushed, the world is sleeping, Holy Star its vigil keeping. Still, still, still, one can hear the falling snow.Sleep, sleep, sleep, ’tis the eve of our Savior's birth. The night is peaceful all around you; close your eyes, let sleep surround you. Sleep, sleep, sleep, ’tis the eve of our Saviour's birth.Dream, dream, dream, of the joyous day to come, while guardian angels without number watch you as you sweetly slumber. Dream, dream, dream, of the joyous day to come.In this arrangement, three verses are presented, each with different harmonization and with the melody taken by different voices. ©Copyright 2016 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$10.00
9.22 €
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Austrian traditional melody
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Still, Still, Still - trombone quartet
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Con Spirito Music
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SheetMusicPlus
You've Got A Friend
Choral 3-part
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By Carole King. Arranged by Dan Signor. A Cappella,Folk,Jazz,Pop. Octavo. 6 pages. Sig #745007. Published by Sig (A0.1144670). Who knew that 3 part a cappella music could be so rewarding and fun?! I attempted to bring out the best of both renditions performed by James Taylor and Carole King. Intentionally shortened by omitting the second verse, this arrangement's emotional power will still shine through. The additional song references are designed to add just a bit of musical humor for not only the performers, but also the audience members who catch them in real time. Enjoy!
$2.99
2.76 €
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Choral 3-part
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James Taylor
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You've Got A Friend
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Sig
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SheetMusicPlus
He's Got The Whole World In His Hands (2-part choir - (SA) - Easy Choir Version)
Choral 2-part
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.672379 By Stephen DeCesare. …
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.672379 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Children,Christmas,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #281341. Published by Exultet Music (A0.672379). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored for a 2-part choir (SA) with Piano accompaniment. An accompaniment track is also available.
$3.99
3.68 €
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Choral 2-part
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
He's Got The Whole World In His Hands (2-part choir - (TB) - Easy Choir Version)
Choral 2-part
Choral Choir (TB) - Level 1 - Digital Download SKU: A0.672396 By Stephen DeCesare. …
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Choral Choir (TB) - Level 1 - Digital Download SKU: A0.672396 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Christmas,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 5 pages. Exultet Music #281357. Published by Exultet Music (A0.672396). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored for a 2-part choir (TB) with Piano accompaniment. An accompaniment track is also available.
$3.99
3.68 €
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Choral 2-part
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
He's Got The Whole World In His Hands (Duet for Soprano and Alto solo - Easy Vocal Duet Version)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.672380 By Stephen…
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Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.672380 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Children,Christmas,Easter,Praise & Worship,Sacred. 5 pages. Exultet Music #281342. Published by Exultet Music (A0.672380). Easy Vocal Duet Version: an arrangement for those with maybe not enough time to learn a piece but still want a full sound. The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored as a duet for a Soprano and an Alto solo with Piano accompaniment. An accompaniment track is also available.
$4.99
4.6 €
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Vocal duet, Piano
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
He's Got The Whole World In His Hands (Duet for Tenor and Bass solo - Easy Vocal Duet Version)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.672397 By Stephen…
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Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.672397 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Christmas,Easter,Praise & Worship,Sacred,Spiritual. 5 pages. Exultet Music #281358. Published by Exultet Music (A0.672397). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored as a duet for a Tenor and Bass solo with Piano accompaniment. An accompaniment track is also available.
$4.99
4.6 €
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Vocal duet, Piano
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
Für Fagott, Violoncell und Pianoforte
Cello, Piano
Bassoon, cello and piano - difficult - Digital Download SKU: S9.Q6353 Composed by B…
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Bassoon, cello and piano - difficult - Digital Download SKU: S9.Q6353 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 13 minutes. Schott Music - Digital #Q6353. Published by Schott Music - Digital (S9.Q6353). Nausea (lat., seasickness, disgust) – Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These subtitles of the two movements refer to a background idea of the piece – to bring musical gestures of anger on the one, mourning and desperation on the other hand together as close as possible. In both cases there are drudgingly dragged blocks of sound, circulating crumbles of motives, melodic fragments sometimes even reduced to single notes…. Nevertheless, in the end we can still hear an expanded relict of a drifty chant. Benjamin Schweitzer.
