The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Jake joins the band at school to play clarinet. He continually refuses to play the clarinet correctly as demanded by his band director and private music teacher. Jake is stubborn. All Jake wants to do is play the clarinet his own way until he receives a mysterious letter in the mail from the Clarinet Wizard. The Wizard warns Jake that if he doesn't play his clarinet correctly and folllow his teacher's instructions his clarinet will shrink until he is unable to play it anymore. Jake discovers the secret to keeping his clarinet from shrinking by changing his attitude. Jake begins to follow his teacher's instruction and become really good on the clarinet. (Recommended for ages4-9)

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Music Minus One Clarinet (with optional Bass Clarinet)-MMO is proud to offer this much-lauded composition by Israel's most heralded composer the Jewish Rhapsody for Clarinet and Orchestra. The concerto is set in movements alternating between B-flat clarinet and bass clarinet. Includes a version minus both instruments as well as one minus just B-flat clarinet for those who don't play bass clarinet. This crowd-pleaser is a must-have! Includes a printed music score on high-quality ivory paper a compact disc featuring the complete concerto in digital stereo followed by the concerto performed again minus both clarinet solo parts and also minus just b-flat clarinet. (DDD) Performed by Orit Orbach clarinet

100 Ultimate Jazz Riffs for Clarinet. 100 Ultimate Jazz Riffs for Clarinet. by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the clarinet and the rhythm section, as well as the rhythm section without the clarinet. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Violin

Paul Harris’s Clarinet Basics is well regarded as one of the best teaching methods of Clarinet for beginner Clarinet players and their teachers. The book offers a fresh design clear technical drawings fun illustrations creative activates pull-out fingering chart and of course a vast selection of original tunes for Clarinet. Use the included CD to play-along with the Clarinet and Piano accompaniment.Paul Harris has established an international reputation as one of the UK's leading educationalists. As a composer and writer he has over six hundred publications to his name and is in great demand as a workshop leader andadjudicator around the world.

This book responds to the need for useful core material for the clarinet in C. Selected items from 'New Pieces For Clarinet' have been transposed and adapted for the instrument. An appealing variety of rhythms styles and moods and the progressive introduction of new technical accomplishments through the volume will provide invaluable repertoire-building material for teachers.

Nouvelle Édition: 1. les Eléments Du Mécanisme 2. Premières Etudesdes Gammes et Registre etc.-This Complete Method for Clarinet – Volume 1 by Hyacinthe Klos? (1808-1880) is the first volume of a method for Clarinet beginners written in 5 books and is absolutely essential to develop your speed technique and articulations. This Complete Method for Clarinet – Volume 1 contains the following elements: - The Rudiments of Technique - First Studies of Scales and Registers Articulations Expressions Ornaments and Arpeggios This series of books includes studies and exercises for beginners intermediate and advanced level players with comments and advice. It also has someduets to be played by the student and the professor. Hyacinthe Klos? (1808-1880) is a French Clarinet player composer and professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Th?atre Italien in 1847.

Basset Clarinet (in A) solo part-Mozart originally composed this piece for basset clarinet. The first publication in 1802 was an adapted version for Bb clarinet and the orignal manuscript was subsequently lost. Pamela Weston has reconstructed this version for the Basset clarinet. A wonderful addition to the clarinet repertoire.

Master the most popular woodwind Want to play the clarinet? No problem! This hands-on guide teaches you all the fundamental techniques you need to play this popular woodwind alone or in a group setting.  Clarinet For Dummies gives you the ideal introduction to play clarinet. You'll begin by learning how to properly hold a clarinet and move on to getting a consistent sound reading music and playing songs in avariety of styles including classical pop and jazz. Step-by-step instruction on finger placement posture and basic up-keep for the instrument Tips on how to buy or rent a clarinetAccompanying CD offers play-along recordings of every exercise featured in the book   Whether you've never held a clarinet or are looking to brush up on skills from your youth Clarinet ForDummies is packed with friendly easy-to-follow instructions to have you playing this versatile instrument with ease!

Mastering the Middle Register of the Clarinet. Crossing the break can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided into two parts: Part I contents: the clarinet overtone series - how new note names attach to previously learned fingerings - how to incorporate 'right hand down' as a developmental technique - one octave scales across the break - first melodies in the clarion register that teach basic musical concepts needed for advanced performance. Part II contents: studies from Rhythmical Articulation by Pasquale Bona, selected and edited for clarinet to prepare students for upper level performance.Rhythmical Articulation was originally written to assist singers with rhythmical and pitch accuracy. Range: The range is appropriate for developing clarinetists (low B to B just above the treble staff). Third-line B natural is often referred to as the break because it is the note where the register key is added to produce the middle register. These studies and exercises center around third-line B natural and provide a means to develop smooth connections between the lower and middle registers of the clarinet. Technique: The studies have been adapted for clarinet to cover nine key signatures. Appropriate articulations, dynamics, and expressive markings have been added to reflect common practice in the classical style. Advanced rhythms and time signatures are introduced with moderate tempos. Musical terms have been added to identify phrases and suggest expression. The Break also includes an introduction to the altissimo register. / Niveau : 2 / Etudes et exercices / Méthode / Clarinette

Clarinet performer and professor Denise Schmidt has compiled a comprehensive collection of solos for clarinet players with a fine mix of transcriptions of familiar classics and solos written for the clarinet. This All-Time Favourites folio has pieces from all periods of music and contains the music of Bach Beethoven Bizet Corelli Faure Gounod Handel Satie and many more.

A fresh approach-Clarinet Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student’s routine each time they get out the clarinet and this book aims to establish the habit early in a student’s learning process. There are 8 sections which in a logical sequence gradually introduce new notes rhythms articulations dynamics and Italian terms – much as you would find in a beginner’s clarinet method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section contains several soloexamples beginning with only three notes and concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing.