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Cello and Continuo
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Heinrich Schütz: Magnificat: Mixed Choir: Score
Choral SATB
[Sheet music]
Barenreiter
Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib...
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Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour.Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text.- Full score and performance material available for sale (BA4334)
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Concerto For Violoncello, Strings And Basso Continuo A Minor
Cello, Orchestra
Barenreiter
/ Violoncelle Et Orchestre A Cordes
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Finger G. - Two Easy Sonatas- Flb Et Bc
Schott
treble recorder (flute, oboe, violin) and basso continuo; harpsichord (Pianofort...
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treble recorder (flute, oboe, violin) and basso continuo; harpsichord (Pianoforte), cello (viola da gamba) ad lib. These recorder sonatas by Gottfried Finger have been copied from an edition by the London publisher John Walsh. They are pretty pieces, very similar in form and invention to the recorder sonatas of Daniel Purcell (cf. ED 3693 and 4732) and from the same period. They are, moreover, just as charming and just as easy to play.
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Johann Georg Albrechtsberger: Te Deum in D: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Banner's edition of Albrechtsberger's 'Te Deum in D' is of slightly more than me...
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Banner's edition of Albrechtsberger's 'Te Deum in D' is of slightly more than medium difficulty. Performance time: approximately 10mins. _x000D_Instrumentation available (HMB16a): 2 Tpt Timp 2 Vln Cello Bass and_x000D_Continuo and Full Score.
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Antonio Vivaldi: Sonata No. 5 for Cello and Basso continuo (Piano): Cello
Dowani
RV 40 in E minor-La sonate n? 5 pour violoncelle et basse continue en mi mineur ...
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RV 40 in E minor-La sonate n? 5 pour violoncelle et basse continue en mi mineur d?Antonio Vivaldi d?montre la cr?ativit? in?puisable du ma?tre v?nitien. L?ambiance du deuxi?me Largo est particuli?rement impressionnante. Les harmonisations ?pur?es et la limitation ?peu de motifs rappellent les 'Quatre Saisons'. Notre ?dition vous offre la possibilit? de travailler l??uvre d?une mani?re syst?matique dans diff?rents tempos avec accompagnement de piano. Il s?agit d?une ?dition r?vis?e : l?ancien enregistrementDOWANI est livr? d?sormais avec une nouvelle r?duction pour piano et dans la partie soliste ont ?t? ajout?s des doigt?s.1 LargoAllegroLargoAllegro
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Haendel G.f. - Concerto Grosso A Major Op.6/11 Hwv 329
Pocket, Study conductor
[Study Score / Miniature]
Eulenburg
Edition : study score Instrumentation : 2 violins, cello, strings and basso cont...
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Edition : study score Instrumentation : 2 violins, cello, strings and basso continuo Catalogue of works : HWV 329 Date of Composition: 1739 Duration : 19' Number of Pages : 56 Arranger : Nyman, Michael Series : Eulenburg Miniature Scores
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Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
String Orchestra
Chester
I Give You The End Of A Golden String was commissioned in 2013 by the Royal Phi...
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I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players
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Telemann G.p. - Sonata In A Major
Schott
from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord...
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from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad lib. Date of Publications : 12/07/1985 Number of Pages : 20 Arranger : Ruf, Hugo Series : Violin Library
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Nico Muhly: Step Team: Ensemble: Score
School Ensemble
St Rose Music Publishing
Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost m...
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Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello
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Schott Recorder Library
Recorder, Bass Continuo
Schott
/ Flûte A Bec Et Basse Continue
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Opera Omnia. Vol.1: 6 Sonatas Op. 5 For Violoncello And Basso Continuo (H. 103-108) - 6 Sonatas Op. 5 For Violin And Basso Continuo (H. 109-114)
Chant
[Sheet music]
Ut Orpheus
/ Recueil / Chant
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VI Concerts A Deux Flûtes A Bec, 2 Flûtes Traversières, Hautbois Ou Violons Et Basse Continue. VIIIe Ouvrage. (PEPUSCH JOHANN CHRISTOPH)
-
Easy
Anne Fuzeau Productions
Par PEPUSCH JOHANN CHRISTOPH. VI Concerts à 2 Flûtes à Bec, 2 Flûtes Travers...
