A major work for a mature larger women's choir the concept of this piece is inspired by the composer's never-forgotten visit to the Yad Vashem Centre in Israel. The combined text is from Genesis original text by the composer and names of children of the Holocaust. Both dramatic and intimate this work would be an important experience for your choir and the audience alike. Instrumental accompaniment (score and parts) available separately (harp piano viola handbells or chimes crotales). Duration: ca. 7:20.

Instrumentation : SSAA a cappella CHORAL VIVACE is a major new choral series by the internationally-acclaimed Australia composer Sandra Milliken. Contact us to receive your free CHORAL VIVACE sampler CD Content : The series consists of a varied collection of choral music for upper and mixed voices and is graded into three levels - easy, intermediate and advanced.

A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.

score for voice and/or instruments-Alternating chant style with up-tempo rhythmic sections this piece written for the Allegro Community Children's Choirs of the greater Kansas City area is an ideal work for combining choruses of varied levels.

Ever since John Coltrane's 1961 recording Rodgers & Hammerstein's My Favorite Things has been a favorite choice for jazz improvisation. Mitos Andaya's SSAA setting is second to none for advanced women's ensembles and all-statehonor groups. Duration: ca. 5:15 (without instrumental break).