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MICROPHONE
Violin and Piano
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Piano solo (71097)
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String Quartet: 2 violins, vio… (19253)
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Choral (6761)
Flute (6644)
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Clarinet (4661)
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Voice solo (4398)
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Cello (4086)
Wind ensemble (3900)
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Trumpet (3424)
Drums (3188)
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Piano Trio: piano, violin, cel… (2815)
Brass Quintet: 2 trumpets, hor… (2737)
Easy Piano (2552)
Bass guitar (2490)
Saxophone (2471)
Conducteur (2440)
Alto Saxophone and Piano (2334)
Piano and Orchestra (2154)
Keyboard (2150)
Alto Saxophone (2114)
Trombone (2062)
Viola, Piano (2004)
Viola (1970)
Partie Spare (1951)
French Horn and Piano (1931)
2 Pianos, 4 hands (1912)
Harp (1887)
Oboe, Piano (duet) (1874)
Exemplaire Complet (1868)
Trombone and Piano (1849)
Orchestra, Violin (1727)
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Recorder (1578)
Flute and Guitar (1548)
Lyrics and Chords (1535)
Opera (1527)
Ukulele (1527)
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Ensemble A Vent (1439)
2 Guitars (duet) (1429)
Oboe (1376)
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High voice, Piano (1268)
Chant (1249)
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String Trio: violin, viola, ce… (1167)
Music Theory (1137)
Melody line, (Lyrics) and Chor… (1129)
Choral Unison (1113)
Choral SSAA (1074)
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Accordion ensemble (746)
Mandolin (743)
Tuba (718)
Harmonica (704)
Clarinet Quartet: 4 clarinets (692)
Banjo (686)
Livret (658)
Biography (645)
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Baritone voice, Piano (615)
Euphonium or Saxhorn and Piano… (604)
Violin, Cello (duet) (596)
Harpsichord (593)
Piano Quartet: piano, violin, … (589)
Descant (Soprano) Recorder (587)
Musical Awakening (580)
Percussion Ensemble (570)
C Instruments (561)
Percussion, Piano (duet) (556)
2 Cellos (duet) (553)
Tenor voice, Piano (540)
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:: (534)
Children choir (529)
Travaux Pour Choeurs (514)
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CD (503)
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Mezzo-Soprano voice, Piano (478)
Quatuor (477)
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Trio avec Piano (459)
Tenor Saxophone and Piano (457)
3 Guitars (trio) (456)
Treble (Alto) Recorder (447)
2 Saxophones (duet) (444)
Recorder Quartet (444)
2 Recorders (duet) (444)
Musical dictation (443)
Piano Quintet: piano, 2 violin… (440)
Quintette (434)
Soprano voice, Orchestra (434)
Piano, Voice, Guitar tablature… (432)
Flute Quartet: 4 flutes (422)
B Flat, E Flat, C and Bass cle… (414)
Violon, Cordes et Basse Contin… (398)
Violin, Guitar (duet) (391)
Violin, Viola (duet) (391)
Ensemble (385)
2 Flutes, Piano (380)
Quintette vent (377)
Guitar Ensemble (377)
Flute ensemble (375)
Clarinet Ensemble (374)
