Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Anne Peckham:-The vocal workouts in this much-anticipated follow-up to Peckham's bestselling The Contemporary Singer are based on Berklee College of Music's highly effective vocal method. This volume will help vocalists develop thevoice through good vocal health warm-up exercises advanced techniques stage performance advice and more. Includes acces to online audio for ultimate interactive education! Contains: Twenty-six exercisesfor warming up and developing your voice Basic and advanced workouts for high and low voices 2- and 3-part exercises for harmony practice Routines to help you organize your practice time according toyour level and schedule Includes online audio to support your workout for all voice types: male/female and high/low Detailed descriptions and helpful tips for how to warm up and develop your voice discussingbreath control practice strategies and specific technical advice for improving your control over vibrato range and belting Essential advice for vocal study voice maintenance and auditioning

Anthem for Solo Soprano or small group of Sopranos and Organ. Edition published in 2000 include's Howells' subsequent revisions realised by Paul Spicer.

A setting of Psalm 109 for SATB soli and chorus, string orchestra and organ continuo. Edited by John Steele. Vocal score with organ part. / Voix

Le Singin' with the Jazz offre une variété de 10 grands standards pour le chanteur solo avec un combo de neuf ou dix pièces --- idéal pour le chanteur qui a besoin d'arrangements pour un petit ensemble. L'instrumentation combo est trompette, sax alto, saxophone ténor, trombone, guitare, basse, drumset, et le piano avec des indices conducteurs pour les cornes. Une partie de baryton sax option ajoute de la couleur et de la texture supplémentaire. Superbement organisé par Dave Wolpe, les chansons sont dans une variété de styles et de tempos pour offrir une flexibilité dans tous les milieux musicaux. / Voix

William Boyce’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation an early Christian hymn of praise (Te Deum) and Psalm 100 (Jubilate). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed together is approximately 6:15 minutes.William Boyce is widely regarded as one of the most important English-born composers of the 18th century however he remains little-performed today. The beauty of his sacredcompositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy organist and composer) since the age of 9.

A Manual about Beautiful Singing for Singers ...-This vocal pedagogy textbook breaks the mould. Making complex concepts easily understood has been the hallmark of Kathi Rundus' teaching career.Filled with anatomical drawings pictures graphs and valuable vocal exercises this book is wisely and attractively organised. Plus every chapter includes a section specifically for the choral director!

Par ARCH GWYN / PARRY BEN. Après le succès du livre Faber Carol pour voix SA(B) cette nouvelle édition du livre Carol Faber organise les chants populaires pour SATB. Définir les chants de quarante mêmes comme le premier livre idiomatiques et nouveaux arrangements pour choeur mixte de voix. Comprend des pièces originales de Lin Marsh, Howard Goodall, peter Gritton, Errollyn Wallen Mike Brewer Ben Parry et Gwyn Arch. Ce pack de dix livres offre une réduction considérable sur le coût individuel du livre, prévoyant un choeur plus économique/ Répertoire / Voix