| Sonatas For Cello And
Basso Continuo (VIVALDI
ANTONIO) Violoncello, Basso continuo Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...(+)
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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| Antonio Vivaldi: Complete
Sonatas for Violoncello
and Bc. RV 39-47: Cello: Violoncello, Basso continuo [Sheet music] Barenreiter
Performance Score and Parts-This scholarly-critical edition is based on all the ...(+)
Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
34.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Antonio Vivaldi: Two
Sonatas RV40 And RV46:
Cello: Instrumental Album Violoncello, Basso continuo [Sheet music] - Intermediate/advanced Barenreiter
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Viv...(+)
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.
7.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Sonata In B Flat K.292:
Bassoon: Score and Parts Bassoon, Violoncello [Score and Parts] G. Henle
Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Basso...(+)
Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Bassoon Cello and Continuo.
18.50 GBP - Sold by Musicroom UK |
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| Daniel Sartorius: Sonata
a Tre Fiatui: Treble
Recorder: Score and Parts 2 Flûtes à Bec Alto,
Violoncelle et Basse Continue [Sheet music] Amadeus Verlag
2 Sonatas-Also suitable for two treble recorders cello and continuo
15.00 GBP - Sold by Musicroom UK |
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| Corrette: Sonate En Re
Mineur Op13: Harpsichord
or Piano: Score and Parts Flute [Sheet music] Heugel
Flute - Ou Vlon-for flute (or violin) cello and continuo
19.99 GBP - Sold by Musicroom UK |
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| Tomaso Albinoni: Concert
03 Bes Op.7: Oboe:
Instrumental Work Oboe Boosey and Hawkes
Albinoni like many other Italian Baroque composers had a particular fondness f...(+)
Albinoni like many other Italian Baroque composers had a particular fondness for the Oboe. He composed this work in 1715 with the original instrumentation of Oboe 2 Violins Viola Cello and Continuo. This Boosey & Hawkes edition has a Piano reduction of the original instrumentation.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Three Sonatas For
Violoncello And
Harpsichord: Cello: Violoncello, Basso continuo [Sheet music] Barenreiter
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Seba...(+)
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Passacaglia And Rondeau
(STANDFORD PATRIC) Violin, Basso continuo [Sheet music] Peters
Par STANDFORD PATRIC. Violon. Violoncelle -/ Répertoire / Violon et Instruments...(+)
Par STANDFORD PATRIC. Violon. Violoncelle -/ Répertoire / Violon et Instruments Divers
11.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Georg Philipp Telemann:
Sonatina For Cello In A
Minor: Cello:
Instrumental Album Viola da Gamba, Basso continuo [Score and Parts] Peters
This work for Viola da Gamba has been transcribed for Cello and is part of the A...(+)
This work for Viola da Gamba has been transcribed for Cello and is part of the ABRSM Grade 6 syllabus.
13.95 GBP - Sold by Musicroom UK |
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| Canon And Gigue In D
(PACHELBEL JOHANN) CD [CD] Music Partner
Par PACHELBEL JOHANN. Sheet Music And Play-Along Cd / Urtext / Accessoire / CD
26.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Georg Friedrich Händel:
Seven Sonatas For Violin
And Basso Continuo:
Violin: Violin and Piano G. Henle
7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seve...(+)
7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel’s exquisite brilliance. This HenleVerlag Urtext edition is derived from Handel's original manuscripts with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years thus it is the definitive referencesource for study and performance preparation. Separate performance parts are included for the solo Violin additional Violin and the realisation of the figured Bass for Cello alongside the full Piano/ Keyboard score.Edited by Stanley Sadie.
30.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Georg Friedrich Händel:
Ode For Saint Cecilia's
Day: Continuo: Part [Part] Novello & Co Ltd.
Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass ...(+)
Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass and Continuo parts only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.
