Par VAUGHAN WILLIAMS RALPH. On his return to civilian life after five years Army service in the First World War, Vaughan Williams revised some pre-war works, such as The Lark Ascending and his opera Hugh the Drover , and embarked on new compositions - the Pastoral Symphony , the one-act Bunyan episode The Shepherds of the Delectable Mountains and the Mass in G minor - all of which have outwardly in common a serene tranquillity. But beneath the surface, especially of the symphony, is a requiem-like mood, a legacy of the war. This ambiguity can also be sensed in the three songs -or rondels - for voice and string trio which he called Merciless Beauty. The texts are attributed to Chaucer./ Répertoire / Chant et Piano

Set in December 1968 this acclaimed Broadway show centers around Judy Garland poised to make a triumphant comeback ... again. This savagely funny drama shows Garland facing the challenge with her signature cocktail of talent tenacity and razor-sharp wit revealing the most brilliant star in her most demanding role: her life. Our matching folio features 16 signature Judy tunes: By Myself · Come Rain or Come Shine · For Me and My Gal · Get Happy · I Can't Give You Anything but Love · I Could Go on Singin' (Till the Cows Come Home) · Just in Time · The Man That Got Away · Over the Rainbow · San Francisco · Smile · The Trolley Song · When the Sun Comes Out · When You're Smiling· You Made Me Love You · Zing! Went the Strings of My Heart.

John Tavener's Schuon Lieder is a work of 6 songs arranged for Voice and Piano by the composer with words by Frithjof Schuon. This version was first performed at the Wigmore Hall in London on 28thSeptember 2007. A full performance of this Score lasts around 17 minutes. The original version of this work for Voice Percussion Piano and String Quartet was performed at the Cheltenham Festival on 16th July 2004.The 6 songs in this score are settings of poems by Frithjof Schuon translated by Catherine Schuon. Schuon was a foremost a metaphysician but also a gifted painter and poet. Please note the lyrics are in German.

Carissimi's most famous work, a sacred oratorio for SATB soli, SSSATB chorus, optional string without violas, and organ continuo. This edition, revised and edited by Janet Beat, is arranged for voice parts and organ accompaniment. / Chant Et Piano

Piano-Conductor's Score-The Vocal/Piano-conductor's score for the Broadway standard about the adventures of a girl who wanted to be loved. Based on a screenplay by the legendary director Federico Fellini adapted from his film Nights Of Cabiria.The show has been dazzling audiences since the premiere in New York 1966 and a revival in 1986 saw the show receive four Tony awards. The more recent revival in 2005 with Christina Applegate was nominated for several Tonyawards. A dance-hall hostess searches for her ideal love with a string of troublesome results!This Piano score contains full details of instrumentation and also serves as a complete vocal score.

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano

For soprano or mezzo-soprano solo, SATB chorus and either orchestra or chamber ensemble. Minimum recommended string forces for the chamber ensemble are 2.2.2.1.1. Full scores, vocal scores, and instrumental parts are available on hire. Forces or Category SATB

A vibrant and jazzy choral arrangement for mixed voices with a string or wind trio guitar bass keyboards and percussion. The piece combines the textures of choral singing with jazz tonalities and the thumping dotted rhythms of the blues.

Il dissoluto punito ossia Il Don Giovanni Dramma giocoso in 2 Akten (deutsch/italienisch) Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Plath, Wolfgang;Rehm, Wolfgang Binding : hard bound Instrumentation : 3 Soprano solo, Tenor solo, Baritone solo, Mixed Choir, 3 Bass solo, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Mandoline, Strings, Cemb. Bühnenmusik: 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, Strings Besetzung / Ensemble Vorwort Preface Verzeichnis der Szenen / Index of Scenes Ouvertura / Ouvertüre Atto primo / Erster Akt Atto secondo / Zweiter Akt Anhang / Appendix

Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Stabat Mater RV 621 for alto, strings and continuo, based on the critical edition by Paul Everett. Composed for the church of Santa Maria della Pace in Brescia, it was performed, for the first time, on 8 March 1712, for the Seven Sorrows of the Virgin Mary celebration. It is considered as one of the most inspired and celebrated Vivaldian works. Together with the Gloria RV 589 and the Quattro stagioni, it dates from a juvenile period. / Niveau : Intermédiaire / Répertoire / Chant et Piano