Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Les
Not classified
26,050
Piano & keyboards
Piano solo
23,627
Piano, Voice
11,066
Piano, Vocal and Guitar
7,813
Easy Piano
6,236
C Instruments
1,654
Organ
1,598
Piano Accompaniment
767
1 Piano, 4 hands
639
Big Note Piano
625
Accordion
580
Piano Trio: piano, violin, cello
413
2 Pianos, 4 hands
140
Piano (band part)
124
Piano Quartet: piano, violin, viola, cello
68
Piano Quartet: piano, 2 violins, cello
52
Piano Quintet: piano, 2 violins, viola, cello
47
Organ, Trumpet (duet)
34
Harpsichord
31
Organ, Piano (duet)
21
Keyboard
21
Melody line, Piano
21
2 Pianos, 8 hands
17
All Instruments
13
1 Piano, 6 hands
12
Accordion, Voice
11
Solo instrument and Organ
5
2 Organs (duet)
4
2 Accordions
3
Organ, Voice
3
Piano Quintet: piano, violin, viola, cello, double bass
2
Accordion - Piano, Voice, Guitar chords
2
Piano ensembles
2
Accordion and Orchestra
1
Accordion, String(s)
1
Fake Book
1
Concertina
1
+ 31 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
39,438
Lyrics and Chords
22,615
Guitar notes and tablatures
5,195
Guitar
4,860
Bass guitar
1,774
Ukulele
1,519
4 Guitars (Quartet)
573
2 Guitars (duet)
516
Banjo
276
Mandolin
220
3 Guitars (trio)
202
Guitar Ensemble
179
Guitar (band part)
148
Dulcimer
124
Piano, Guitar (duet)
96
Ukulele Ensemble
36
Baritone Ukulele
34
2 Ukuleles
30
Mandolin, Guitar (duet)
29
Mandolin, Piano (duet)
22
Electric Bass (band part)
22
Plectrum Orchestra
12
Guitar, String Quartet
8
2 Dulcimers (duet)
8
Dobro
8
Lap Steel Guitar
7
Band Scores
5
Guitar, Violin, Cello (trio)
4
2 Guitars and Orchestra
4
2 Mandolins (duet)
3
3 Dulcimers (trio)
3
Lute
3
Guitar, Orchestra
3
Guitar, Harp
2
Guitar, Flute, Clarinet
2
Guitar Tab, Voice, Bass, Drum
1
2 Guitars, Clarinet (trio)
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
8,235
Choral 3-part
2,527
Choral TTBB
1,532
Choral 2-part
1,397
Voice solo
1,039
Choral Instrumental Pak
990
Choral SSAA
906
Choral Unison
741
Choral
376
Vocal duet, Piano
325
High voice
237
Vocal duet
169
Soprano voice, Piano
136
Tenor voice, Piano
107
Alto voice, Piano
94
Voice, Guitar
74
Low voice, Piano
73
Medium voice, Piano
70
Baritone voice, Piano
66
Choral SSAATTBB
25
Medium Voice
22
Choral SSAB a cappella
18
Choral SSATB
17
Tenor voice
17
Choral SSATTB
14
Mezzo-Soprano voice, Piano
13
Soli, Mixted choir and accompaniment
11
Choral SSAB, Piano
9
Soprano voice
7
Children choir
7
Voix Masculines
6
Soprano voice, Orchestra
5
Low voice
4
Choral SAATB A Cappella
3
Choral SATBB
3
Voice, Basso continuo
3
Choral SSAATB
2
Baritone voice
2
Choral SSATBB
2
Choral, Organ
1
Choral SATTBB, keyboard
1
+ 36 instrumentations
-
Retract
Woodwind
Flute
3,129
Clarinet
2,511
Saxophone
2,448
Flute and Piano
1,981
2 Saxophones (duet)
1,755
2 Flutes (duet)
1,638
Alto Saxophone
1,599
Saxophone (band part)
1,598
Saxophone Quartet: 4 saxophones
1,574
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,421
Clarinet and Piano
1,360
Tenor Saxophone
1,315
Alto Saxophone and Piano
1,211