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Par PEPUSCH JOHANN CHRISTOPH. VI Concerts à 2 Flûtes à Bec, 2 Flûtes Traversières, Hautbois ou violons andamp - Basse Continue. VIIIième ouvrageEdition : Amsterdam, Jeanne Roger, s.d.Les parties séparées portent les indications de deux flûtes à bec, deux hautbois et continuo. Une formation très originale. Le titre donne la liberté d'exécuter l'oeuvre avec des flûtes traversières et des violons.oeuvres en trio : 2 flûtes à bec ou 2 flûtes traversières, et 2 hautbois ou 2 violons, et basse continue. Edition originale en parties séparées : Flauto Primo - Flauto Secondo - Hautbois Primo - Hautbois Secondo - Organo e Violoncello. / Niveau : Facile / Répertoire / Instruments Divers Ad Libitum dont La Flûte Traver
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Telemann G.p. - Konzert Mit Mehrfachen Besetzungsmoglichkeiten Nr. 5 B Minor Twv 42:h1
BARENREITER
Besetzungen: 1. Flöte, konzertierendes Cembalo - 2. Flöte, konzertierendes Cem...
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Besetzungen: 1. Flöte, konzertierendes Cembalo - 2. Flöte, konzertierendes Cembalo, Violoncello - 3. Flöte, Violine, Violoncello - 4. Flöte, Violine, Basso continuo. Urtext der Telemann-Ausgabe Edition : Playing Score; Set of Parts; Urtext Edition Editor : Hinnenthal, Johann Ph Binding : stapled Instrumentation : Flute, Harpsichord
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John Luther Adams: Always Very Soft: Percussion: Score
Taiga Press
Player Score-John Luther Adams' Always Very Soft for Percussion Trio. Player sc...
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Player Score-John Luther Adams' Always Very Soft for Percussion Trio. Player score. 'I began Always Very Soft in the spring of 1973 and completed it more than three decades later. Originally the piece was scored for percussion trio and de-tuned 'cello. I conducted that version in my nal semester at the California Institute of the Arts. In time I came to regard it as my last student work andwithdrew it from my active catalog. Fast forward thirty-some-odd years to the spring of 2007. For quite some time I'd had in mind to compose a perpetual acceleration canon - music that seemsalways to be getting faster but somehow never really does. As I pondered this I remembered that piece from long ago. So I dug out the old score and looked it over. From my new perspective itseemed to me that my younger self had been attempting to compose a continuum of discontinuities - weaving disparate timbres and velocities into a subtly articulated whole. This new version of Always Very Softcontains not a single note from the original version. But I hope it conveys a more coherent and essential distillation of that early musical thought.' - John Luther Adams
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John Adams: Shaker Loops (revised): Orchestra: Score
Orchestra
Hal Leonard
Score-Although in its own way an example of 'continuous' music Shaker Loops dif...
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Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.
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Johann Sebastian Bach: St Matthew Passion BWV 244: Mixed Choir: Part
Soli (T (Evangelist), B (Jesus), SATB), 2 Choeurs Mixtes (SATB Et SATB) Et Orchestre
Barenreiter
2. Choir Basso continuo Violoncello Double bass 2. Bassoon-Version of 1736 (...
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2. Choir Basso continuo Violoncello Double bass 2. Bassoon-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale
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Telemann G.p - Concerto In G Major - String Orchestra
String Orchestra
Schott
G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - ...
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G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - 2 violas, strings and basso continuo editor: Lebermann, Walter composer: Telemann, Georg Philipp Série: Concertino Difficulté: Intermediate pages: 48
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Vivaldi - Concerto In Re Minore - Cello, Strings And Basso Continuo
Cello
Ricordi
révision Angelo Ephrikian Compositeur : Vivaldi Antonio Instrumentation : Vn, C...
