This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.

Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion

The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-

Written in memory of Joan Dickson a loved and respected cellist and teacher who was a friend and colleague of the composer. The final phrases are played entirely as harmonics on the C string this is because shortly before she died Joan Dickson wrote to Caroline Bosanquet that she did not understand harmonics and was glad that Caroline had written a book explaining them (now published by SJ Music: The Secret Life of Cello Strings U1996-3) .

'Jackaroo' teaches fundamental string technique using only open strings and first finger each piece introduces a new rhythmic or technical point with useful suggestion boxes for the teacher. The addition of words and lively accompaniments by Pam Wedgwood means that each piece can be sung through first. There’s even the chance to draw your own imaginary animals too inspired by Drew Hillier’s wacky illustrations - how about a ‘Snivelling Skunkpanzee’? This book will insoire young players and inject a healthy dose of fun into 'cello lessons.

for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tangos for Cello with Piano accompaniment. Among them are such classics as El choclo gems by Eduardo Arolas and Rosendo Mendizabal and lesser known titles such as El d a que me quieras by Carlos Gardel simple but effective for the cellist concise and stylistically apt for the pianist.The arranger George A. Speckert is a composer writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles.- The loveliest tangos for Cello and Piano.- Effective recitalpieces.Contents:Pantaleon; Libertango [Astor Piazzolla]El Enrerriano [Rosendo Mendizábal]Odeon [Ernesto Nazareth]Derecho viejo [Eduardo Arolas]El choclo [Ángel Villoldo]El d a que me quieas [Carlos Gardel]

The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the three-movement Student Concerto Op.22 in arrangements for viola and cello previously published for violin (BA 8979). The concertos have been transposed making them ideal for beginners and young pupils. The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.Concise forewords by the renowned string pedagogues Kurt and Christoph Sassmannshaus introduce the works and point out the relevant playing techniques required.

Category: String - Cello Studies or Collection Format: Book Instrument: Cello Instrumentation: Cello & Piano Acc.

Cello Time is a sequel to Colin Evans' Take a Cello and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

Initially written by Couperin this set of Pièces En Concert was reviewed and commented by Paul Bazelaire a professor at the Paris Conservatoire. This Cello and Piano version written for intermediate or upper intermediate players includes 5 pieces:  - Prélude - Sicilienne - La Tromba - Plainte - Air de Diable Written in increasing difficulty these pieces also exist in a version for Cello and String Quartet. François Couperin is a very famous French composer who played the Harpsichord and the Organ. Coming from afamous family of musicians he was nicknamed “Couperin le Grand” ('Couperin the Great').

26 Pieces For Cello Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. Ce livre Stepping Stones présente les cordes à vide et les notes du premier doigt avec des rythmes simple tandis que sa suite. / Niveau : Très Facile / Recueil / Violoncelle et Piano

Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeois gentilhomme' for small-scale string orchestra. In 1898 he wrote an arrangement for violoncello and piano which enjoys great popularity and belongs to the standard Romantic cello repertoire. Our new edition contains fingerings and bowing marks by Maria Kliegel.