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179064
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120930
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78497
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40233
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11025
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6968
C Instruments
6382
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5209
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5193
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4019
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1394
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913
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612
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394
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340
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306
Organ, Piano (duet)
224
Accordion, Voice
209
Melody line, Piano
206
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205
Harpsichord
166
1 Piano, 6 hands
116
Keyboard
97
2 Accordions
50
Solo instrument and Organ
44
2 Pianos, 8 hands
38
Accordion ensemble
22
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17
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16
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12
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8
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6
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6
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5
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5
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3
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2
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56284
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30203
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20193
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13758
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10110
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8308
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1502
Guitar (band part)
1339
Mandolin
733
Piano, Guitar (duet)
713
4 Guitars (Quartet)
669
Banjo
659
Guitar Ensemble
490
Dulcimer
437
3 Guitars (trio)
284
Band Scores
280
Baritone Ukulele
181
Electric Bass (band part)
162
Lap Steel Guitar
155
Ukulele Ensemble
114
Mandolin, Piano (duet)
57
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Plectrum Orchestra
5
Guitar, String Quartet
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
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1
2 Guitars, Clarinet (trio)
1
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Choral SATB
41012
Choral 3-part
16796
Choral 2-part
11950
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7065
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6968
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6765
Choral Unison
4583
Choral SSAA
3856
Vocal duet, Piano
3187
Vocal duet
1279
High voice
1190
Soprano voice, Piano
989
Alto voice, Piano
633
Tenor voice, Piano
587
Low voice, Piano
482
Baritone voice, Piano
427
Voice, Guitar
260
Medium voice, Piano
257
Medium Voice
240
Choral SSATB
126
Tenor voice
117
Mezzo-Soprano voice, Piano
112
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104
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71
Soli, Mixted choir and accompaniment
68
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59
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50
Choral SSATTB
47
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42
Low voice
42
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41
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36
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17
Baritone voice
17
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11
Voix Masculines
10
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10
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7
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5
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4
Choral SATTBB A Cappella
4
Lyrics only
3
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2
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2
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2
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2
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2
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16752
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16498
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14959
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14855
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10189
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9093
Alto Saxophone
8827
Clarinet and Piano
7732
Tenor Saxophone
7570
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7462
Oboe, Piano (duet)
5827
2 Saxophones (duet)
5681
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5678
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5573
2 Flutes (duet)
4981
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4796
Flute, Oboe, Clarinet, Bassoon
4743
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4424
2 Clarinets (duet)
4263
Tenor Saxophone and Piano
4222
Flute (band part)
3642
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2683
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2496
Saxophone Quintet: 5 Saxophones
2206
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2103
Oboe
2009
3 Saxophones (trio)
2007
3 Clarinets (trio)
2004
Flute, Clarinet (duet)
1788
Flute and Guitar
1727
Clarinet Ensemble
1472
Flute Trio: 3 flutes
1435
Flute ensemble
1191
Soprano Saxophone
1110
Baritone Saxophone, Piano
1078
2 Oboes (duet)
1061
Saxophone ensemble
1003
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951
English horn, Piano
932
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889
Recorder Quartet
837
Flute, Violin
801
Oboe, Bassoon (duet)
761
2 Recorders (duet)
746
Clarinet, Violin (duet)
739
Ocarina
676
Descant (Soprano) Recorder
665
Oboe, Clarinet (duet)
653
Saxophone, Clarinet (duet)
634
Harmonica
605
Flute, Clarinet and Bassoon.