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révision Angelo Ephrikian Compositeur : Vivaldi Antonio Instrumentation : Vn, Cordes, Clav
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VI Sonate A Fagoto O Violoncello Col'Basso Continuo. Opera Terzac. 1735
3 Recorders (trio)
[Score]
Noetzel
Edition : Londres, S. Weaver, J. Johnson, s.d. c.1735Présentation de Marc Vallo...
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Edition : Londres, S. Weaver, J. Johnson, s.d. c.1735Présentation de Marc Vallon : note biographique - les sonates pour basson - oeuvres de Merci - agrémentation - ornementation - altérations rythmiques.Une des rares partitions du XVIIIème siècle pour basson et basse continue. L'excellente qualité de la gravure permet une lecture aisée. / Bassons Et Basse Continue, Violoncelle Et Basse Continue / 23 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Haendel G.f. - Concerto Grosso F Major Op.6/9 Hwv 327
Pocket, Study conductor
[Study Score / Miniature]
Eulenburg
Edition : study score Instrumentation : 2 violins, cello, strings and basso cont...
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Edition : study score Instrumentation : 2 violins, cello, strings and basso continuo Catalogue of works : HWV 327 Date of Composition: 1739 Duration : 16' Number of Pages : 40 Arranger : Nyman, Michael Series : Eulenburg Miniature Scores
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VIVALDI A. - CONCERTO A MINOR RV 108/PV 77
Recorder
Schott
Instrumentation : treble recorder (flute, oboe), 2 violins and basso continuo; c...
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Instrumentation : treble recorder (flute, oboe), 2 violins and basso continuo; cello (viola da gamba) ad lib.
Version : score and parts
Date de parution : 15/04/1979
Nombre de pages : 31
Collection : Antiqua
Format : New Edition portrait / Partitions classique / Bois / Flûte à bec / SCHOTT
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Heinrich Schütz: Magnificat: SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Capellchor 1-Concerto for four-part select (solo) choir two four-part ripieno c...
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Capellchor 1-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text.- Full score and performance material available for sale (BA4334)
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John McCabe: Horn Quintet (Parts): Chamber Ensemble: Parts
Novello & Co Ltd.
First performance 12 October 2011 at St George's Hall Liverpool by David Pyat...
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First performance 12 October 2011 at St George's Hall Liverpool by David Pyatt (horn) and the Sacconi String Quartet as part of the Centenary Concert of the Rodewald Concert Series.Composer's NoteThroughout my musical life I have found the horn one of the most evocative and beautiful of all instruments and it is no surprise that I have written a number of works for it including a concerto a trio with violin and piano and a triptych of concert works for horn and piano. Writing a work for horn and string quartet has long been an ambition therefore fuelled not only by my love of the instrument but also by theastonishingly small repertoire of horn quintets.This work was commissioned to celebrate their centenary by the Rodewald Concert Society Liverpool who gave me an invaluable education in the masterpieces of the chamber music repertoire at their concerts which I attended regularly during my schooldays. The quintet is dedicated to Nancy and Douglas Brady two of my oldest and closest friends from Liverpool. It was written in 2010/11 and is continuous. There are however three main ?movements?: an opening quick one which is interrupted twice by brief slow interludes referring to the motto heard at the start a substantial slow movement which also contains two short scherzando sections (much as Brahms?s A major Violin Sonata has two quick trio sections in its slow movement) and a fast finale a descendant of the Beethoven one-in-a-bar scherzo.The scherzando interludes interwoven with the slow movement are frequently muted and have something of an other-worldly atmosphere perhaps Queen Mab came to deliver me of some dreams while I was writing it. At the end of the finale the furious activity gives way to an elegiac conclusion which I feel was greatly influenced by events in the world outside at the time of composition the music descending to a quiet sustained C on horn and cello. The work lasts just over 20 minutes and was first
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Heinrich Schütz: Magnificat: SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Capellchor 2-Concerto for four-part select (solo) choir two four-part ripieno c...