Flute, Oboe, Clarinet, Bassoon
1,183
Oboe, Piano (duet)
1,062
2 Clarinets (duet)
848
Tenor Saxophone and Piano
834
Clarinet Quartet: 4 clarinets
794
Saxophone Quintet: 5 Saxophones
794
Oboe
549
Oboe (band part)
507
Clarinet (band part)
469
Flute Quartet: 4 flutes
460
Soprano Saxophone and Piano
443
3 Clarinets (trio)
411
Flute, Clarinet (duet)
399
Recorder
370
3 Saxophones (trio)
342
Ocarina
336
2 Oboes (duet)
308
2 Recorders (duet)
302
Baritone Saxophone, Piano
276
Flute Trio: 3 flutes
270
Soprano Saxophone
263
Flute and Guitar
259
Flute (band part)
259
Clarinet Quintet: 5 clarinets
252
Saxophone ensemble
251
Saxophone, Clarinet (duet)
247
Clarinet, Violin (duet)
233
Clarinet Ensemble
226
Oboe, Clarinet (duet)
201
Flute ensemble
196
Oboe, Bassoon (duet)
188
English horn, Piano
161
Clarinet, Trumpet (duet)
161
Flute, Violin
159
Eb Instruments
154
Harmonica
141
Flute Quintet : 5 flutes
119
Clarinet and Viola
109
2 Saxophones, Piano
105
Descant (Soprano) Recorder
104
Flute, Clarinet and Bassoon.
101
Recorder Quartet
100
Baritone Saxophone
96
Flute, Saxophone (duet)
95
Flute, Viola (duet)
93
Flute, Oboe, Clarinet (trio)
89
Clarinet, Bassoon (duet)
87
Oboe, Flute
85
Flute, Trumpet (duet)
84
Bass Clarinet, Piano
84
Flute, Oboe (duet)
83
Oboe, Clarinet, Bassoon (trio)
76
English Horn
74
Oboe, Cello
67
Flute, Violoncello
65
Flute, Violin, Piano
64
Flute, Oboe, Bassoon
63
Clarinet, Cello (duet)
63
2 Flutes, Piano
62
Treble (Alto) Recorder
54
Flute, Clarinet, Piano (trio)
51
Clarinet, Guitar (duet)
42
Oboe, Violin (duet)
35
3 Recorders (trio)
32
Piccolo
31
Flute, Cello, Piano (trio)
30
Bass Clarinet
29
Treble (Alto) Recorder, Piano
29
Flute, Oboe, Piano (trio)
28
Flute, Violin and Violoncello
28
5 Recorders
27
Descent (Soprano) Recorder, Piano
26
2 Clarinets, Piano
25
Clarinet, Cello, Piano (trio)
25
Oboe and viola (duet)
22
Recorder Ensemble
22
Tenor Recorder
21
Oboe, Guitar (duet)
21
Saxophone and Guitar
20
Flute, Trombone (duet)
19
Clarinet, Trombone (duet)
19
Clarinet, Harp (duet)
19
Flute, Clarinet, Horn and Bassoon (Quartet)
19
Flute, Bassoon, and Piano
18
Piccolo, Piano
16
Clarinet, Bassoon, Piano (trio)
15
3 Oboes
15
Flute, Viola and Piano
14
Flute, Violin, Violoncello and Piano
13
Pennywhistle
13
Saxophone and Piano
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
4 Oboes
10
Flute, Oboe, Violin
9
Flute, harp and violin
9
Oboe, Clarinet and Piano (Trio)
8
Flute, Organ (duet)
8
Flute, Clarinet, Violin (trio)
7
Clarinette, Viola and Piano (trio)
7
Recorder, Piano
7
Flute, trombone and piano
7
Oboe, Bassoon and Piano
6
Flute and Strings Trio
6
Clarinet, Double bass (duet)
6
Flute, Violin, Guitar
5
2 English horns and Pianoforte
5
Wind ensemble
5
Flute, Tuba (duet)
5
Harmonica, Piano
5
Clarinet, Tuba
5
Flute, Cello, Guitar
5
Oboe, Harp
5
Oboe, Cello and Piano
5
Oboe, Trombone (duet)
5
Oboe, Violin, Piano
5
Flute, Basso continuo
4
2 Clarinets, Bassoon
4
Oboe, Trumpet (duet)
4
Saxophone and Harp
4
Saxophone and Organ
4
Clarinet Quintet: Clarinet, String Quartet
4
