Par PHILLIPS R.. / Niveau : Assez Facile / classique / Répertoire / Violon et Piano

Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Violins and Viola. Immediately after completing these four short pieces Dvo ák rewrote them for Violin with Piano accompaniment and published the new version that very year. This edition presents the musical text from the Complete Edition of the Works of Anton n Dvo ák with a new foreword by David R. Beveridge.The Violin part contains fingering by Josef Micka.New foreword by Dvo ák scholar David R. Beveridge (Eng/ Cz /Ger).Violin part with fingering.

Originally written for Violin and Orchestra between 1873 and 1877 Dvo ák?s Romance immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. He probably wrote the Romance for his friend the Violin virtuoso Franti?ek Ond ek who later premiered Dvo ák?s Violin Concerto in 1883.This Barenreiter edition is the first to avail itself of the recently rediscovered autograph of Dvo ák?s own version for Violin and Piano. Compared to the well-known Piano reductions it differs from the Orchestral version in several important respects and is also one barshorter.This new edition containing the composer?s more authentic version can nevertheless also serve as a Piano reduction to the Orchestral version.First edition of the Piano version based on Dvo ák?s autograph.Foreword by David R. Beveridge (Cz/Eng/Ger).Critical Commentary (Eng) by the editor.

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Bleu Baroque pour violon et Piano est une collection de huit re-fonctionnement du, des pièces pour l'essentiel, très bien connus de la période. La sélection comprend des éléments provenant du répertoire instrumental et vocal dans une variété d'adaptations stylistiques. Middle-grade aux plus avancées violonistes ont maintenant la chance de découvrir ces délicieux morceaux ' Blue Baroque ' qui enchantera sans aucun doute les artistes et le public. Comprend : Bel Isle / Purcell - Sarabande de français Suite #1 en ré mineur / J.S. Bach - Arioso / Telemann - Tambourin / Rameau - de la Clavierbüchlein der Anna Magdalena Bach, Menuet BWV Anh. 114 - Menuet (BWV Anh.115) / Petzold - Sarabanda et Giga de Sonata VIII (op. 5) / Corelli. / Violon Et Piano

Interm. Pieces by Bach Beethoven Corelli Dancla Mozart Sarasate Schubert Schumann Vivaldi-With two CDs of performances and accompaniments. Baroque Classical and Romantic violin solos suitable for the intermediate student violinist. The two enhanced CDs include performances and accompaniments of each piece and can also be used in computers to adjust the tempo. Content - Bach J.S.: Allegro from Sonata in B minor - Beethoven: Andante Scherzoso from Sonata op. 23 - Beethoven: Scherzo from Sonata op. 30 no. 2 - Corelli: Preludio and Allemanda from Sonata in E minor op. 5 no. 8 - Dancla: Air varie on a theme by Donizetti op. 89 no. 4 - Mozart: Adagio and Allegro from Sonata K.379 - Sarasate: Playera from Spanish Dances op.23 - Schubert: Finale from Sonatina op. 137 no. 3 - Schumann R: Phantasiestück op. 73 - Vivaldi: Largo from Winter (The Four Seasons)

Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour violon de Brahms reste encore aujourd?hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s?était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l?objet d?un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des ?uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu?ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?