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Capellchor 2-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.Our full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text.- Full score and performance material available for sale (BA4334)
5.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: St Matthew Passion BWV 244: Mixed Choir: Part
Soli (T (Evangelist), B (Jesus), SATB), 2 Choeurs Mixtes (SATB Et SATB) Et Orchestre
Barenreiter
1. Choir Basso continuo Violoncello Double bass 1. Bassoon-Version of 1736 (...
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1. Choir Basso continuo Violoncello Double bass 1. Bassoon-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale
13.50 GBP - Sold by Musicroom UK
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Ich Verkündige Euch Große Freude (VIERDANCK JOHANN)
[Sheet music]
Barenreiter
Violoncello, Contrabass and Basso Continuo. Par VIERDANCK JOHANN. / Feuillet / S...
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Violoncello, Contrabass and Basso Continuo. Par VIERDANCK JOHANN. / Feuillet / Soprano ou Ténor, Soprano ou Ténor (Aussi Chorale)
5.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Paolo Benedetto Bellinzani: 2 Sonaten 8 C Op. 3 & 9 Bes Op. 3: Instrumental Work
Spartan Press
Two Sonatas in C minor Op.3 No.8 and B flat Op.3 No.9 for Treble Recorder and ...
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Two Sonatas in C minor Op.3 No.8 and B flat Op.3 No.9 for Treble Recorder and Basso Continuo by Bellinzani. Edited by David Lasocki. Includes Score and parts for Treble Recorder and Bassoon (or Cello).
11.50 GBP - Sold by Musicroom UK
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John McCabe: Horn Quintet: Chamber Ensemble: Score
Novello & Co Ltd.
First performance 12 October 2011 at St George's Hall Liverpool by David Pyat...
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First performance 12 October 2011 at St George's Hall Liverpool by David Pyatt (horn) and the Sacconi String Quartet as part of the Centenary Concert of the Rodewald Concert Series.Composer's NoteThroughout my musical life I have found the horn one of the most evocative and beautiful of all instruments and it is no surprise that I have written a number of works for it including a concerto a trio with violin and piano and a triptych of concert works for horn and piano. Writing a work for horn and string quartet has long been an ambition therefore fuelled not only by my love of the instrument but also by theastonishingly small repertoire of horn quintets.This work was commissioned to celebrate their centenary by the Rodewald Concert Society Liverpool who gave me an invaluable education in the masterpieces of the chamber music repertoire at their concerts which I attended regularly during my schooldays. The quintet is dedicated to Nancy and Douglas Brady two of my oldest and closest friends from Liverpool. It was written in 2010/11 and is continuous. There are however three main ?movements?: an opening quick one which is interrupted twice by brief slow interludes referring to the motto heard at the start a substantial slow movement which also contains two short scherzando sections (much as Brahms?s A major Violin Sonata has two quick trio sections in its slow movement) and a fast finale a descendant of the Beethoven one-in-a-bar scherzo.The scherzando interludes interwoven with the slow movement are frequently muted and have something of an other-worldly atmosphere perhaps Queen Mab came to deliver me of some dreams while I was writing it. At the end of the finale the furious activity gives way to an elegiac conclusion which I feel was greatly influenced by events in the world outside at the time of composition the music descending to a quiet sustained C on horn and cello. The work lasts just over 20 minutes and was first
27.99 GBP - Sold by Musicroom UK
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Sarah Quartel: A Winter Day: Orchestra: Part
Orchestra
Oxford University Press
Orchestral & Instrumental Material for Choral Pieces-Cello part for Sarah Quarte...
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Orchestral & Instrumental Material for Choral Pieces-Cello part for Sarah Quartel's five-movement work celebrating the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane.
9.75 GBP - Sold by Musicroom UK
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Konink S.v. - Two Sonatas - Treble Recorder And Basso Continuo, Cello And Viola Da Gamba Ad Lib.
SCHOTT
C minor - F major++Date of Publications : 14/02/1980 Editor : Murgier, Henri l K...
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C minor - F major++Date of Publications : 14/02/1980 Editor : Murgier, Henri l Kiss, Georges
16.90 EUR - Sold by Woodbrass
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