PARTITIONS GRATUITES :
- Drea\\\'s Accordes

Horn, piano

SKU: FG.55011-428-9

Composed by Kai Nieminen. Part. Fennica Gehrman #55011-428-9. Published by Fennica Gehrman (FG.55011-428-9).

ISBN 9790550114289.

Kai Nieminen's music has been described as often constructed according to a narrative logic, as fantasy journeys in imaginary or dream-like worlds. Most of his works have an extra-musical stimulus, alluded to in their titles. They are not, however, really programmatic music, being constructed according to their own musical laws. The titles do nevertheless reflect the original stimuls and provide something of a guideline to the listening experience. The initial inspiration may be in literature or art, or equally well in an urban streetscape or nature.
In Ancient Songs (Dreaming of the Queen of Sheba) the second movement is dedicated to the 16th-century Spanish composer Luis de Narvaez.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 4

SKU: CF.CAS98

Composed by Bud Woodruff. SWS FS. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+2+16 pages. Duration 2 minutes, 54 seconds. Carl Fischer Music #CAS98. Published by Carl Fischer Music (CF.CAS98).

ISBN 9781491146583. UPC: 680160904082. 9 x 12 inches. Key: G major.

Composer Bud Woodruff takes his musical inspiration for Adventurer's Dream from a rooster named Wally. Mr. Woodruff turns this charming four-note crow into the main thematic material for this piece that is reminiscent of classic movie scores.
The principal theme to this piece has an interesting history . We had a very young rooster named Wally . He had a quite rhythmic four-pitched crow, which was very unique and consistent . As he aged, his crow settled into pitches and the opening melodic figure of this piece is the very pitches and rhythm of Wally’s crow . However, Wally had a touch of a glissando between the last two pitches, which I chose to eliminate, for musicality’s sake . Wally's crow is spun out in different ways and used one way or another in all the sections of the piece . Wally was a very energetic, if not egotistical, young bird, and the piece should be performed accordingly, in a dashing, swashbuckling, heroic style, which Wally would appreciate greatly and agree that it was very appropriate!Rehearsal suggestions:The most difficult thing to accomplish in this work will be deciding if you want the repeated eight-note figure on the string or off the string . I don’t care as long as it sounds staccato . On the string, it needs to be played at or by the camber point; off the string, that point will change depending upon your tempo, but the stroke itself should remain consistent .Although the basses never have the melody, they are a critically important section and can make or break this piece . Their part counters the others and fills in rhythmic gaps in a number of places . It needs to be played aggressively and metronomically; they are the glue that makes the piece work . The cellos need to sing for all they are worth at m . 63 and do so with joy in their hands . Their theme needs to be very lyrical and smooth . The countermelody at m . 79 should be understated, yet not buried while being intertwined with the cellos’ theme . It harkens back to the main theme and needs a dreamy quality to it .The piece was written as a string orchestra piece . The optional harp part was added later and is not necessary for an effective performance of the piece . However, it does add some extra variety and color to the piece, and reinforces the basses when they fill in those rhythmic gaps to which I referred earlier .A very special thanks goes to harpist Jane Minnis for the great and insightful suggestions for this part .Thank you for playing this piece . I trust you will enjoy it as much as I do .

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen, Christin Heitmann. For orchestra. This edition: Urtext edition. Stapled. Score. Text Language: German/English. Hob. I:48. Duration 27 minutes. Published by Baerenreiter Verlag

Clarinet - late intermediate

SKU: BT.1250-05-404-DHI

Composed by Joachim Johow. Book with Online Audio. Composed 2021. 24 pages. De Haske International #1250-05-404 DHI. Published by De Haske International (BT.1250-05-404-DHI).

ISBN 9789043161695. 9x12 inches. English-German-French-Dut ch.

A collection of original Irish songs designed for violinists produced following years of research. Ideal for concert performances or for private study, the songs range from fast jigs to quiet ballads. With chord symbols to enableperformance with guitar, a harmonica or a banjo. This publication comes with audio tracks (available online in MP3 format) featuring complete performances together with play-along accompaniments.

Deze geslaagde collectie van oude en nieuwe dansen geeft je de kans om mooie folkmuziek te spelen. De stukken in Irish Melodies variëren van snelle, meeslepende jigs tot rustige songs in balladstijl. Om uitvoeringen metanderen mogelijk te maken zijn akkoordsymbolen toegevoegd. De stukken kunnen bijvoorbeeld worden gespeeld in combinatie met instrumenten als gitaar, fluit of banjo die bijzonder geschikt zijn voor de originele speelstijl. Delive opgenomen audiotracks zijn online beschikbaar in mp3-formaat en bevatten voorbeeldversies en begeleidingen van alle melodieën uit het boek, erg handig om mee te studeren óf om mee op te treden.

Diese Sammlung von original irischer Musik bietet etwas fortgeschritteneren Spielern einen Einblick in die Schönheit und den Reichtum von neuen und traditionellen Melodien. Die 17 Stücke variieren von schnellen Jigs bis zu ruhigenBalladen und können alleine oder bei Auftritten gespielt werden. Dank der notierten Akkordsymbole kann man sich stilecht von Gitarre, Akkordeon oder Banjo begleiten lassen. Die online im MP3-Format verfügbaren Audiotracks, dieneben Demoversionen auch Begleitungen aller Stücke umfassen, helfen beim Üben und Vorspielen.

Ce recueil de musique irlandaise permet d'approfondir ses connaissances stylistiques travers des airs irlandais anciens et récents. Les piéces peuventêtre interprétée s en associant des instruments comme la guitare, l'accordéonou le banjo (symboles d´accord notés sur les partitions). Les enregistrements sont disponibles en ligne au format MP3 ; vous trouverez une version de démonstration de chaque piéce ainsi qu´une version play-along.

Questa pubblicazione di musica irlandese permette ai musicisti con gi qualche anno di pratica strumentale di approfondire la conoscenza stilistica attraverso arie antiche e più recenti. I brani possono essere interpretati assiemea strumenti quali la chitarra, la fisarmonica o il banjo (simboli degli accordi segnati sulla partitura). Le registrazioni audio sono accessibili online come file MP3: troverete una registrazione integrale di tutti i brani e ancheuna versione play-along col solo accompagnamento.

By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, and 70; EG 121-157, Edition in original keys in accordance with Edvard Grieg: Complete Works (volume 14), edited by the Edvard Grieg Committee, Oslo (urtext). Published by C.F. Peters.