The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus ideally suited for church choirs and small amateur ensembles.Despite its reduced forces this Te Deum proves to be an impressive work of great effect in performance.- Urtext based on the latest scholarly research-Straightforward continuo- Four-voice chorus (SATB) without vocal soloists- Duration: approx. 6 minutes- Separate organ part available (BA7591-67)

Probably composed in 1690 the Messe de MinuĂŻt pour NoĂ«l H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale

Probably composed in 1690 the Messe de MinuĂŻt pour NoĂ«l H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale

Saint-Saëns's Christmas Oratorio (or Oratorio de Noël) was written in 1858 when he was just 23. This piece was originally scored for five Vocal Soloists Chorus Harp String Quartet and Organ; this the vocal score contains a piano reduction.The Christmas Oratorio opens with a Prelude subtitled 'In the style of Sebastian Bach' harkening back to Bach's Christmas Oratorio. This opening prelude sets the scene for the Christmas story: its lilting pastoral quality creates images of the shepherds tending their flocks in the fields. In the remaining movements the vocal soloists take turns representing different characters such as the narrator ofthe story or as the angel who announces the birth of the baby Jesus while the chorus represents a multitude of angels singing to the glory of the Lord. The final movement of the piece which follows the model of old French Christmas songs is a virtual hymn of praise of all creation in the presence of God.The English version of the text is by N.H. Dole.

Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.

Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ RĂ©pertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ RĂ©pertoire / Soliste, Choeur Mixte et Orchestre

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier?s best-known composition after the Te Deum H 146. The special appeal of this ?Mass for the Midnight Service on Christmas Eve? lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier?s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups ? one group of two sopranos and two groups each comprising alto tenor and bass ? which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier?s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score

Kyrie-Gloria-Messe (Lutherische Messe). Par BACH JOHANN SEBASTIAN. Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie oft im Schatten anderer Kirchenwerke Bachs. Mit ihrer jeweils sechssätzigen Anlage [bis 'Cum sancto spiritu'] hatten sie ihre spezifische liturgische Stellung im Gottesdienst der Bach-Zeit. Die Messen bestehen zum größten Teil aus Parodien, deren ursprüngliche Musik meist aus Kantaten stammt und die Bach nach bekannter Manier - dem neuen Werkkontext entsprechend - teilweise erheblich umgearbeitet hat. Ulrich Leisinger hat die vier Werke für Carus in neuen kritischenAusgaben vorgelegt. / Messe / Date parution : 2001-01-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,