537
Flute, Oboe, Clarinet (trio)
533
Clarinet, Guitar (duet)
474
Clarinet, Bassoon (duet)
455
Treble (Alto) Recorder
454
Bass Clarinet, Piano
442
Flute, Violoncello
433
Flute, Oboe, Bassoon
423
3 Recorders (trio)
421
Flute, Oboe (duet)
380
Flute Quintet : 5 flutes
379
Oboe, Clarinet, Bassoon (trio)
355
Piccolo
335
Oboe, Flute
331
Clarinet, Trumpet (duet)
324
English Horn
306
Flute, Clarinet, Piano (trio)
305
Flute, Trumpet (duet)
298
Flute, Viola (duet)
297
Clarinet, Cello (duet)
287
Clarinet and Viola
265
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
255
Flute, Cello, Piano (trio)
246
Flute, Violin, Piano
239
Flute, Violin and Violoncello
228
Baritone Saxophone
215
Recorder Ensemble
215
2 Saxophones, Piano
209
2 Flutes, Piano
195
Bass Clarinet
188
Oboe, Cello
186
Oboe, Violin (duet)
177
3 Oboes
163
2 Clarinets, Piano
153
Descent (Soprano) Recorder, Piano
152
Saxophone and Piano
145
Treble (Alto) Recorder, Piano
138
Flute, Trombone (duet)
126
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
114
Flute, Bassoon, and Piano
110
Recorder, Piano
110
Pennywhistle
109
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Clarinet, Cello, Piano (trio)
90
Tenor Recorder
88
Clarinet, Trombone (duet)
86
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Flute, Harp and Cello
79
Wind ensemble
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Oboe and viola (duet)
73
4 Oboes
72
Flute, Organ (duet)
70
Saxophone and Organ
61
Recorder, Guitar (duet)
61
Flute, Oboe, Piano (trio)
57
Piccolo, Piano
56
Bagpipe
55
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Flute, Violin, Violoncello and Piano
52
Flute, Viola and Piano
50
Oboe, Harp
46
Saxophone and Harp
44
Harmonica, Piano
42
Saxophone, Bassoon (duet)
41
Treble (Alto) Recorder, Basso continuo
38
Flute and Strings Trio
38
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
35
Clarinette, Viola and Piano (trio)
33
Flute, trombone and piano
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
Flute, Tuba (duet)
28
Clarinet Quintet: Clarinet, String Quartet
28
2 English horns and Pianoforte
28
Flute, Violin, Guitar
26
Flute, Cello, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
21
Oboe, Cello and Piano
20
Saxophone and cello
19
Flute and String Quartet
17
2 Oboes, Piano
17
Flute, Viola and harp
16
Clarinet, Double bass (duet)
16
Oboe, Bassoon and Piano
16
2 Recorders, Piano
13
Clarinet, Orchestra
13
Oboe, Violin, Piano
13
2 Flutes and Guitar
13
Oboe ensemble
11
Oboe, Clarinet and Piano (Trio)
11
Recorder, Harp
10
Saxophone, Tuba (duet)
9
English horn, Harp (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, Basso continuo
7
Oboe, Organ
7
Flute, Viola and Cello
7
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
Descant (Soprano) Recorder, Basso continuo
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Melodica
2
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
Oboe and Orchestra
2
Clarinet, Saxophone, Piano
1
3 Recorders, Piano
1
Flute, Guitar, Piano
1
2 Flutes, Basso continuo
1
Flute, viola, cello and guitar
1
2 clarinets, 2 bassoons
1
2 Oboes, 2 Horns and 2 Bassoons
1
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Trumpet
14272
Trombone
11503
Trombone (band part)
11223
Trumpet (band part)
7636
Brass Quintet: 2 trumpets, horn, trombone, tuba
7452
French horn
5700
Trumpet, Piano
5306
Trombone and Piano
4457
French horn (band part)
4119
Tuba (band part)
3516
French Horn and Piano
3176
Brass quartet : 2 trumpets, trombone, tuba
3125
2 Trumpets (duet)
2409
Tuba
2388
2 Trombones (duet)
2112
Brass Quartet: 2 trumpets, horn, trombone
1534
Tuba and Piano
1484
Brass Quartet
1417
Trumpet, Trombone (duet)
1212
Euphonium
1086
Brass Quartet: 4 trombones
1036
Bass Clef Instruments
980
2 French horns (duet)
950
English horn, Piano
932
Bb Instruments
917
Euphonium, Piano (duet)
882
Brass Quartet: 4 horns
727
Trumpet, Saxophone (duet)
597
4 Tubas
549
Brass Trio
484
Trumpet, Horn (duert)
480
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
353
2 Tubas (duet)
309
English Horn
306
F Instruments
296
3 Trumpets (trio)
241
Trumpet ensemble
226
2 Euphoniums and 2 Tubas
221
Brass Quartet: 4 trumpets
214
Horn Ensemble
207
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
128
2 Trumpets, Keyboard (piano or organ)
124
Trumpet, violin (duet)
109
Trumpet, Tuba (duet)
107
Bass Trombone
101
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
86
Trombone, Tuba (duet)
80
Bass Trombone and Piano
76
2 Euphoniums (duet)
76
3 French horns (trio)
75
Trombone, Horn (duet)
75
Trombone, Violin (duet)
75
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
57
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Cello, Piano
37
Trumpet, Trombone, Piano
35
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
3 Tubas (trio)
16
Trombone, Viola (duet)
13
2 Trombones, Piano
13
Trumpet, Orchestra
12
Cornet and Piano
11
3 Euphoniums
11
2 French horns, Piano
10
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
Flügelhorn
6
Horn, Cello and Piano
6
Trombone and Orchestra
6
Trumpet, Euphonium (duet)
5
4 Euphoniums