Matriel D'Orchestre (373)
Piano Accompaniment (369)
Horn and Orchestra (360)
Bb Instruments (358)
Ensemble Mixte (348)
Choral SSAATTBB (340)
Stationery (336)
Snare drums (335)
Flute Trio: 3 flutes (329)
Cornet and Piano (326)
Organ, Trumpet (duet) (326)
Recorder Ensemble (324)
Big band (322)
Violin, Basso continuo (321)
Concert band, Choral (318)
Harp, Flute (duet) (309)
2 Violins, Piano (303)
Saxhorn and Piano (301)
Piano, Guitar (duet) (293)
Guitare et Musique de Chambre (292)
Clarinet, Orchestra (285)
3 Recorders (trio) (283)
Petit Ensemble Contemporain (279)
Clarinet Quintet: Clarinet, St… (269)
String Trio: 2 violins, cello (266)
Ensemble Instrumental et Petit… (265)
Flute, Basso continuo (264)
2 Trumpets, Keyboard (piano or… (258)
4 Euphoniums (258)
5 Part Ensemble (255)
Revue De Musique (254)
Marimba (254)
Soprano voice (254)
Treble (Alto) Recorder, Basso … (253)
DVD concert (251)
Trio Cordes (246)
Bass Trombone and Piano (245)
Oboe, Violin, Viola and Violon… (244)
Tuba or Euphonium or Saxhorn (243)
Descent (Soprano) Recorder, Pi… (238)
Clavecin (237)
String Quintet: 2 violins, 2 v… (237)
Partition de Poche (233)
Partition D'Orchestre In 16 Po… (232)
Band Scores (232)
Educatif (226)
Flte Traversire, Clarinette … (224)
Pocket, Study conductor (222)
Woodwind Quintet (222)
Eb Instruments (220)
Orgue Et Orchestre (220)
3 Clarinets (trio) (218)
Cello, Guitar (duet) (216)
Nursery rhyme (216)
Quintette Cordes (215)
Percussions (213)
Horn Ensemble (213)
Oboe and Orchestra (212)
Children choir, Piano (211)
Flute, Cello, Piano (trio) (211)
Mezzo-Soprano voice (211)
Soprano (210)
Recorder, Piano (210)
Saxophone Tnor et Piano (208)
Voix et Orchestre (206)
Dulcimer (206)
Saxophone ensemble (206)
Flexible Instrumentation (206)
Trompette ou Cornet, Trombone … (204)
Flute, Clarinet (duet) (200)
Vibraphone (199)
B Flat, E Flat and C Instrumen… (198)
Euphonium (196)
Hautbois, Basson et Piano ou O… (196)
Timpani (195)
Ensemble Cordes (195)
String Quintet: 2 violins, vio… (194)
2 Saxophones, Piano (193)
2 Trumpets (duet) (192)
Conducteur et Poche (191)
Book (190)
Voix et Instruments Divers (188)
Clarinet, Cello, Piano (trio) (188)
Carte Postale (187)
2 Trombones (duet) (186)
2 Euphoniums et Piano ou Orgue… (186)
Trumpet, Orchestra (184)
Ensemble A 4 Parties (180)
Piccolo, Piano (180)
Treble (Alto) Recorder, Piano (180)
Oboe, Clarinet, Bassoon (trio)… (178)
Soli (SATB), Choeur Mixte (SAT… (178)
Choeur De Femmes (174)
Orchestre (170)
2 Trombones, Piano (169)
Quintette de Cuivres (168)
Violin, Organ (164)
Guitar, Orchestra (163)
Mlodies (162)
Drums-Marching band (161)
Brass Quartet: 2 trumpets, 2 t… (158)
2 Clarinets, Piano (157)
Clarinet Quartet: Clarinet, Vi… (156)
2 Euphoniums et Piano (154)
3 Saxophones (trio) (153)
2 Cellos, Piano (152)
2 Violins and Basso (150)
Symphonic Band (150)
3 Euphoniums et Piano ou Clavi… (150)
String quintet (150)
Chorale (149)
Guitare ou Luth (149)
Partition D'Orchestre (148)
Hautbois, Clarinette et Basson… (147)
4 Parties Mixtes (147)
Viola and orchestra (145)
Livre Musical (145)
String Quartet : 4 violas (143)
2 French horns, Piano (142)
Vocal duet, Piano (140)
ENS::Ensemble (139)
Pennywhistle (139)
Flte Traversire, Violon, Alt… (138)
