PARTITIONS GRATUITES : CHANT - CHORALE
- Tribute for Organ

By Robert Lind. For Organ. Choral, General. Easy. Sheet music. Published by Paraclete Press

Composed by Henry Mollicone (1946-). For soprano voice solo, piano. Secular, 21st century. Moderately difficult. Collection. Published by Ione Press

SATB (with Organ). Composed by Alexander L'Estrange. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Choral Octavo. Faber Music #12-057157212X. Published by Faber Music (AP.12-057157212X). 0.49

SATB choir, organ accompaniment, violin 1, violin 2, cello, trombone 1, trombone 2 - Intermediate

SKU: GI.G-7177

Parvulus filius / Behold the Little Child. Composed by Franz Schneider. Edited by Jane Hettrick. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Ars Antiqua Series. Sacred. Octavo. 16 pages. GIA Publications #7177. Published by GIA Publications (GI.G-7177).

UPC: 785147717706. English, Latin. Text source: Isaiah 9:6, Latin Vulgate, alt.; Translation: Jane Hettrick. Scripture: Isaiah 9:6.

The text, Isaiah 9:6, is found as the offertory for Christmas in the Roman Missal. The music is pure classical period—think Haydn, to whom this piece, incidentally, has been wrongly attributed. Scored for organ and choir, with three strings and two trombones, it includes both Latin and English texts. SATB. GIA is pleased to offer this edited and translated version of the Christmas offertory Parvulus filius by Franz Schneider.  Based on research from the Melk archive of the Benedictine monastery in Lower Austria, Jane Hettrick has prepared a fantastic edition of this little-known historical gem.  The text is provided in both Latin and English, and a continuo of two violins, cello, and two trombones (which double the alto and tenor voices) is also available.  Editorial slurs and articulations are also provided.

SSAA chorus, Organ - Medium

SKU: JK.00747

Composed by Evan Stephens. Arranged by Robert P. Manookin. Choral SA, Difficulty Medium, Organ Choir, Prayer, Prophets. Christian, Inspirational. Duration 4:30. Jackman Music Corporation #00747. Published by Jackman Music Corporation (JK.00747).

Doctrine and Covenants 107:22.

This loving anthem for women's chorus (SSAA) and organ accompaniment was performed by the Mormon Tabernacle Choir in 1974 as a tribute to our prophet: We ever pray for thee our prophet dear.... One part may be sung a cappella.
Composer: Evan Stephens
Arranger: Robert P. Manookin
Lyricist: Evan Stephens
Difficulty: Medium
Performance time: 4:30
Reference: Doctrine and Covenants 107:22.

SSATB/SSATB Double Chorus, with organ SATB Choir and Organ (SSATB & ORGAN) - Grade 3

SKU: HL.14043187

Composed by John Tavener. Music Sales America. Classical. Octavo. 30 pages. Chester Music #CH81257. Published by Chester Music (HL.14043187).

6.75x10.0x0.099 inches.

Monument for Beethoven, by John Tavener was commissioned by the Southbank Centre, and was premiered on 18 March 2014 at the Royal Festival Hall, London. The composer writes: Based on the words of Beethoven's Last Prayer and on Beethoven's music, Monument for Beethoven is a humble tribute to a Master. The final section quotes from the closing bars of the Missa Solemnis..

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.