6.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Four Flute Sonatas:
Flute: Instrumental Album Flute, Basso continuo [Score and Parts] Barenreiter
Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 103...(+)
Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.
19.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Schott Violin Library Violin, Basso continuo Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...(+)
Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
14.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Heinrich Schütz:
Magnificat: Mixed Choir:
Part SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...(+)
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)
4.50 GBP - Sold by Musicroom UK |
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| Heinrich Schütz:
Magnificat: Mixed Choir:
Part SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...(+)
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)
3.50 GBP - Sold by Musicroom UK |
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| Heinrich Schütz:
Magnificat: Mixed Choir:
Part SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...(+)
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)
3.50 GBP - Sold by Musicroom UK |
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| Heinrich Schütz:
Magnificat: Mixed Choir:
Part SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...(+)
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)
3.50 GBP - Sold by Musicroom UK |
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| Heinrich Schütz:
Magnificat: Mixed Choir:
Part SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...(+)
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full score andperformance material available for sale (BA4334)
3.50 GBP - Sold by Musicroom UK |
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| 10 Sonate per violoncello
e basso continuo: Cello Violoncello, Basso continuo Ricordi
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music i...(+)
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39
18.50 GBP - Sold by Musicroom UK |
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| Chamber Music For/
Kammermusik Für
Violoncelli 16 String Trio: 3 cellos EMB (Editio Musica Budapest)
The latest volume of the popular series extends the repertoire of beginner and i...(+)
The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles
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| Carl Philipp Emanuel
Bach: Gambensonaten Wq 88
136 137: Cello:
Instrumental Violoncello, Basso continuo G. Henle
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three s...(+)
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.
40.50 GBP - Sold by Musicroom UK |
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| Magnificat (SCHUTZ
HEINRICH) SATBasse (2 Grands Choeurs Mixtes
à 4 Voix Ad Libi [Sheet music] Barenreiter
Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) c...(+)
Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz 's studies in Italy. Our full score contains a comprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text. - Full score and performance material available for sale (BA4334)/ Répertoire / SATBasse (2 Grands Choeurs Mixtes à 4 Voix Ad Libi
10.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Vivaldi A. - 9 Sonate -
Cello Cello Emb (editio Musica Budapest)
per violoncello e basso continuo Publié par Pejtsik Árpád Réalisation de la ...(+)
per violoncello e basso continuo Publié par Pejtsik Árpád Réalisation de la basse continue par Máriássy István Instrument: Violoncello and Piano Instrumentation: vlc, csemb. Série: EMB Urtext Genre: Baroque Pages: 112 pp Date du parution: Février 1995 1.sib maggiore RV 47 (F. XIV. No. 1, P.S. 4/5) 2.fa maggiore RV 41 (F. XIV. No. 2, P.S. 4/6) 4.sib maggiore RV 45 (F. XIV. No. 4, P.s. 4/8) 5.mi minore RV 40 (F. XIV. No. 5, P.S. 4/9) 6.sib maggiore RV 46 (F. XIV. No. 6, P.S. 4/10) 7.sol minore RV 49 (F. XIV. No. 9, -) 8.la minore RV 44 (F. XIV. No. 7, P.S. 6/10) 9.mib maggiore RV 39 (F. XIV. No. 8, P.S. 6/9)
18.50 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| Carl Philipp Emanuel
Bach: Triosonate a-Moll
Wq 148: Flute & Violin: Flute, Violin, Keyboard (basso
continuo) [Sheet music] - Intermediate Zimmermann
Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor W...(+)
Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute Violin (or Oboe) and Continuo - Piano (or Cembalo) with Cello (or Bassoon) - this work is ideal for recital or concert performance.Available here is the score with Flute Violin (or Oboe) and Cello (or Bassoon) parts.
8.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Violoncello
String And BC A Minor:
Cello: Cello, Piano - Intermediate Barenreiter
Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangeme...(+)
Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.
16.50 GBP - Sold by Musicroom UK |
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