Guitar, String Quartet (138)
Baritone voice (137)
Concert Band/Harmonie (137)
2 Violas (duet) (136)
Flute, Oboe, Clarinet, Bassoon… (135)
Tenor voice (134)
Bassoon, Orchestra (131)
Cello, String Bass (duet) (130)
Saxophone Quintet: 5 Saxophone… (130)
Bass Saxhorn or Euphonium or T… (130)
Etudes (129)
Bass Clarinet (129)
2 Tubas et Piano (129)
Chant et Guitare (129)
Flute, Clarinet, Piano (trio) (128)
Viola, Cello (duet) (128)
Choeur Mixte, Soprano et Orche… (127)
String Trio: 3 violins (127)
2 Euphoniums (125)
Musique originale (124)
Cornet (124)
4 Cellos (123)
2 Bassoons (duet) (123)
5 Part Ensemble (Clavier, Guit… (123)
Drum set and Piano (122)
2 Violons, Alto, Violoncelle e… (122)
1 Piano, 6 hands (122)
Saxhorn Alto en Mib et Piano (121)
Choral CD (120)
3 Trombones (trio) (118)
Violoncello, Basso continuo (117)
Violin, Clarinet, Piano (trio)… (116)
Baritone Horn and Piano (116)
Trio A Cordes (115)
Flte Traversire, Violon et B… (115)
Scores (115)
Mlodie, Chant Et Piano (114)
Chamber Music (113)
Piano Quintet: piano, violin, … (112)
Trombone, Organ (111)
Guitare Electrique (111)
Flte Bec Alto et Basse Cont… (111)
Choral SSATTB (111)
Brass Quartet: 4 trumpets (110)
Clarinette et Orchestre (110)
2 French horns (duet) (110)
Plectrum Orchestra (109)
Quintette Avec Piano (109)
Ensemble Instrumental (108)
Trombone and Orchestra (107)
2 Violas, Piano (107)
Low voice (107)
Flute Quartet: Flute, Violin, … (106)
Cello Ensemble (105)
Choeur Mixte et Orchestre (105)
Big Note Piano (104)
A Cappella (104)
Clarinet, Violin, Cello, Piano… (103)
Choeur SAM (103)
Diverses Formations (102)
Saxophone en Mib et Piano (102)
4 Tubas (99)
Tambour (98)
2 Cornets, Cor en Mib et Tuba (98)
Voice, Organ (97)
Quintette vent et Percussion… (96)
High voice (96)
Saxhorn Basse en Sib, Euphoniu… (96)
Trompette ou Cornet, Euphonium… (96)
Flute, Violin and Violoncello (95)
2 Violons, Violoncelle, Cordes… (95)
Lute (94)
Orgue, 2 Hautbois, Basson Et C… (94)
Libretto (94)
Trompette, Cordes Et Basse Con… (93)
Bass Clef Instruments (93)
Fanfare Band (91)
Solistes SATB, Choeur SATB, 2 … (90)
Voix Mixtes (89)
2 Trompettes (duo) (89)
5 Recorders (89)
Double bass, Orchestra (89)
Xylophone (88)
Flte Bec Alto ou Flte Trav… (88)
3 Trumpets (trio) (87)
Alto et Orchestre (87)
Livres (86)
Cello, Organ (86)
String Quintet: 2 violins, vio… (86)
Choeur (SATB) et Brass Band (85)
Piano, Guitar (Chords) (85)
Dobro (84)
Viola da Gamba (84)
Orchestre De Chambre (84)
Solistes SATB, Choeur SATB, Fl… (83)
Batterie et Percussions (83)
Cor en Fa (83)
2 Violons, Alto et Basse (82)
Solistes SAT, Choeur SATB, 2 F… (82)
Trompette Et Orchestre (82)
Solistes SATB, Choeur SATB, 2 … (82)
Percussions et Piano (82)
Musique Lgre (81)
Xylophone or Marimba or Vibrap… (81)
Flte Traversire, Hautbois, C… (81)
Soli and Orchestra (80)
Trombone ou Tuba (80)
Sextuor (79)
Snare drums, Piano (78)
Oboe, Bassoon (duet) (78)
Flte Traversire, Hautbois, C… (78)
Voice and Orchestra (78)
Chanson (77)
3 Cornets (77)
Mandolin, Piano (duet) (77)
Xylophone, Piano (77)
2 Cornets et 2 Tubas (77)
4 Voix Mixtes (76)
Recorder, Guitar (duet) (76)
Accordon Et Orchestre (76)
Brass Quartet: 2 trumpets, hor… (76)
Bass Clarinet, Piano (75)
String quartet: 4 violins (75)
