3 Chorale Settings - Fantasia. Par STEFFENS JOHANN. Johann Steffens was municipal organist at St Johannis church in Lüneburg and one of the founding fathers of the North German Organ school. This volume contains three chorale arrangements (including a cycle based on “Veni redemptor” / Nun komm der Heiden Heiland) and a “Fantasia”, one of the few free compositions for organ of that period to show exceptional musicianship./ Répertoire / Orgue

per organo. Par VASKS PETERIS. 'Viatore' was originally one of Peteris Vasks's extremely successful works for string orchestra. This newly-published arrangement translates the inexorably shimmering original string sound of the piece into a sonorous organ sound foundation. In the adaptation for organ, the catchy motif of 'Viatore' (Passenger) receives entirely new dynamic possibilities. The whole sound potential of the 'queen' of instruments is fully explored, the typical 'Vasks sound' is maintained and at the same time expanded by new, surprising aspects./ Répertoire / Orgue

Tonalité : G-Dur - Op.: 88 -. Par RHEINBERGER JOSEF GABRIEL. With the Third Sonata op. 88 Rheinberger began to compose systematically for the organ. The steps from one sonata to the next became shorter, and now at least one major organ work appeared each year. The term 'sonata' encompasses widely differing forms and types of movements./ Répertoire / Orgue

Music for Jon Laukvik’s Historical Performance Practice in Organ Playing: An Introduction based on selected organ works of the 16th–18th centuries./ Répertoire / Orgue

Aus Polnisches Requiem. Par PENDERECKI KRZYSZTOF. Oskar Gottlieb Blarr first planned this organ transcription of Penderecki's Agnus Dei from the 'Polish Requiem' as a private homage to the esteemed master. The piece has since been frequently performed by other organists, proving the validity of this transcription. As in his other organ works, Blarr followed strict criteria: the strict maintenance of intervals, postures, articulation and phrasing. / Niveau : Intermédiaire à Avancé / Répertoire / Orgue

Syncretic Version. Par LISZT FRANZ. In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work./ Répertoire / Orgue

Facsimile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition./ Répertoire / Orgue

Par CERHA FRIEDRICH. Cerha (b. 1926) has had a long, varied, and distinguished career as composer, conductor, educator, and more. Having written many orchestral and chamber works, along with a number of works for solo instruments, Cerha has turned his attention to the king of instruments with a new set of inventions and preludes for organ. Written in 2011 and 2012, Cerha's new organ works add his distinctive voice to the repertoire. For intermediate to advanced organists./ Répertoire / Orgue

Par STRAVINSKY. Arrangement for Organ by Maurice Besly. / Rép Classique / Répertoire / Orgue

Par VOLCKMAR THEOPHIL ANDREAS. Format: New Edition landscape / Masters of the North German School for Organ Volum / Répertoire / Orgue

Symphonic Fresco On Genesis 1:1-31. Par HAKIM NAJI. Cosmogonie was written after an improvisation of the composer at the Haarlem International Organ Improvisation Competition, Rotterdam 1981. The given theme was an abstract graphic by Enrique Raxach. The result is an evocation of the opening verses of the Genesis. / Niveau : Intermédiaire / Répertoire / Orgue

Op. 14. Par ELGAR EDWARD. With his Vesper Voluntaries, Edward Elgar composed a wealth of organ pieces for performance in church services and concerts. The wonderful miniatures, composed in song form, two to three minutes in length, can be performed individually or as a complete cycle. They are of moderate difficulty and intended for manuals, but they can optionally also be played with pedal. This Urtext edition is based on the first printed edition edited by Elgar himself, which has been carefully checked through. Useful suggestions on performance in the foreword complete the new edition./ Répertoire / Orgue

Par RUTTER JOHN. for solo organ A Gaelic Blessing is one of John Rutter's best-loved choral works, and now, thanks to the composer's own highly sensitive arrangement, it is available to organists to play as a gently expressive interlude or voluntary. / Date parution : 2022-03-05/ Répertoire / Orgue

Four Organ Transcriptions for Christmas. Par BURKHARDT MICHAEL. / Date parution : 2023-07-31/ Répertoire / Orgue