This innovative collection contains nearly 20 pieces in a variety of styles. Suitable for many different occasions they are equally appropriate for recietals or church services and have accompaniments for Piano or Organ. many of the songs are made widely available for the first time in this volume. For Medium Low Voice and Piano Accompaniment.

Vol.1 Premières Mélodies. Par FAURE GABRIEL. Gabriel FAURE est né à Pamiers (Ariège), le 12 mai 1845. Ses dons précoces pour la musique lui permirent d'entrer dès l'âge de neuf ans à la célèbre Ecole Niedermeyer fondée à Paris pour former les organistes et les maîtres de chapelle : durant une dizaine d'années, il y reçut un enseignement de grande qualité, axé principalement sur l'étude de la musique sacrée et des grands chefs-d'oeuvre classiques, auxquels l'initia notamment Camille Saint-Saëns, son professeur de piano. Dès sa sortie de l'Ecole, Fauré entama une brillante carrière d'organiste. En 1896, il succéda à Théodore Dubois à l'orgue de la Madeleine et fut nommé professeur de composition au Conservatoire : il y eut pour élèves Ravel, Koechlin, Enesco, Schmitt. Entre-temps, il avait rencontré Liszt à Weimar et s'était initié à l'art de Wagner dont il ne subit pas véritablement l'influence. Appelé en 1905 à la direction du Conservatoire de Paris, après la démission de Théodore Dubois, membre de l'Institut, critique musical, Fauré vécut ses dernières années dans l'isolement, frappé par une irréversible surdité qui le contraignit à démissionner du Conservatoire en 1920. Il est mort à Paris, le 4 novembre 1924. La musique de ce compositeur quelquefois incompris et qui toucha à presque tous les genres (hormis l'orgue), se révèle d'une grande subtilité. Ennemi de l'emphase, Fauré a mis un contrepoint élégant, une écriture harmonique très personnelle, des inflexions imprévues et le secret de sa sensibilité musicale peu commune au service d'une oeuvre variée et d'une extrême qualité./ Répertoire / Chant et Piano

This handy collection contains the celebrated Schubert 'Ave Maria' as well as the Bach/Gounod 'Ave Maria'. Each is presented in three keys with a choice of piano or organ accompaniment. Solo piano and solo organ versions are also included. A must for all church musicians.

And Did Those Feet In Ancient Times. Words by William Blake. Arranged by Albert Howe for voice and piano or organ. / Chant Et Piano

The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere. This accessible two-part arrangement offers simple harmonisation and a supportive piano/organ accompaniment ideal for budding upper-voice choirs.The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

From the popular setting of the 'Morning Canticles in B Flat' , Charles Villiers Stanford's Jubilate Deo In B Flat Op.10 is for SATB Choir with Organ accompaniment. This freshly engraved edition includes three staves to the Organ part and a paragraph explaining the historical background and context of the work. / Chant/Vocal/Choeur

Herbert Howell's Requiem written for unaccompanied SATB chorus and soli. Although written in 1936, Requiem was not released for performance until 1980, held back by Howells following the death of his son in 1935. It is a harmonious and deeply Romantic composition, but restrained and it is at these moments we realise how affected he was by his loss. It was the composer's intention that Requiem should be performed a cappella, however he provided a limited organ part, for rehearsal purposes only, which is included here. / Chant Et Piano