Cordes et Basse Continue (75)
Solistes (SATB), Choeur Mixte … (75)
Clarinette, 2 Violons, Alto et… (74)
Voix Seule (74)
Piccolo (73)
English horn, Piano (72)
Soprano ou Tnor et Piano (72)
2 Trompettes Sib, 1 Cor, 1 Tro… (72)
Violon 1 (6 parts) Violon 2 (6… (72)
Flte Traversire Violoncelle … (72)
Clarinette et Quatuor Cordes… (72)
Clavecin ou Harpe), 2 Violons … (72)
2 Violons, 2 Altos et 2 Violon… (72)
Piano Trio: Violin, Viola, Pia… (71)
Descant (Soprano) Recorder, Ba… (71)
Madrigaux (71)
Ensemble Moyen Contemporain (71)
Djembe (70)
Trumpet, Trombone, Piano (70)
Cor en Mib et Piano ou Orgue (69)
Trumpet, Trombone (duet) (69)
Choeur SATB, 2 Fltes Traversi… (69)
2 Oboes, Piano (68)
Dfil et parade (68)
Trompette, Trombone et Piano (68)
Percussions Diverses (68)
Clarinette, Violoncelle et Pia… (68)
Soprano Saxophone and Piano (68)
Ensemble Divers (68)
Choeur A Cappella (66)
Clarinette, Alto et Piano (66)
Euphonium en Do et Piano (66)
Cornet and Orchestra (65)
Cajon (65)
Trombone or Euphonium (65)
Choeurs (65)
Orchestres Vent (65)
Choral, Orchestra (65)
Trio de Cuivres (65)
Harp, Orchestra (65)
Duos (64)
Batterie-Fanfare (64)
2 Trombones et Piano ou Orgue (64)
Soprano Saxophone (64)
Saxhorn or Euphonium (64)
Mandoline, Cordes et Basse Con… (64)
Mandolin, Guitar (duet) (64)
Saxophone Baryton (64)
Edition Critique des oeuvres d… (63)
Clarinette Et Cordes (63)
Euphonium en Cl de Fa Do ou e… (63)
Flte Et Instruments Divers (63)
Tuba en Mib et Piano ou Orgue (63)
2 Fltes Traversires et Violo… (63)
String Trio: 3 cellos (63)
2 Violons, Violoncelle et Bass… (62)
Brass Trio (62)
Musique de film et tlvision (62)
Lap Steel Guitar (62)
Conga (61)
Ensemble A 4 Parties (Clavier,… (61)
Opra (60)
Quatuor Cordes ou Orchestre … (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Basse En Eb Et Piano (60)
Ligne Mlodique/Instruments Di… (59)
2 Percussions (59)
Choeur De Femmes (SMezA) (59)
Clavecin Et Cordes (59)
Flte Traversire ou Hautbois … (59)
Handbells (58)
Clavier ou Orgue Electronique (58)
Quatuor Avec Piano (58)
Flte Traversire Hautbois, Cl… (58)
Solistes SBar, Choeur SATB, 2 … (58)
Clarinette (2 Clarinettes) Et … (58)
Saxhorn Basse, Tuba et Piano (57)
Vibraphone, Piano (57)
Baryton Et Orchestre (57)
Harp, Violin, Violoncello (57)
2 Bassons et Piano ou Orgue (57)
Musique de chambre (57)
Flte Traversire, Hautbois, C… (56)
Electric bass, Drums (56)
Flte Traversire, Violon, Vio… (56)
Choeur d'Enfants (56)
Accordion and Orchestra (56)
Flte Bec Alto ou Flte Trav… (55)
Rduction Piano (55)
Medium Voice (55)
Oboe, Organ (55)
Recorder, Bass Continuo (55)
String Trio: 2 violins, viola (55)
Choeur Mixte (SSATBB) (55)
Cordes (55)
Trompette ou Cornet Pistons … (55)
Solistes SATB, Choeur SATB, 2 … (54)
Bugle (54)
Trompette ou Bugle ou Cornet o… (54)
Saxhorn Basse et Piano (54)
Lyrics only (54)
Flute and Strings Trio (54)
2 Cornets et Piano (54)
2 Bassons et Piano (54)
Choeur Mixte a Cappella (54)
Flte Bec Alto ou Flte Trav… (54)
Choeur d'Enfants, Solistes, In… (54)
Trio de Pianos, Salon Ensemble… (54)
Mezzo-Soprano ou Baryton et Pi… (53)
2 Tubas (53)
2 Pianos, 8 hands (53)
Cor d'Harmonie et Piano (53)
Voix et Piano Rduction (53)
Accordion, String(s) (53)
2 Trompettes et 3 Trombones (53)