English horn, Harp (duet)
4
Bagpipe
4
Clarinet, trumpet and piano
4
Clarinet, Organ
3
2 Oboes, Piano
3
2 Oboes and Basson
3
Treble (Alto) Recorder, Basso continuo
3
Pan Flute
3
Flute, Harp and Cello
2
2 Flutes, 2 Clarinets (Quartet)
2
Clarinet, Orchestra
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, French horn (duet)
2
2 Flutes and Guitar
1
Flute, Viola and Cello
1
English Horn, Guitar (duet)
1
Descant (Soprano) Recorder, Basso continuo
1
2 Flutes and Harp
1
2 Oboes and English horn
1
Oboe, Organ
1
Flute, Orchestra
1
Recorder, Harp
1
Flute, Viola and harp
1
2 Recorders, Piano
1
2 Recorders, Guitar
1
Oboe and Orchestra
1
Recorder, Guitar (duet)
1
Flute and String Quartet
1
Saxophone, Violin (duet)
1
+ 158 instrumentations
-
Retract
Woodbrass
Trumpet
2,631
Trombone
2,062
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,646
Trumpet, Piano
1,124
Trumpet (band part)
1,030
French horn
1,003
Trombone and Piano
973
Trombone (band part)
924
Brass quartet : 2 trumpets, trombone, tuba
866
French Horn and Piano
688
2 Trumpets (duet)
654
2 Trombones (duet)
604
Trumpet, Trombone (duet)
489
Tuba and Piano
444
Tuba
434
Brass Quartet: 2 trumpets, horn, trombone
366
Brass Quartet
329
French horn (band part)
272
2 French horns (duet)
259
Trumpet, Saxophone (duet)
208
Brass Quartet: 4 trombones
163
English horn, Piano
161
Tuba (band part)
156
Trombone ensemble
148
Euphonium, Piano (duet)
145
Bb Instruments
138
Bass Clef Instruments
132
Trumpet ensemble
114
2 Tubas (duet)
111
Euphonium
109
Brass Quartet: 4 horns
106
English Horn
74
2 Euphoniums and 2 Tubas
71
Trumpet, Horn (duert)
68
4 Tubas
57
3 Trombones (trio)
50
Brass Trio
45
Horn Ensemble
33
Euphonium, Tuba (duet)
32
Brass Quartet: 4 trumpets
32
3 Trumpets (trio)
31
Tuba and Organ
30
2 Euphoniums (duet)
26
Horn, Cello (duet)
25
Trumpet, Tuba (duet)
22
Trumpet, Cello (duet)
18
Bass Trombone
18
Trombone, Tuba (duet)
18
Trombone, Horn (duet)
17
Trumpet, Trombone, Piano
17
Bass Trombone and Piano
16
F Instruments
15
Tuba ensemble
15
Trombone, Organ
14
Trumpet, Bassoon (duet)
13
2 Trumpets, Keyboard (piano or organ)
11
French horn and Basson (duet)
9
Horn, Tuba (duet)
9
Trumpet and Guitar
9
Brass Quartet: 2 trumpets, 2 trombones
7
Trumpet, violin (duet)
7
3 French horns (trio)
7
3 Tubas (trio)
7
Trumpet, Cello, Piano
7
Tuba or Euphonium or Saxhorn
6
2 Trombones, Piano
5
Euphonium (band part)
5
Horn and Orchestra
5
2 English horns and Pianoforte
5
Cornet
5
French Horn and Harp
5
Brass Quintet: 2 trumpets, horn, 2 trombones
4
English horn, Harp (duet)
4
Trombone, Violin (duet)
4
Clarinet, Horn (duet)
3
3 Euphoniums
3
Trumpet, Euphonium (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
English Horn, Guitar (duet)
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
2 French horns, Piano
1
Trumpet, Orchestra
1
Horn, Cello and Piano
1
4 Euphoniums
1
Trumpet, Harp
1
Trombone and Orchestra
1
+ 81 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
4,419
Violin
3,318
Cello
2,535
Violin and Piano
2,225
Viola
1,955
Cello, Piano