$33.99
31.34 €
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Cello, Piano
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Benjamin Schweitzer
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Für Fagott, Violoncell und Pianoforte
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Schott Music - Digital
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SheetMusicPlus
Long Time Gone
Guitar - Level 1 - Digital Download SKU: A0.1165743 By Crosby Stills and Nash. By D…
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Guitar - Level 1 - Digital Download SKU: A0.1165743 By Crosby Stills and Nash. By David Crosby. Arranged by Teresa Young. Instructional,Rock. Chords/Lyrics. 3 pages. Teresa Young #766115. Published by Teresa Young (A0.1165743). As it turns out, David Crosby's iconic song is as relevant today as it was in 1969. Rock out with your version of it. After all, you got to speak your mind, if you dare. This quick guide will get you started.Or choose Teresa Young's lead sheet with vocal melody, available here.
$2.99
2.76 €
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Crosby Stills and Nash
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Long Time Gone
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Teresa Young
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SheetMusicPlus
Long Time Gone
Piano solo
Piano - Level 1 - Digital Download SKU: A0.1166420 By Crosby Stills and Nash. By Da…
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Piano - Level 1 - Digital Download SKU: A0.1166420 By Crosby Stills and Nash. By David Crosby. Arranged by Teresa Young. Instructional,Rock. Score (Chords/Lyrics). 3 pages. Teresa Young #766802. Published by Teresa Young (A0.1166420). As it turns out, David Crosby's iconic song is as relevant today as it was in 1969. Rock out with your version of it. After all, you got to speak your mind, if you dare. This quick guide will get you started.Or choose Teresa Young's lead sheet with vocal melody, available here.
$2.99
2.76 €
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Piano solo
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Crosby Stills and Nash
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Long Time Gone
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Teresa Young
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SheetMusicPlus
If We But Suffer God To Guide Us(Wer nur den lieben Gott)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940840 Composed by Georg N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940840 Composed by Georg Neumark. Arranged by Michael D. McClish. Christian,Contemporary,Holiday,Sacred. Octavo. 12 pages. Michael D. McClish #6702049. Published by Michael D. McClish (A0.940840). This is a more contemporary choral arrangement of the familiar hymn, with a new melody that ties the arrangement together. It progresses from traditional harmony to more a more contemporary choral treatment, while still retaining the original feel of the hymn. This would be for a intermediate level church choir, and could be ready for a service in one rehearsal. The solo instrument could be solo violin or Bb clarinet, both fit the melody beautifully. This is one of a series of hymn arrangements I am writing that follow the church year, this one would be a New Year's hymn, but of course could be sung anytime. It is around three minutes, perfect for a typical service.
$2.00
1.84 €
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Choral SATB
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Georg Neumark
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If We But Suffer God To Guide Us(Wer nur den lieben Gott)
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Michael D. McClish
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SheetMusicPlus
You've Got A Friend (SATB)
Choral SATB
SATB - Intermediate - Digital Download By Carole King. Arranged by Richard Swan. Scor…
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SATB - Intermediate - Digital Download By Carole King. Arranged by Richard Swan. Score, Set of Parts. 28 pages. Published by Richard Swan
This is the SATB score of the arrangement that I wrote for a lockdown project which I did with my choir, London City Voices. At the time of writing, we've raised over £95K for Women's Aid. It's pretty straightforward, and fairly easy to sing, but it's effective. The altos split for a couple of notes, but it still works with either if you don't have the resources to divide. Piano accompaniment and chords included. You can see many more of my arrangements being sung on www.londoncityvoices.co.uk/media, or you can reach me on @richard_swan on Twitter.
$4.50
4.15 €
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Choral SATB
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Carole King
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You've Got A Friend
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Richard Swan
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.58 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
HOLY LORD
Piano solo
Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
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Piano solo
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
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SheetMusicPlus
HOLY LORD 2
Piano solo
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
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Piano solo
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
Bring His Love
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
1.83 €
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Choral SATB
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the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
SOS REACHING THE FUTURE
Piano solo
Piano - Digital Download SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above
$4.99
4.6 €
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Piano solo
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THEMIS KOUTRAS
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SOS REACHING THE FUTURE
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THEMIS KOUTRAS
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SheetMusicPlus
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