Trumpet ensemble (53)
Choeur SATB, (4 Instruments, C… (53)
Brass Quartet: 4 horns (52)
Clarinet, Guitar (duet) (52)
Flte Traversire, Clarinette,… (52)
3 Trombones Tnor et 1 Trombon… (52)
2 Trompettes ou Cornets et Cor… (52)
Violon Principal, 2 Violons, 2… (52)
Solistes SATB, Choeur SATB, 2 … (52)
Tenor (52)
Chant Et Piano (Baryton Ou Mez… (52)
Flte Traversire Alto et Guit… (51)
2 Trompettes, Cordes Et Basse … (51)
2 Cors en Mib et Piano (51)
Orchestre Scolaire (51)
Clarinette, Violon Et Piano (51)
Double Choeur Mixte (51)
Voix et Orchestre vent (51)
Baryton (51)
Flte Traversire, Cordes et B… (51)
Tnor ou Soprano (51)
Flte Traversire ou Hautbois … (51)
Flte Traversire et Cordes (51)
2 Violons, Alto et Basse Conti… (50)
Trompette ou Cornet ou Bugle e… (50)
3 Percussions (50)
Flute, Violin, Keyboard (basso… (50)
Trombone ensemble (50)
Balalaika (50)
Solistes SATB, Choeur SSATTB, … (50)
Quatuor De Cuivres Et Orgue (50)
2 Trompettes Et 2 Trombones (50)
Choeur et Orchestre (50)
Tous instruments (50)
2 Saxophones Tnor et Piano (50)
Soprano, Piano (50)
Clarinette, Viola and Piano (t… (50)
Clarinette et Orchestre Vent… (50)
2 Saxophones Alto et Piano ou … (49)
Parties (49)
Flte Traversire Violon, Viol… (49)
Clavecin Et Instruments A Cord… (49)
Saxhorn Basse ou Euphonium et … (48)
Flte Traversire, Hautbois, V… (48)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Alto (Partie spare) (48)
Choeur De Femmes (SSA) Et Pian… (48)
Varits franaises (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Quatuor Cordes et Guitare (48)
2 Cornets et Piano ou Orgue (48)
Trombone et Piano ou Orgue (48)
2 Clarinettes en Sib et Clarin… (48)
Flte Bec, Guitare et Musiqu… (48)
Quatuor vent (48)
Drum Fanfare (48)
Trompette ou Cornet, Cor en Mi… (48)
3 Bassons (48)
Flte Bec et Piano (48)
Solistes STBB, Choeur SATTBB, … (47)
Violon, Alto et Piano (47)
Trombone Et Orgue (47)
2 Clarinettes et Piano ou Orgu… (46)
Oeuvres Thtrales/Oratorios e… (46)
Matriel d'Apprentissage (46)
3 Euphoniums (46)
Solistes SATB, Choeur SATB, Fl… (46)
Fac-simil (46)
2 Violons Et Orchestre (46)
Violon, Violoncelle Et Alto (46)
Voix et Orff-Instruments (45)
Choeur De Femmes Ou D'Enfants … (45)
Clarinette, Violon, Violoncell… (45)
Violin, Horn and Piano (45)
4 Clarinettes et Piano ou Orgu… (45)
Sextuor Cordes (45)
Cor en Mib (45)
Trombone Alto et Piano (44)
Flte Traversire, 2 Violons e… (44)
Orchestre de Chambre (Flte … (44)
3 Trombones et Piano ou Orgue (44)
Violon, Instruments Cordes e… (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Choeur SSATB, 2 Fltes Travers… (44)
Timbales (44)
Hautbois Et Cordes (44)
Flte Traversire, Instruments… (44)
Marches militaires (44)
Flte Traversire, Clarinette … (44)
Hautbois 1 Clarinette en Sib 1… (44)
4 Parties Solo Et Orchestre (43)
Flte Traversire, Clarinette … (43)
Trombone et Cordes (43)
Solistes SATB, Choeur SATB, 2 … (43)
2 Saxophones Tnor et Piano ou… (43)
Flte Bec Soprano, Cordes et… (43)
Violoncelle (Partie Spare) (43)
Oboe, Bassoon and Piano (43)
Violon 2 (43)
Solistes SATB, Choeur SATB, 4 … (43)
Saxhorn Basse, Euphonium, Tuba… (43)
Guitare Flatpick et Plectre (42)
2 Cornets, Cor En Eb Et Tuba (42)
Clarinet, Bassoon (duet) (42)
Tuba en Do et Piano (42)
Organ, Piano (duet) (42)