1,528
Violin, Cello (duet)
1,245
Viola, Piano
1,224
2 Violins (duet)
1,081
Harp
919
String Trio: violin, viola, cello
907
2 Cellos (duet)
753
String Quintet: 2 violins, viola, cello, bass
605
Violin, Viola (duet)
528
2 Violas (duet)
494
Double Bass
473
Violin (band part)
434
Double bass, Piano (duet)
348
Viola (band part)
296
String Trio: 2 violins, cello
277
Doublebass (band part)
233
Piano Trio: Violin, Viola, Piano
173
Viola, Cello (duet)
167
Violin, Guitar (duet)
153
Cello (band part)
131
4 Cellos
128
2 Double basses (duet)
100
String Trio: 3 violins
98
Cello, Guitar (duet)
90
String trio
80
String Trio: 3 cellos
64
Violin, Bassoon (duet)
60
String quartet: 4 violins
53
2 Harps (duet)
50
Cello, String Bass (duet)
49
Harp, Flute (duet)
44
String Trio: 2 violins, viola
43
String Quartet : 4 violas
39
Harp, Violin (duet)
36
String Quintet: 2 violins, 2 violas, cello
35
String Trio: 3 violas
31
Viola, Guitar (duet)
30
Violin ensemble
28
Viola ensemble
27
Viola and Bassoon
26
2 Violins, Piano
24
String Quintet: 2 violins, viola, 2 cellos
24
Harp, Voice
22
Violin, Clarinet, Piano (trio)
18
Cello, Orchestra
14
Harp, Cello (duet)
12
Flute, Doublebass (duet)
10
Cello Ensemble
9
Harp, Violin, Violoncello
8
Harp and Piano
8
2 Cellos, Piano
8
2 Violas, Piano
7
Violoncello, Basso continuo
7
Violin, Tuba (duet)
6
Viola and Harp
6
3 Harps
6
Cello, Organ
6
Harp (band part)
6
Autoharp
6
Violin, Cello, Clarinet
5
Violin, Organ
4
Harp, String quartet
3
Violin, Double bass (duet)
3
4 Harps
2
Violin, Trumpet and Piano
2
Harp and Organ
2
Violin, Clarinet and Guitar
2
4 Double Basses
2
Violin, Basso continuo
2
Viola, Organ
1
Harp, Trombone (duet)
1
Harp and mandolin
1
3 double basses
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,024
Orchestra
3,017
Timpani (band part)
2,283
String Orchestra
1,739
Jazz Ensemble
1,710
Handbells
1,152
Drums
1,059
Marching band
876
Brass ensemble
762
Chamber Orchestra
539
Jazz combo
309
Percussion (band part)
307
Percussion Ensemble
221
Drum (band part)
156
Flexible Instrumentation
152
Percussion
134
Marimba
94
Xylophone
88
Vibraphone
64
Timpani
63
Piano and Orchestra
38
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
26
Orchestra, Violin
26
Xylophone, Piano
25
Big band
15
Woodwind Quintet
12
Snare drums
10
School Ensemble
9
2 Xylophones
9
Xylophone or Marimba or Vibraphone
6
Woodwind Quartet: any 4 woodwinds
5
Vibraphone (band part)
5
Marimba, Piano (duet)
5
Brass Quintet: other combinaisons
5
Xylophone (band part)
2
Vibraphone and Marimba
2
Cajon
2
3 Marimbas
2
Bongos
2
Voice Mezzo-Soprano, Orchestra
1
2 Marimbas
1
Symphonic Band
1
Conga
1
Voice and Orchestra
1
2 Snare Drums (duet)
1
Bodhran
1
+ 41 instrumentations
-
Retract
Others
Musical course - Solfege
40
Music Theory
27
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
24,197
Digital Sheet Music
289,798
Sheet Music Books
214,414
Music Equipment
77,324
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Les
Sheetmusic to print
289,798 sheet music found
<
1
26
51
....
