PARTITIONS GRATUITES :
- A New Ground for Flute Choir

SATB choir - Moderate

SKU: LP.765762174207

Composed by Chris Tomlin & Ed Cash. Arranged by Gary Rhodes & Tim Cates. Anthems. Praise & Worship and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174207).

UPC: 765762174207.

Easy- to-learn melody and accessible choral writing make this new offering from popular solo artist Chris Tomlin and arranger Gary Rhodes a perfect addition to the Christmas choral repertoire of any church. Gentle and reverent with a sensitive artistic touch this new classic is sure to carry listeners to a place of worship at that hallowed manger ground. Instrumentation: Flute 1 & 2 Oboe Clarinet Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3/Tuba Percussion Rhythm Harp Violin 1 & 2 Viola Cello String Bass Substitute Instrumentation: Keyboard String Reduction; Soprano Sax (sub for Oboe); Alto Sax 1 & 2 (sub for Horn 1 & 2); Baritone T.C./Tenor Sax (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3/Tuba); Bassoon/Bass Clarinet (sub for Cello).

Guitar, C instrument 1, C instrument 2, flute, violin, cello, trumpet in C, trumpet in B-flat

SKU: GI.G-9538INST

Traditional Hymns for Contemporary Ensembles. Arranged by Chris De Silva. This edition: Instrument edition. Sacred. Instrumental part(s). 76 pages. GIA Publications #9538INST. Published by GIA Publications (GI.G-9538INST).

UPC: 785147953890.

  Revival is a long overdue resource that provides fresh accessible arrangements of classic hymns for contemporary ensembles. Each arrangement is scored for SAB choir, piano, guitar, and optional instrumental parts. For added texture, the final stanza of each hymn includes an alternate harmonization of the accompaniment with a soprano descant. These fourteen arrangements will open a whole new set of treasured hymns to piano and guitar based ensembles. Compatible with the versions founds in GIA’s most recent hymnals, each of these arrangements is intended to support and inspire the sung prayer of the assembly. Every one will find a comfortable home in your repertoire throughout the liturgical year! A special spiral bound edition of Revival is also available. This edition is perfect for accompanists who would also like to use these hymn arrangements as preludes, interludes, or postludes.   Collections like Revival are not simply a way for contemporary ensembles to plant deeper roots and tap into more traditional repertoires. It is a way for all of us to hear old hymns with new ears, in a new way. --Fr. Anthony Ruff, OSB, Associate Professor of Theology at St. John's Abbey Quote from Pray Tell Blog. Click here to read full article Tony Alonso’s Revival offers us fourteen wonderfully arranged familiar hymns—musically accessible and a delight to sing. Flexibly crafted for voices, piano and guitar with lovely optional descants, this is an ecumenical gift and bridge-builder between classical and contemporary approaches to hymns in the liturgy. It should be in every parish’s working library. --Don Saliers, Professor of Theology and Worship at the Candler School of Theology In his new collection, Revival, Tony Alonso marks the 500th anniversary of a great divide in the church by bridging the chasm between Catholic and Protestant, contemporary and traditional, Appalachian and European. His arrangements for voices, piano, and guitar—with options for using other instruments as well—allow for improvisation and adaptation while remaining accessible for a wide range of musicians. Although these hymns are designed to be used by contemporary ensembles, they lend themselves to use in a variety of worshiping contexts. Alonso's arrangements will entice you to sing along--Revival is a great gift to the whole church! --Kimberly Bracken Long, Editor of Call to Worship: Liturgy, Music, Preaching, & the Arts Tony Alonso’s, Revival, is an invaluable resource to help find common ground among “contemporary� � and “traditional” choirs and ensembles by making hymnody approachable to those who may have shied away from it for stylistic reasons. It is also a great educational tool for organists and pianists who are seeking ways to improve their improvisatory keyboard skills by modeling accompaniment styles and improvisatory patterns that support and enhance the singing of traditional hymns. ​--​Dominic Trumfio, Associate Director of Worship Music at Old St. Patrick's Church, Chicago.

Orchestra Soli SSTB, SATB Choir/SATB, Fl, 2 Ob, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, 2 Va, Bc

SKU: CA.5165109

Completed and edited by Frieder Bernius & Uwe Wolf. Composed by Wolfgang Amadeus Mozart. Edited by Uwe Wolf, Frieder Bernius. Arranged by Frieder Bernius, Uwe Wolf. 1x 51.651/21 flute, 1x 51.651/22 oboe 1, 1x 51.651/23 oboe 2, 1x 51.651/24 bassoon 1, 1x 51.651/25 bassoon 2, 1x 51.651/31 horn 1, 1x 51.651/32 horn 2, 1x 51.651/33 trumpet 1, 1x 51.651/34 trumpet 2, 1x 51.651/35 trombone 1, 1x 51.651/36 trombone 2, 1x 51. Stuttgart Urtext Edition: Mozart. Missa In C Ed. Bernius,Wolf. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. KV 427. Duration 55 minutes. Carus Verlag #CV 51.651/09. Published by Carus Verlag (CA.5165109).

ISBN 9790007225278. Key: C minor. Language: Latin.

The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score and parts available separately - see item CA.5165100.