4
Instruments en Sol
4
Horn and Orchestra
3
Euphonium (band part)
3
Euphonium or Saxhorn and Piano
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet and Orchestra
2
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STRINGS
String Quartet: 2 violins, viola, cello
19413
Violin
16627
Violin and Piano
13205
Cello
10755
Viola
9448
Cello, Piano
8315
Harp
6453
Viola, Piano
6148
Violin (band part)
5478
2 Violins (duet)
4356
Violin, Cello (duet)
4081
Doublebass (band part)
3217
String Trio: violin, viola, cello
3112
2 Cellos (duet)
3063
Cello (band part)
2131
Violin, Viola (duet)
2090
Viola (band part)
1827
2 Violas (duet)
1677
Double Bass
1634
String Quintet: 2 violins, viola, cello, bass
1579
Double bass, Piano (duet)
1218
String Trio: 2 violins, cello
1154
Viola, Cello (duet)
902
4 Cellos
767
String Trio: 3 violins
765
Violin, Guitar (duet)
731
Piano Trio: Violin, Viola, Piano
706
Harp, Flute (duet)
685
Cello, Guitar (duet)
555
String trio
511
String Trio: 3 cellos
467
2 Harps (duet)
459
String quartet: 4 violins
361
Harp, Violin (duet)
359
Viola, Guitar (duet)
314
2 Double basses (duet)
259
Cello, String Bass (duet)
235
String Trio: 2 violins, viola
224
String Quartet : 4 violas
219
Violin, Bassoon (duet)
181
String Trio: 3 violas
173
2 Violins, Piano
150
Viola and Bassoon
115
Harp, Cello (duet)
114
String Quintet: 2 violins, 2 violas, cello
91
Viola and Harp
68
Cello Ensemble
65
4 Double Basses
65
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
52
Harp (band part)
51
2 Cellos, Piano
49
Cello, Organ
49
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Harp, Trombone (duet)
14
Viola, Organ
13
Viola and orchestra
11
Violin, Basso continuo
10
4 Harps
10
Violin, Trumpet and Piano
9
Harp and Organ
7
Harp, Orchestra
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
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Concert band
37413
Orchestra
14592
String Orchestra
13013
Jazz Ensemble
8867
Drums
8203
Percussion (band part)
4877
Handbells
4548
Brass ensemble
4169
Marching band
3483
Chamber Orchestra
2865
Percussion
2571
Jazz combo
1598
Timpani (band part)
1581
Drum (band part)
1228
Percussion Ensemble
1028
Marimba
431
Xylophone
366
Vibraphone
294
Timpani
286
Snare drums
159
Woodwind Quintet
140
Xylophone, Piano
113
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
30
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
26
Flexible Instrumentation
24
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
2 Marimbas
9
Marimba, Piano (duet)
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
Voice and Orchestra
3
2 Snare Drums (duet)
3
2 Percussions
2
Vibraphone (band part)
2
Conga
2
Bodhran
2
3 Percussions
2
Symphonic Band
2
Marimba or Xylophone and Piano
2
Marimba, Saxophone (duet)
1
Xylophone (band part)
1
Snare drums, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
277
Music Theory
14
Stationery
5
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Oboe, Piano (duet)
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5826
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549553 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.48 €
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Oboe, Piano (duet)
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.48 €
#
Oboe, Piano (duet)
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549531 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.48 €
#
Oboe, Piano (duet)
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.69 €
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Oboe, Piano (duet)
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George Frideric Handel
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Handel: Largo from Xerxes for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gou…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.69 €
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Oboe, Piano (duet)
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J
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Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549510 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3502271. Published by jmsgu3 (A0.549510). Super-famous, Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background: Edvard Grieg (1843 –1907) was a Norwegian composer and concert pianist. Most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg, moreover, used Norwegian folk music in his compositions. Therefore, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is essential to realize that he did this like Jean Sibelius in Finland and Bedřich Smetana in Bohemia. Legacy Grieg is mainly celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. There is also a museum located at his former home in Troldhaugen.  Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music to illustrate a play by Ibsen known as Peer Gynt. The space includes, in particular, the famous selection entitled In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel Peer Gynt. In one favorite episode, for example, Peer steals a bride at her wedding.
