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You've selected:
Ysaÿe M
Sheetmusic to print
17 sheet music found
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1
Hope (Downloadable)
SAATTB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.…
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SAATTB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.9294-E Composed by Ysaÿe M. Barnwell. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #9294-E. Published by E. C. Schirmer Music Company - Digital (MQ.9294-E). English.This work for mixed chorus carries a message for our society to keep striving for positive change. It's repetitive nature enables the ensemble to emphasize the message.
$2.85
2.67 €
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Ysaÿe M
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Hope
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Spiritual (Downloadable)
Choral SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.92…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.9285-E Composed by Ysaÿe M. Barnwell. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #9285-E. Published by E. C. Schirmer Music Company - Digital (MQ.9285-E). English.
$2.85
2.67 €
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Choral SATB
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Ysaÿe M
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Spiritual
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
No Mirrors in My Nana's House (Downloadable)
Choral SATBB
SATBB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9286-E Compo…
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SATBB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9286-E Composed by Ysaÿe M. Barnwell. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #9286-E. Published by E. C. Schirmer Music Company - Digital (MQ.9286-E).
$2.85
2.67 €
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Choral SATBB
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Ysaÿe M
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No Mirrors in My Nana's House
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sound-Bite from Beijing (Downloadable)
Choral
4-part treble choir (choir divisi) unaccompanied, with optional string bass or tuned percu…
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4-part treble choir (choir divisi) unaccompanied, with optional string bass or tuned percussion - Moderately Easy - Digital Download SKU: MQ.9287-E Composed by Ysaÿe M. Barnwell. African American Heritage. 28 pages. E. C. Schirmer Music Company - Digital #9287-E. Published by E. C. Schirmer Music Company - Digital (MQ.9287-E). English.From the Ysaÿe M. Barnwell collection, Sound-Bite from Beijing reinforces the strength of women of the world. It has harmonic challenges but is repetitive enough that it is accessible for high school and collegiate treble choirs.
$3.25
3.04 €
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Choral
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Ysaÿe M
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Sound-Bite from Beijing
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Wanting Memories (Downloadable)
Choral SATB
Solo voice and SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.92…
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Solo voice and SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9280-E Composed by Ysaÿe M. Barnwell. African American Heritage. 24 pages. E. C. Schirmer Music Company - Digital #9280-E. Published by E. C. Schirmer Music Company - Digital (MQ.9280-E). English.Wanting Memories is on Ysaÿe Barnwell's most frequently performed and best-known compositions. Her words speak to the power of relationships and how those relationships form and shape who we become as people.
$3.20
2.99 €
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Choral SATB
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Ysaÿe M
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Wanting Memories
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
We Are (Downloadable)
Solo voice or small ensemble and SATB choir choir divisi, unaccompanied - Moderately Easy …
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Solo voice or small ensemble and SATB choir choir divisi, unaccompanied - Moderately Easy - Digital Download SKU: MQ.9284-E Composed by Ysaÿe M. Barnwell. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #9284-E. Published by E. C. Schirmer Music Company - Digital (MQ.9284-E). English.
$2.85
2.67 €
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Ysaÿe M
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We Are
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Would You Harbor Me? (Downloadable)
SSAATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9288-E Comp…
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SSAATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9288-E Composed by Ysaÿe M. Barnwell. 8 pages. E. C. Schirmer Music Company - Digital #9288-E. Published by E. C. Schirmer Music Company - Digital (MQ.9288-E). English.
$2.25
2.11 €
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Ysaÿe M
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Would You Harbor Me?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
There Is a Balm in Gilead (Downloadable)
Choral
4-part treble choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9297-E
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4-part treble choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9297-E Composed by Ysaÿe M. Barnwell. Ash Wednesday, Funeral, African American Heritage. 12 pages. E. C. Schirmer Music Company - Digital #9297-E. Published by E. C. Schirmer Music Company - Digital (MQ.9297-E). English.
$2.65
2.48 €
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Choral
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Ysaÿe M
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There Is a Balm in Gilead
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Wanting Memories (Downloadable)
Solo voice and SAB choir unaccompanied - Easy - Digital Download SKU: MQ.9282-E Com…
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Solo voice and SAB choir unaccompanied - Easy - Digital Download SKU: MQ.9282-E Composed by Ysaÿe M. Barnwell. 24 pages. E. C. Schirmer Music Company - Digital #9282-E. Published by E. C. Schirmer Music Company - Digital (MQ.9282-E). English.
$3.20
2.99 €
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Ysaÿe M
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Wanting Memories
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Wanting Memories (Downloadable)
Solo or small ensemble and 4-part treble choir unaccompanied - Moderately Easy - Digital D…
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Solo or small ensemble and 4-part treble choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.9281-E Composed by Ysaÿe M. Barnwell. African American Heritage. 24 pages. E. C. Schirmer Music Company - Digital #9281-E. Published by E. C. Schirmer Music Company - Digital (MQ.9281-E). English.
$3.20
2.99 €
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Ysaÿe M
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Wanting Memories
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
12.12 €
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Violin and Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.44 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
San Francisco
Digital Download SKU: A0.1416312 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416312 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,Traditional,World. Full Performance. Duration 179. ArtIA #997994. Published by ArtIA (A0.1416312). Plongez dans une version réimaginée et profondément personnelle de San Francisco de Maxime Le Forestier, interprétée avec émotion par Cédric. J'explore comment la magie de la musique peut être transcendée grâce à l'intelligence artificielle et à la passion vocale, donnant naissance à des chefs-d'œuvre rénovés qui touchent l'âme.Cette réinterprétation de San Francisco ne se contente pas de rendre hommage à la chanson emblématique française; elle la réinvente, en tissant des liens entre le passé et le présent, entre l'authenticité des émotions humaines et les possibilités infinies offertes par la technologie moderne.Le clip visuel qui accompagne cette mélodie intemporelle vous transporte à travers une série de scènes captivantes, allant des rues emblématiques de San Francisco aux paysages urbains actuels, illustrant la beauté intemporelle de la ville et l'esprit de liberté et de communauté qu'elle incarne.Rejoignez Cédric dans ce voyage musical et visuel à travers San Francisco, où chaque note et chaque image racontent une histoire d'amour, de rêves, et d'appartenance. C'est une invitation à redécouvrir cette mélodie légendaire à travers une nouvelle voix, une nouvelle perspective, offrant une expérience à la fois nostalgique et rafraîchissante.San Francisco par Cédric, maintenant disponible. Laissez-vous emporter par cette interprétation captivante et voyez par vous-même comment une chanson peut être transformée en une expérience nouvelle et émouvante.
$1.99
1.86 €
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Cédric Hermand
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San Francisco
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ArtIA
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SheetMusicPlus
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Medium voice, Piano
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by…
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
18.67 €
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Medium voice, Piano
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Jacques Leguerney
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Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Amazing Grace - Solo Bassoon & Piano
Bassoon, Piano (duet)
Small Ensemble Bassoon,Piano - Level 3 - Digital Download SKU: A0.572824 Composed b…
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Small Ensemble Bassoon,Piano - Level 3 - Digital Download SKU: A0.572824 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contemporary,Holiday,Multicultural,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #4335005. Published by James M Stevens Music ASCAP (A0.572824). This is an original arrangement for Bassoon and Piano of the classic devotional hymn, Amazing Grace. There is a separate bassoon part in the score and track as heard is available under Amazing Grace Piano Track - E Flat Major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=8XnNq1ysAPE
$6.99
6.54 €
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Bassoon, Piano (duet)
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Traditional American Melody
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Amazing Grace - Solo Bassoon & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Confidence / Danse
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle A…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
3.7 €
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Guitar
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
David, Félicien : Rêverie (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.<br>Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides.<br>L'écriture de Félicien David ne manque pas de couleurs. Cependant il n'essaie pas d'appliquer l'exotisme du Moyen-Orient. Les mélodies chantent naturellement à travers ses pièces.<br> Rêverie révèle beaucoup de surprises. Le compositeur nous entraîne dans un voyage agité où rêverie rime avec intrépidité. Chevauchée mélodique et rythmique interrompues de contre temps, de silences, qui nous amène à découvrir des paysages changeants et très différents dans l'instant musical. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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David, Félicien
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Rêverie
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Note4Piano
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