5 Parties Mixtes (42)
Choeur SATB et Basse Continue (42)
4 Tubas (2 Euphoniums et 2 Tub… (42)
Solistes SSATTB, Choeur SATB, … (42)
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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Piccolo Paganini Vol. 2
Violin and Piano
[Sheet music]
Peters
30 intermediate recital pieces for violin and piano. Par . Following the success...
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30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano
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RAVEL MAURICE - SONATE / BERCEUSE SUR LE NOM DE GABRIEL FAURE - VIOLON and PIANO
Français
Violin and Piano
Barenreiter
Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano<...
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Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano
- New scholarly-critical edition of Ravel?s famous sonata
- First scholarly-critical edition of the ?Berceuse sur le nom de Fauré?
- Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng)
Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale.
This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER
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Stringendo
Violin and Piano
[Sheet music]
Fennica Gehrman
Contemporary works for violin and piano. Par . Fennica Gehrman the music publish...
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Contemporary works for violin and piano. Par . Fennica Gehrman the music publisher pays tribute to its composers with this 20th-anniversary collection of commissions for violin and piano. Stringendo - Contemporary works for violin and piano (2022) is a collection of ten pieces, which vary greatly as regards their genesis. That by Harri Wessman is playful and exhilarating; Mikko Heiniö wrote his on Women's Day, while the duets by Kalevi Aho and Matthew Whittall are tributes to the late Jaakko Kuusisto. Einojuhani Rautavaara is also represented, in an arrangement for violin and piano of his plaintive, melodic Sydämeni laulu (The Song of my Heart). The title of Lotta Wennäkoski's work, Vestige, is a fitting symbol for the whole collection. Short introductions to the pieces by their composers are included in the collection in English, Finnish, and Swedish. Contents Kalevi Aho (b. 1949): Le Tombeau de J. K. Einojuhani Rautavaara (1928-2016): Sydämeni laulu - Song of my heart Mikko Heiniö (b.1948): Naisten päivä - Women's Day Jyrki Linjama (b. 1962): De Profundis I Lotta Wennäkoski (b. 1970): Vestige Matthew Whittall (b.1975): Waiting to hear Olli Kortekangas (b. 1955): Capriccietto Harri Wessman (b.1949): Giocoso Veli-Matti Puumala (b. 1965): Édera IV Kimmo Hakola (b.1958): A Double Jubilee / Date parution : 2022-12-12/ Répertoire / Violon et Piano
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Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violin and Piano
[Sheet music]
Hal Leonard
by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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Miller: Christmas Strings: Violin 1 and 2: Violin Duet: Instrumental Album
Violin and Piano
[Sheet music]
-
Beginner
Mel Bay
With Piano Accompaniment-These books are arranged to be performed with various c...
