| Still, My Soul, Be Still
Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Keith Getty. Arranged by Kristyn Getty. For SATB Choir and Piano (with option...(+)
By Keith Getty. Arranged
by Kristyn Getty. For
SATB Choir and Piano
(with optional clarinet
obbligato). Sacred
Anthem: General, Lent.
Octavo. Published by
Lorenz Publishing Company
(2)$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony AD 78 Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute,
Oboe 1/2, Bassoon 1/2, Eb
Clarinet, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet, Bb Bass
Clarinet, Eb Alto
Saxophone 1/2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, 1st Bb Cornet,
2nd/3rd Bb Cornet, 1) -
grade 5 SKU:
CN.S11158 Composed by
Gordon Jacob. Band Music.
Score only. Duration
15:30. Published by G & M
Brand Music Publishers
(CN.S11158). A
powerful work. An opening
fanfare leads directly to
an Allegro risoluto,
which exudes
determination and
forthrightness. The
second movement follows
without a break and is a
continuous plaint in
which the melody seems
forever seeking
resolution like a
troubled soul searching
for respite. Only in the
closing bars does peace
seem to take over. The
final movement, marked
Allegro non troppo,
starts with a cheering
fanfare that leads to a
bright and breezy romp,
with a rustic feel about
it. When the fanfare
reappears we are suddenly
immersed in exaltations
of joy that really give a
feeling of optimism as we
proceed to the end of the
piece via a short
Coda.
With this
Symphony, Gordon Jacob
proclaims his absolute
mastery of idiom and
instrumentation with a
triumphant rejoicing.
Written in 1978 as a
commission from Arthur
Doyle (hence the AD in
the title, a typical
piece of Jacob wit), it
lay virtually unplayed
save for the efforts of
his Estate, Troy Peterson
and Geoffrey Brand and
CBDNA (College Band
Directors Association,
USA), who between them
ensured that it was
professionally recorded
in 1994 and published in
1995. There is little
point in indulging in
semantics as to whether
the piece is a Symphony.
It is Jacob's approach to
his tuneful, folk-based
material which is
symphonic: weighty in
exposition and
development, sonorous and
expressive in the slow
movement, with a
scherzo-like last
movement and a giocoso
coda. After a brilliant
opening fanfare, the
quick triple-meter first
theme (Allegro Risoluto)
is introduced on
clarinets, punctuated
with brass. It is soon
followed by a contrasting
melody for saxophone. In
all this material the
interval of a 4th is
prominent, and throughout
the work the 4th and 7th
are important. Perhaps it
is the frequent use of
the 7th which gives a
feeling of restlessness
without resolution which
pervades this movement as
the themes are dissected
and developed. The second
movement follows directly
after a horn bridge.
Still the melody outlines
the 7th and the ear is
not satisfied until the
full band (with organ),
comes to rest in Bb
major. This point of
repose and the magic
pianissimo which follows
shortly after when the
slow theme is re-stated,
are the apex of the
Symphony's construction.
Soon, however, we are
transported, via a
fanfare, into a
helter-skelter 9/8 romp:
rustic, English, and
almost vulgar, this theme
is thrown around the
group before exploding
into a boisterous 2/4
coda. $30.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Romance oubliee (Forgotten Romance) for Euphonium and Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Composed by Franz Liszt (1811-1886). Arranged by Ralph Sauer. Romantic. Solo par...(+)
Composed by Franz Liszt
(1811-1886). Arranged by
Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2870).
$22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Romance oubliee (Forgotten Romance) for Tuba or Bass Trombone & Piano - Avancé Cherry Classics
Tuba or bass trombone and piano - advanced SKU: CY.CC2895 Composed by Fra...(+)
Tuba or bass trombone and
piano - advanced SKU:
CY.CC2895 Composed by
Franz Liszt. Arranged by
Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2895).
Liszt composed
the Romance oubliee
around 1844 for Piano. It
was forgotten until he
heard Violist Hermann
Ritter at the first
performance of Wagner's
Der Ring des Nibelungen
at Bayreuth. He fashioned
for Ritter a
transcription of the work
for Viola and Piano as
well as ones for the
Piano, Violin and
Violoncello. In this
short work, the listener
hears the agonies of a
troubled soul, beginning
with a rhapsodic passage,
continuing with a
cadenza-like section,
then a section with
arpeggiated figures,
finally settling into a
peaceful ending. This
4 minute work is
appropriate for advanced
performers. With Mr.
Sauer's arrangement we
now have this lovely
version for Tuba or Bass
Trombone and Piano. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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