| For Echo is the Soul of the Voice Hautbois, Voix Ione Press
Composed by Daniel Pinkham (1923-2006). For high voice, oboe. 20th Century, Secu...(+)
Composed by Daniel
Pinkham (1923-2006). For
high voice, oboe. 20th
Century, Secular. 16
pages. Published by Ione
Press
$9.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wings of the Grasses Hautbois, Voix Oxford University Press
Composed by Hilary Tann (1947-). For Voice Solo and Oboe. 8 pages. Duration 3.5'...(+)
Composed by Hilary Tann
(1947-). For Voice Solo
and Oboe. 8 pages.
Duration 3.5'. Published
by Oxford University
Press
$14.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ralph Vaughan Williams: Ten Blake Songs Hautbois, Voix [Partition] Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958), lyrics by William Blake. Collect...(+)
Composed by Ralph Vaughan
Williams (1872-1958),
lyrics by William Blake.
Collection for voice and
oboe. 14 pages. Published
by Oxford University
Press.
(1)$26.50 - Voir plus => Acheter | | |
| bel Canto [Conducteur] Breitkopf & Härtel
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo SKU:
BR.EB-9240 For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240). ISBN
9790004185407. 9 x 12
inches. Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter). $36.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| C.I.D. Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Fennica Gehrman
Wind quintet SKU: FG.55011-296-4 Composed by Kirmo Lintinen. Set of parts...(+)
Wind quintet SKU:
FG.55011-296-4
Composed by Kirmo
Lintinen. Set of parts.
Published by Fennica
Gehrman (FG.55011-296-4).
ISBN
9790-55011-296-4. T
his work was premiered by
Idee Fixe Wind Quintet in
Helsinki in January 2010.
The first movement is a
four-voiced canon, the
second a fantastic
variation on one tone:
F-sharp/G-flat. Danza,
the last movement further
develops the thematic
material from Canon. The
duration of the work is
ca. 12 minutes. $40.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| C.I.D. Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur] Fennica Gehrman
Wind quintet SKU: FG.55011-297-1 Composed by Kirmo Lintinen. Score. Publi...(+)
Wind quintet SKU:
FG.55011-297-1
Composed by Kirmo
Lintinen. Score.
Published by Fennica
Gehrman (FG.55011-297-1).
ISBN
9790-55011-297-1. T
his work was premiered by
Idee Fixe Wind Quintet in
Helsinki in January 2010.
The first movement is a
four-voiced canon, the
second a fantastic
variation on one tone:
F-sharp/G-flat. Danza,
the last movement further
develops the thematic
material from Canon. The
duration of the work is
ca. 12 minutes. $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Spell Song Hautbois Schott
For oboe. Composed by Toshio Hosokawa (1955-). Sheet music. Woodwind Solo...(+)
For oboe. Composed
by Toshio Hosokawa
(1955-). Sheet music.
Woodwind Solo. Classical.
Softcover. Composed
2014-2015. 1191. Duration
7'. Schott Music #SJ1191.
Published by Schott Music
(HL.49045466).
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Individualized Instructor: Book 3 - Oboe Hautbois GIA Publications
Oboe SKU: GI.G-M3OB Sing Drum and Play. Composed by James Froseth....(+)
Oboe SKU:
GI.G-M3OB Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3OB. Published by GIA
Publications (GI.G-M3OB).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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