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With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
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Souvenir D'Un Lieu Cher (Violin And Piano) (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place)...
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Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano
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Violin Concerto op. 25 (SAY FAZIL)
Violin and Piano
Schott
1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four mo...
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1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazades One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds. As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments. As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion.' Fazil Say/ Répertoire / Violon et Piano
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Georges Catherine: Famous Pieces for Violin and Piano: Violin: Instrumental
Violin and Piano
Leduc, Alphonse
Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition t...
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Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition to the Violin repertoire. Including pieces by Schumann Rameau Lully Handel Couperin Byrd Beethoven and Bach Catherine ensures that the best Violin works of the Baroque genre are compiled in one essential volume. In the first volume of his compilation Famous Pieces for Violin and Piano Catherine transcribes and arranges famous works by the great composers of all eras for the Violin ensuring that necessary additions and edits are made. Pieces include Lully's Menuet from Les Bourgeois Gentilhomme and a J. S.Bach Menuet and Gigue. The changes by Catherine include articulation phrasing tempo marks dynamics and other performance directions. Famous Pieces for Violin and Piano compiled by Georges Catherine provides excellent expansion to the repertoire of Violin beginners ensuring that students are inspired by the works of the great composers from the start of their instrumental study.
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Roland F. Seitz: Concert D Op.22: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The series 'Bärenreiter?s Concert Pieces' presents Concerto In D Op.22 (Student...
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The series 'Bärenreiter?s Concert Pieces' presents Concerto In D Op.22 (Student Concerto) by Friedrich Seitz.All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continued and will introducestudents to more demanding repertoire with a gradually increasing level of difficulty.
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Oscar Rieding: Marcia Op.44 & Rondo Op.22/3: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinis...
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The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinist that are not part of a Violin method. Both works have become favourites in class recitals. They give the young musician an opportunity to express a variety of moods in energetic and elegant performances. The series Bärenreiter’s Concert Pieces continues with further works from the Violin repertoire. The editions contain a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned Violin teacher and co-author of the 'Early Start'Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus Violin school tradition; they can be used in parallel from the third volume onwards or alongside any Violin method. The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
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Charles Auguste de Bériot: Scène de Ballet op. 100: Violin: Instrumental Work
Violin and Piano
Barenreiter
Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870)...
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Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer. Scène de Ballet perhaps his best-known composition is a favourite with Violin students. One such student was the young Itzhak Perlman who included it in his collection Concertos from my Childhood. The piece captivates with its beautiful melodies and refined rhythms. The EditorKurt Sassmannshaus is a world-famous Violin teacher with a professorship in Cincinnati (Ohio USA). He is also the founder of the Great Wall Music Academy an international summer camp for young string players in China. Hecontinues the family tradition of Early Start on the Violin founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English. The series Bärenreiter's Concert Pieces includes works for solo strings usually the Violin but also Viola and Cello all with Piano accompaniment.
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 1 K.6-9: Violin:
Violin and Piano
G. Henle
Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius ...
