Par VAUGHAN WILLIAMS RALPH. This pastoral poem, written by William Barnes, has been set to music by Vaughan Williams to make a rich, pleasing and thoughtful Dorset Folk song. Arranged for SSA with Piano Accompaniment./ RĂ©pertoire / Choeur de Femmes (SSA) et Piano

Two part song in canon. Par THIMAN ERIC H.. Langue: English, Format: New Edition portrait/ RĂ©pertoire / Choeur de Femmes (SS) et Piano

L'Ă©dition fait partie du syllabus Trinity (6e). / Choeur De Femmes (SS) Et Piano

Armstrong Gibbs presents the setting of a text by Walter De La Mare written for a chorus of upper/female voices with Piano. A serene undulating part-song with a gentle air of mystery and magic!

No. 7 Ferry me Across the Water-Ferry Me Across The Water is a wonderful setting of Christina Rossetti's poem and part of Finzi's Opus 1 collection Ten Children's Songs. Arranged for Unison Voices with an optional second part and Piano accompaniment.

No. 2 from Winter - Five Songs for SSA and piano. Par STONE DAVID. Winter #2/ RĂ©pertoire / Choeur de Femmes (SSA) et Piano

Par WARLOCK PETER. Langue: English, Format: New Edition portrait/ RĂ©pertoire / Choeur de Femmes (SSA) et Piano

Kim Oler's In The Giving We Receive for 2-Part treble choir and piano accompaniment. Arranged by Karl Strommen.

Romantische Lieder Für Frauenchor und Klavier Nach Den Duetten Von Felix Mendelssohn Bartholdy. The music of Felix Mendelssohn Bartholdy is, for many choirs, an integral part of their repertoire and frequently sung, covering the genres from simple romantic folk song to large-scale oratorio. His music is known by and popular among all types of choral ensembles. And yet, Mendelssohn wrote hardly any works for women's choirs although such ensembles already played a role in the 19th-century choral scene during his lifetime. For the present collection, Pascal Martiné therefore used the artistic trick of arrangement based on Mendelssohn's Gesänge für zwei Frauenstimmen und Klavier to which he added a third female voice. Martiné conceived the added part in such a way that he took the romantic voice leading into account and logically extended Mendelssohn's respective compositional technique. He maintained the original piano accompaniment which now contributes to the song-like character of these choral arrangements. / Niveau : Intermédiaire / Recueil / Choeur de Femmes (SSA) et Piano