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Piano solo
266256
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154333
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113064
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71324
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9789
1 Piano, 4 hands
7930
Piano Accompaniment
6450
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6176
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3112
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2938
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2432
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2210
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1476
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561
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542
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476
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381
1 Piano, 6 hands
240
Organ, Trumpet (duet)
154
Harpsichord
131
Keyboard
109
2 Pianos, 8 hands
93
Melody line, Piano
42
2 Accordions
21
Organ, Voice
17
Accordion, Piano
13
Accordion, Voice
11
Solo instrument and Organ
10
2 Organs (duet)
10
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6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion and Orchestra
5
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4
All Instruments
3
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2
3 Pianos
2
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2
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1
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Melody line, (Lyrics) and Chords
9024
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7806
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7469
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3876
Lyrics and Chords
1797
Ukulele
1482
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901
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448
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216
4 Guitars (Quartet)
127
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102
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89
Dulcimer
85
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79
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69
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58
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37
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32
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18
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17
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11
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11
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8
2 Ukuleles
8
2 Dulcimers (duet)
7
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5
2 Mandolins (duet)
5
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4
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3
2 Guitars and Piano
2
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1
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1
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1
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29418
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11320
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8537
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6369
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4492
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3661
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3287
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1848
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1772
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1488
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1453
Vocal duet
1098
Tenor voice, Piano
847
Alto voice, Piano
795
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646
Baritone voice, Piano
595
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393
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195
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103
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63
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62
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62
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54
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53
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42
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42
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41
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36
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31
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29
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27
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20
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11
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6
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5
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4
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3
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2
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2
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2
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2
Choral SATTBB A Cappella
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16112
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14160
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10319
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10180
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9928
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7788
Oboe, Piano (duet)
7536
Tenor Saxophone and Piano
5610
Soprano Saxophone and Piano
3324
Saxophone Quartet: 4 saxophones
3323
Alto Saxophone
3320
2 Saxophones (duet)
3091
Tenor Saxophone
2631
Flute, Oboe, Clarinet, Bassoon
2614
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2596
2 Flutes (duet)
2248
Saxophone (band part)
2200
2 Clarinets (duet)
1657
Recorder
1558
Clarinet Quartet: 4 clarinets
1549
Baritone Saxophone, Piano
1508
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1277
English horn, Piano
1162
Oboe (band part)
1111
Oboe
1071
Flute Quartet: 4 flutes
967
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921
3 Saxophones (trio)
896
Soprano Saxophone
879
Clarinet (band part)
801
Bass Clarinet, Piano
729
Clarinet Ensemble
725
3 Clarinets (trio)
710
Flute Trio: 3 flutes
566
2 Oboes (duet)
564
Flute and Guitar
516
Flute ensemble
455
Saxophone ensemble
429
2 Recorders (duet)
425
Flute (band part)
399
Clarinet Quintet: 5 clarinets
383
Clarinet, Violin (duet)
373
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369
Flute, Clarinet, Piano (trio)
363
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359
Treble (Alto) Recorder, Piano
349
Flute, Violin
345
Saxophone, Clarinet (duet)
337
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333
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330
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326
Recorder Quartet
316
Flute, Cello, Piano (trio)
306
Flute, Violin, Piano
306
Recorder, Piano
276
2 Saxophones, Piano
274
2 Flutes, Piano
268
Flute, Clarinet and Bassoon.
211
Clarinet, Bassoon (duet)
211
Tenor Recorder
211
Saxophone and Piano
208
2 Clarinets, Piano
206
Treble (Alto) Recorder
200
Clarinet, Trumpet (duet)
196
Flute, Oboe, Clarinet (trio)
192
Flute, Bassoon, and Piano
175
Flute, Trumpet (duet)
168
Oboe, Clarinet, Bassoon (trio)
168
Flute, Oboe (duet)
165
Flute, Oboe, Bassoon
165
3 Recorders (trio)
155
Flute Quintet : 5 flutes
152
Flute, Violoncello
152
Clarinet and Viola
147
Oboe, Flute
144
Flute, Viola (duet)
136
Clarinet, Guitar (duet)
135
Baritone Saxophone
133
Clarinet, Cello, Piano (trio)
132
English Horn
131
Flute, Saxophone (duet)
118
Clarinet, Cello (duet)
113
Pennywhistle
105
5 Recorders
96
Oboe, Violin (duet)
91
Recorder Ensemble
86
Piccolo
85
Ocarina
83
Oboe, Cello
80
Flute, Violin and Violoncello
80
Flute, Oboe, Piano (trio)
77
Clarinet, Bassoon, Piano (trio)
76
Eb Instruments
74
3 Oboes
71
Flute, Trombone (duet)
65
Flute, Violin, Violoncello and Piano
63
Flute, Viola and Piano
57
Harmonica
53
Saxophone and Organ
46
Clarinette, Viola and Piano (trio)
45
Harmonica, Piano
45
4 Oboes
43
Saxophone, Violin (duet)
38
Oboe, Guitar (duet)
36
Oboe, Trumpet (duet)
36
Flute, Clarinet, Horn and Bassoon (Quartet)
35
Flute, trombone and piano
33
Clarinet, Trombone (duet)
33
Oboe, Bassoon and Piano
32
Saxophone and Guitar
32
Oboe and viola (duet)
31
Clarinet, Harp (duet)
30
2 Recorders, Piano
28
Oboe, Cello and Piano
28
Flute, Oboe, Violin
27
Bass Clarinet
26
Clarinet, trumpet and piano
25
2 Clarinets, Bassoon
24
Flute, Organ (duet)
24
2 Oboes, Piano
22
Flute, Clarinet, Violin (trio)
21
English Horn, Guitar (duet)
20
Oboe, Violin, Piano
19
Oboe, Trombone (duet)
19
Flute, French horn (duet)
18
Flute, harp and violin
18
Oboe, Clarinet and Piano (Trio)
16
Treble (Alto) Recorder, Basso continuo
16
Oboe, Harp
16
Clarinet, Tuba
15
Flute, Tuba (duet)
15
Flute and Strings Trio
15
Wind ensemble
13
Oboe ensemble
12
2 English horns and Pianoforte
11
Flute, Orchestra
11
Flute, Cello, