| The Best Of The Gipsy Kings Piano, Voix et Guitare Music Sales
Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seco...(+)
Piano/Vocal/Guitar Artist
Songbook. General
Merchandise. Duration 240
seconds. Music Sales
#AM1003200. Published by
Music Sales
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Junto a Rodrigo. An Anthology of Contemporary Music for Guitar (Podera, Reghezza, Simoni, Smaili, Ugoletti) Guitare Ut Orpheus
Guitar SKU: UT.CH-289 Edited by Piero Bonaguri. Saddle stitching. Piero B...(+)
Guitar SKU:
UT.CH-289 Edited by
Piero Bonaguri. Saddle
stitching. Piero Bonaguri
Collection. Classical. Ut
Orpheus #CH 289.
Published by Ut Orpheus
(UT.CH-289). ISBN
9790215325852. 9 x 12
inches. Giovanni
Podera: Fantasia
(In memoriam JoaquÃn
Rodrigo) Marco
Reghezza: Nana
Estrellada Marco
Simoni: Junto a
Rodrigo Marco
Smaili: Fronda de
la tarde (Homenaje a
JoaquÃn
Rodrigo) Paolo
Ugoletti: Fuga a
4
voci
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Mucha
s gracias por este
emotivo y excelente
musical homenaje a mi
padre. La edición es
excelente y la
difundiremos con todos
nuestros medios por las
redes sociales a nuestro
alcance. Ha sido un gran
trabajo por su parte,
fruto de sus grandes
conocimientos
guitarrÃsticos y su
devoción por
JoaquÃn Rodrigo.Â
Le reitero mi gratitud y
mi felicitación con el
ruego transmita a los
cinco compositores mi
felicitación y deseos
de éxito.
(Cecilia
Rodrigo). $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Legend Of Spirit Island Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.AMP-449-010 For
Euphonium and Band.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2017.
Anglo Music Press #AMP
449-010. Published by
Anglo Music Press
(BT.AMP-449-010).
English-German-French-
Dutch. The
Legend of Spirit
Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap of the St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter of
Ojibwe Chief Buckado. He
was handsome and she was
beautiful; it
wasn’t long before
they fell in love. This
is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical
sections.
The
Legend of Spirit
Island werd
geschreven in opdracht
van de het Twin Ports
Wind Orchestra uit
Duluth, Minnesota
(dirigent Mark Whitlock)
als eerbetoon aan
euphoniumspeler Dick
Carlson. De titel van het
werk is afkomstig van een
lokale legende over
Spirit Island, dat dicht
bij Duluth in een
verbreding van de St.
Louis River Spirit Lake
¬ligt. Deze legende
gaat over Chaska, de zoon
van een
Dakota-opperhoofd, en
Wetona, de dochter van
Ojibwe-opperhoofd
Buckado. Hij was knap en
zij was mooi; het duurde
niet lang of de twee
waren verliefd op elkaar.
De uitdagende
euphoniumsolo biedt de
solist de mogelijkheid om
expressieve melodieën
te verkennen en zijn of
haarspeelvaardigheid te
demonstreren.
The Legend of
Spirit Island wurde
vom Twin Ports Wind
Orchestra aus Duluth,
Minnesota (Dirigent: Mark
Whitlock), in Auftrag
gegeben, um den
Euphoniumspieler Dick
Carlson zu ehren. Der
Titel des Stückes
leitet sich von einer
Legende über die Insel
Spirit Island ab, die in
einem Bereich des St.
Louis River liegt, der
Spirit Lake genannt wird.
Die Legende handelt von
Chaska, dem Sohn eines
Dakota-Häuptlings, und
Wetona, der Tochter des
Ojibwe-Häuptlings
Buckado. Er war gut
aussehend und sie war
schön, und so dauerte
es nicht lange, bis sie
sich ineinander
verliebten. In diesem
anspruchsvollen Stück
kann der Euphonium-Solist
sehr ausdrucksvolle
melodische Sequenzen,
aber auchenergiegeladene,
technische Abschnitte
erkunden.
The
Legend of Spirit
Island est une
commande du Twin Ports
Wind Orchestra de Duluth,
Minnesota (dirigé par
Mark Whitlock), en
l’honneur de son
joueur
d’euphonium, Dick
Carlson.
L’œuvre prend
son titre d’une
légende locale
concernant Spirit Island,
une île qui se trouve
dans un élargissement
du fleuve St. Louis
appelé Spirit Lake. La
légende raconte
l’histoire de
Chaska, fils d’un
chef des Dakotas, et de
Wetona, la fille du chef
des Ojibwés, Buckado.
Il était beau et elle
était magnifique, et
il n’a pas fallu
longtemps pour
qu’ils tombent
amoureux. Ce solo
exigeant pour euphonium
solo permet au soliste
polyvalent
d’explorer des
séquences
mélodiques très
expressives,ainsi que des
sections énergiques et
techniques.
The Legend of
Spirit Island è
stata commissionata dalla
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
direttore), per onorare
il suonatore di eufonio
Dick Carlson. Il titolo
si ispira da una leggenda
locale sullo spirito
dell’isola, che si
troverebbe in un punto
del fiume St.Louis
chiamato Spirit Lake. La
leggenda racconta la
storia di Chaska, il
figlio di Dakota Chief, e
Wetona,la figlia di
Ojibwe Chief Buckado. Lui
era bello e lei era
bellissima; non passò
molto tempo prima che si
innamorassero. Un brano
per eufonio solista molto
impegnativo nel quale un
solista con versatilit
può esplorare sequenze
melodiche molto
espressive, oltre a
sezioni
tecnicheenergiche. $201.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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