9976
Hercules Waltzes
#
Piano solo
#
J
#
Hercules Waltzes
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 p...
(+)
Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8069). Hercules Waltzes. Arranged by J. Jay Watson. Published 1871 by J.L. Peters in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Valses nobles et sentimentales
#
3 Guitars (trio)
#
ADVANCED
#
Classical
#
Maurice Ravel
#
Raymond Burley
#
Valses nobles et sentimentales
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'...
(+)
3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'OZ - Digital #DZ 3414. Published by Les Productions d'OZ - Digital
$24.95
Playing with Scales
#
Richard Hirsch
#
Playing with Scales
#
Richard Hirsch
#
SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
(+)
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Escales musicales
#
Guitar
#
INTERMEDIATE
#
Various
#
Escales musicales
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital...
(+)
Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital
$8.95
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
#
Recorder
#
INTERMEDIATE
#
Folkloric/Traditional
#
Duets
#
Favorite Recorder Tunes - Beau
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital S...
(+)
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.
This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99
May You Be Eternally Blessed
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jose Valladares
#
Jose Valladares
#
May You Be Eternally Blessed
#
Circlesquare Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. C...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. Circlesquare Music #952774. Published by Circlesquare Music (A0.1368428). Introducing May You Be Eternally Blessed, an exuberant and soul-lifting piano composition that resonates with heartfelt wishes and positive affirmations. This vibrant piece, from the inspiring album A Celebration of Love, and Life by the distinguished artist and composer Jose Valladares, is a melodious expression of hope, joy, and the endless blessings that life offers.With a lively tempo of 115, May You Be Eternally Blessed bursts forth like the first rays of sunrise, heralding a new day filled with promise and possibilities. The composition is a jubilant celebration, an auditory bouquet of harmonious wishes sent forth into the universe. Each note radiates positivity, each chord sings of gratitude, and the melody weaves a tapestry of goodwill and joyous aspirations.May You Be Eternally Blessed is more than just a piece of music; it's an anthem of optimism and a testament to the power of positive intentions. It invites listeners to join in the chorus of hope, to embrace the beauty of life's journey, and to share in the collective wish for eternal blessings. This composition is perfect for those who seek to uplift spirits through music, for pianists looking to infuse their performances with a message of positivity, and for anyone in search of a melody that echoes the heart's deepest wishes for well-being and happiness.Let May You Be Eternally Blessed be your musical companion in times of celebration and reflection. Allow its uplifting melodies to fill your heart with warmth, inspire your steps with its energetic rhythm, and remind you of the boundless blessings that life holds. This piece is a celebration of life's gifts, a harmonious hymn of eternal optimism, and a heartfelt wish set to the universal language of music.
$8.99
Homeless Spirit Suite
#
Piano solo
#
ADVANCED
#
New Age
#
Ann Ruane
#
Homeless Spirit Suite
#
Ann Ruane-Lux Eterna Healing
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published ...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johannes Brahms
#
F
#
Blessed Are They That Mourn
#
Sweetwater Brass Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary...
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted.  The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Blessed Are They That Mourn (for Brass Quintet)
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johannes Brahms
#
F
#
Blessed Are They That Mourn
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,East...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
#
Flute Quartet: 4 flutes
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Publishe...
(+)
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Études mélodiques simples dans tous les tons
#
Guitar
#
EASY
#
Luc Levesque
#
Études mélodiques simples da
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Pro...
(+)
Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Productions d'OZ - Digital (ZZ.DZ-2072). ISBN 9782896559718.
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
#
English Horn
#
INTERMEDIATE
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. P...
(+)
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
#
Viola
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Publishe...
(+)
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
(+)
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
#
Bassoon
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Publis...
(+)
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
#
Flute, Oboe, Clarinet, Bassoon
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts...
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
#
Percussion Ensemble
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
#
French horn
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Pu...
(+)
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
(+)
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
#
Tuba
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published...
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
#
Saxophone (band part)
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288...
(+)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version