These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /

Kaija Saariaho's Leino Songs were premiered by Anu Komsi (Soprano) and Pia Värri (Piano) on 9 July 2007 in Kaarle's Church, Kokkola, Finland, as part of the Kokkola Opera Summer Festival and are dedicated to Anu Komsi.

Soprano/Accompagnement Piano.
Please note that Leino Songs for Soprano and Piano does not correspond exactly with Saariaho's work of the same name scored for voice and orchestra, and is therefore not suitable for use as a vocal score to that version. / Classique / Partition /

Ten songs from Bernstein's famous stage works, now available for each voice type! Each voice type has a unique song list. The editions include access to online piano accompaniments for streaming or download. / Soprano Et Piano

Cantata-Suffused with a sense of purity and innocence Dies Natalis sets out to depict a newborn child's first sensations of the world. Set to the text of a poem by Thomas Traherne and inspired by Botticelli's painting Mystic Nativity the sense of joy and wonder in the celebration of creation are conveyed with a spontaneity and rapture that are breathtaking. Originally composed as a cantata for tenor or soprano solo and string orchestra this is a reduction for Tenor (or Soprano) voice and Piano accompaniment.

Opera Arias for Soprano includes 36 Arias from various composers such as Beethoven Gluck Handel and Mozart. Arranged for High voice with Piano accompaniment.

Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.The soprano sings short liturgical phrases such as ?Amen? ?Allelujah? ?Alleluja amen? or ?Amen alleluia?. The editor has supplied a text for the movement HWV 275 which until now has for reasons unknown been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which playsmostly an accompanying supportive role imitating the voice in a few places. The vocal part is distinguished by the repetition of motives by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.Today these short movements of between 25 and 76 bars lend themselves well to use in church services.Based on the Urtext of the ?Halle Handel Edition?Idiomatic realization of the continuo part

Gustave Charpentier's Air De 'Louise' or 'Depuis Le Jour Où Je Me Suis Donnée' scored for Soprano voice and Piano Accompaniment. This is the Vocal Score.

Soprano (With Online Accompaiments)-The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song with some of the most often studied music in the genre. The Sopranoand Mezzo-Soprano/Alto volumes have the same song list but in different keys. The same is true of the Tenor and Baritone/Bass song lists.

Modern Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano voice and piano accompaniment. These three poems were written between 1900 and 1908 and they are very different in terms of form subject matter andatmosphere. Liebes-Lied is about a strong but painful love Buddha in der Glorie a description of religious ecstasy quite unusual in the works of Rilke and Sluss-stück about death which exists inthe midst of us in the middle of life.

This version of Aria for Soprano and Piano is an arrangement of the original version scored for Soprano Flute Cello Celesta and Percussion.

Mi Tradì Quell?Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera 'Don Giovanni'. This work is scored for Soprano Voice with Piano Accompaniment. The lyrics are in Italian.

Soprano. Par VASSILIEVA ELENA. Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur 'un fil di voce'. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes./ Etude / Soprano et Piano

A selection of arias scenes and some duets from more than a dozen operettas and opéras-lyriques of André Messager (1853-1929) composer conductor theatre manager and boulevardier. Perfectly crafted wonderfully conceived forthe soprano voice vivid colourful often light hearted or exotic settings evoking Paris of the belle-époque.