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Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius recognised at an early age could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna older by five years were admired as being 'Wunderkinder' (prodigies) on theirtravels through Western Europe between 1763 and 1766. The piano sonatas ?with a violin accompaniment? K. 6 9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds colour butnot as an equal partner unlike in the later great violin sonatas (see HN 77 80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know ?everything? todiscover some treasures.With marked and unmarked string parts
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César Franck: Sonate / Andantino quietoso op. 6 / Mélancolie: Violin:
Violin and Piano
-
Intermediate
Barenreiter
for piano and violin-Pioneering new Urtext edition.Informative text on the genes...
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for piano and violin-Pioneering new Urtext edition.Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng).Two small individual movements for Violin and Piano published for the first time.Detailed Critical Commentary (Eng).Cesar Franckâs Sonata For Piano And Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franckâs correspondenceproves that he was directly involved in the printing of the sonata. Consequently Barenreiter's scholarly performing edition draws mainly on the first edition of the separate Violin part. For the Piano part the first edition of the version for Violoncello and Piano which appeared during Franck
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Romantische Stücke Op. 75 (DVORAK ANTONIN)
Violin and Piano
-
Advanced
Schott
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (18411904) started com...
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Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (18411904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: Played here yesterday and very well received. For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered. These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvoráks large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Edward Elgar: Chanson de matin- Chanson de nuit: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Peters
In the earlier part of Elgar's career as a composer he wrote several short piec...
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In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Grade 3-4-A series available as violin duets or violin & piano.Whether a student...
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Grade 3-4-A series available as violin duets or violin & piano.Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. Thepurpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Nigel Goldberg.
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 1: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contain...
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Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378
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Einstein's Light: Violin and Accomp.: Score
Violin and Piano
Lauren Keiser Music Publishing
Violin and Piano-Einstein was a violinist all his life. In the motion picture Ei...
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Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)
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Ludwig van Beethoven: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for ...
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Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for Piano and Violin includes Violin sonatas No. 6-10 - Beethoven wrote 10 sonatas for Violin and Piano in total (No. 1-5 can be found inVolume I of this edition). Out of these 5 sonatas Violin Sonata No. 9 (commonly known as the ‘Kreutzer Sonata’) is the most widely known because of its demanding Violin part unusual length of slightlyless than 40 minutes (with the other four averaging at ca. 23 minutes) and emotional scope - while the first movement is predominantly furious the second is meditative and the third joyous and exuberant. This Urtextedition provides you with a clear and accurate representation of the composer's original intentions. Two copies of the Violin score are included as separate inserts as well as a preface in German English and French.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Violin Recital Album Volume 2: Violin: Instrumental Work
Violin and Piano
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Easy
Barenreiter
13 Recital Pieces in First Position for Violin and Piano or Two Violins-New reci...
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13 Recital Pieces in First Position for Violin and Piano or Two Violins-New recital pieces for the tried and trusted Sassmannshaus Violin method.All pieces written in first position.With a second Violin part for duet performance.Available in freely accessible recordings on YouTube.These two collections give young students and teachers a rich selection of recital pieces either to complement the Sassmannshaus Early Start on the Violin method or to play independently from it. As all the pieces are written entirely in first position they can be used after just a few months of lessons.The Piano part may be played by the teacher or an advanced student. As an alternative the accompaniment can be played by a secondViolin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes folksongs but also less well-known gems as well as original pieces by the editors all precisely tailored to meet the needs of young students.Kurt Sassmannshaus the editor of a great many string editions in the Bärenreiter catalogue continues the tradition founded by his father Egon Sassmannshaus in the Early Start string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the Cello.
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Oscar Rieding: Concerto in B Minor Op. 35 for Violin and Piano: Violin:
Violin and Piano
G. Henle
The name Oskar Rieding may seldom appear in concert programmes but for students...
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The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.
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Maurice Ravel: Violin Sonata In G Major: Violin: Score
Violin and Piano
G. Henle
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel...
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Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.
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10 Brilliant Miniatures (SARASATE PABLO DE)
Violin and Piano
[Sheet music]
Hal Leonard
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after h...
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Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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