SKU: HL.4005883

UPC: 888680937607. 9.0x12.0x0.058 inches.

Utilizing an array of sparkling brass figures contrasted with brief lyric passages and dynamic shifts in texture, this work is equally effective as a concert opener or any type of celebratory event. Carefully paced for a dramatic and powerful impact.

SKU: HL.35030084

UPC: 888680039103. 5x5 inches. Joseph M. Martin/David Angerman.

Uses: General, Ascension, Christ the King, Eastertide

Scripture: Psalm 47

The poetic imagery of this Psalm makes it usable not only as a general anthem but also for Ascension, Eastertide or Christ the King Sunday. The festive brass and percussion parts added to the organ make this an anthem of great impact. Mixed meter sections dance with more lyric passages as the anthem develops, and a very special “wall of sound” section is an outstanding moment of choral virtuosity. We are proud to now offer this proven winner for men's voices! Score and Parts (tpt 1-2, hn, tbn, tba, timp) available as a Printed Edition.

SKU: M7.KECF-140

ISBN 9790502361402. German English.

As the titles already suggest, this piece describes three different moods in modern style. The first movement is characterised by vivid articulation, augmented fifths, strongs rhythms and a contrast between vigorous and lyrical passages.The second movement is a melancholic daydream with Long legato passages. The third movement bubbles with the joy of living, simply through the regular time changes.

SKU: HL.48182930

UPC: 888680862954. 9.0x12.0x0.057 inches.

Blai Maria Colomer (1833-1917) was a Spanish pianist and composer. Following his studies at the Paris Conservatoire, he led a successful career as a teacher and composer. He is best remembered for his operas, yet his Fantasy Legend for Horn remains popular as a competition work at the Paris Conservatoire. Fantasy Legend is a chromatic work for Horn in F first popularised in the 1899 solo Horn contest at the Paris Conservatoire. Fantasy Legend exploits chromatic techniques by use of complex rhythms and variations in articulation, as well as lyrical passages. For all advanced Horn players seeking extravagant repertoire, Colomer's Fantasy Legend provides an exciting addition to the repertoire..

SKU: HP.2908D

UPC: 763628229085.

The Solid Rock is a classic hymn tune by William B. Bradbury Combining bells and piano, alternating gentle, lyrical passages with triumphant, bold sections, this arrangement of the beloved hymn is sure to enhance your worship throughout the church year. The melody passes back and forth freely between the handbells and piano, with each part contributing to the harmony, texture, and overall effect of the piece. A key change on the last verse draws the piece to its final, joyous ending.

SKU: CL.011-2072-00

This award winning composer proves he can also write creative material for less experienced groups. Opens with a lilting British-style march utilizing block scoring and fast-paced harmonic rhythms along with contrasting lyrical passages for brass and woodwinds. A MUST!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CA.5453005

ISBN 9790007130121. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score available separately - see item CA.5453000.

SKU: FG.55011-793-8

ISBN 9790550117938.

Petri Keskitalo’s playful The Tunnel at the End of the Light is a commission by the Lieksa Brass Festival for its International Tuba Competition in 2023. The work employs quirky rhythms and changing meters, while exploring the upper and lower register of the tuba. Lyrical passages quickly change into driving rhythmic patterns, as if a hysterical tuba-player were hitting the walls of a tunnel. The tunnel that starts where the light ends.

This product is a folder with loose pages (sized B4).

SKU: CL.011-2072-01

This award winning composer proves he can also write creative material for less experienced groups. Opens with a lilting British-style march utilizing block scoring and fast-paced harmonic rhythms along with contrasting lyrical passages for brass and woodwinds. A MUST!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CA.5453049

ISBN 9790007226183. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.