$32.95
29.69 €
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Oboe, Piano (duet)
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
22.48 €
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Oboe, Piano (duet)
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.98 €
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Oboe, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549226 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.69 €
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Oboe, Piano (duet)
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.48 €
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Oboe, Piano (duet)
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Johann Sebastian Bach
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Bach: Wachet auf for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Turkish March by Beethoven for Oboe
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1155638 Composed by Ludwig van Beet…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1155638 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755942. Published by Woods Only, Arrangements (A0.1155638). This arrangement adapted for oboe and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.79 €
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Oboe, Piano (duet)
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Ludwig van Beethoven
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Turkish March by Beethoven for Oboe
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Oboe
Oboe, Piano (duet)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1160364 Composed by Ludwig van Beet…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1160364 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760663. Published by Woods Only, Arrangements (A0.1160364). This arrangement adapted for oboe and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.79 €
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Oboe, Piano (duet)
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Oboe
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Woods Only, Arrangements
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SheetMusicPlus
Concerto for Oboe in Bb Major, Op. 9 No. 11
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.955165 Composed by Tomaso Albinoni …
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Oboe,Piano - Level 4 - Digital Download SKU: A0.955165 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 41 pages. Chamber Ensemble of Minnesota, Inc. #6026089. Published by Chamber Ensemble of Minnesota, Inc. (A0.955165). Oboe solo part, Oboe + Piano Score and Piano Accompaniment of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75
7.89 €
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Oboe, Piano (duet)
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Tomaso Albinoni
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Concerto for Oboe in Bb Major, Op. 9 No. 11
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Für Elise, for Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587567 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587567 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361585. Published by David McKeown (A0.587567). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Oboe with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.15 €
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Oboe, Piano (duet)
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Ludwig van Beethoven
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Für Elise, for Oboe and Piano
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David McKeown
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - oboe and piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.774083 Arranged by Anthony Giamanco…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.774083 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657913. Published by Whole Tone Press (A0.774083). Expertly arranged for oboe and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the oboe. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.73 €
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Oboe, Piano (duet)
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LORD, WHO THROUGHOUT THESE FORTY DAYS - oboe and piano
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Whole Tone Press
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.594418 Composed by G F Handel. Arra…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.594418 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658351. Published by David McKeown (A0.594418). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Oboe with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.15 €
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Oboe, Piano (duet)
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G F Handel
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymo…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
24.29 €
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Oboe, Piano (duet)
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Oboe & Piano
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jmsgu3
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SheetMusicPlus
For Elise
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 2…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99
1.79 €
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Oboe, Piano (duet)
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Arwyn Bailey
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For Elise
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Galactic Publishers Limited
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.587892 Composed by Various. Arrange…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.587892 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037735. Published by David McKeown (A0.587892). 16 Favourite Easter Hymns for Solo Oboe and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Oboe part are included in the single PDF file.16 Favourite Easter Hymns for Solo Oboe and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Oboe and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.85 €
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Oboe, Piano (duet)
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Various
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16 Favourite Easter Hymns for Solo Oboe and Piano
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David McKeown
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SheetMusicPlus
Classical Highlights for Oboe
Oboe, Piano (duet)
Arranged for Oboe and Piano. Burial - festive - Wedding - wedding music - instrumental…
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Arranged for Oboe and Piano. Burial - festive - Wedding - wedding music - instrumental - classic - classics - sheet music - oboe. Classical Highlights. Popular classics arranged for oboe and piano. Downloadable, Play-along. Schott Music - Digital #Q576330. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for oboe and piano. The extensive selection of literature provides an excellent gateway to classical masterpieces from Handel and Bach to Schubert, Mendelssohn, Schumann, and Wagner, as well as Fauré, Elgar, Debussy, and Satie. Every oboist looking for a popular classic for lessons or performances will make a find. Suitable repertoire for musical accompaniment at weddings and funerals can be found here as well. To make practising easier, backing tracks can be downloaded as MP3 files. The piano accompaniment is available in PDF format.
$13.99
12.61 €
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Oboe, Piano (duet)
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Classical Highlights for Oboe
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Schott Music - Digital
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SheetMusicPlus
Fauré: Élégie Op. 24 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. A…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
29.69 €
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Oboe, Piano (duet)
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Gabriel Faure
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Fauré: Élégie Op. 24 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Amazing Grace, Concert Solo for Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587642 Composed by John Newton. Arr…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587642 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611381. Published by David McKeown (A0.587642). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Oboe with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.15 €
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Oboe, Piano (duet)
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John Newton
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Amazing Grace, Concert Solo for Oboe and Piano
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David McKeown
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1038610 Composed by Edward Elgar. A…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1038610 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643589. Published by Diego Marani (A0.1038610). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for oboe with piano is suitable for classroom, repertoire and recital.
$9.99
9 €
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Oboe, Piano (duet)
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Edward Elgar
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Pomp and Circumstance March No. 1 for Oboe and Piano
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Diego Marani
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SheetMusicPlus
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Oboe, Piano (duet)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Comp…
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
13.51 €
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Oboe, Piano (duet)
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Sy Brandon
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Sy Brandon
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SheetMusicPlus
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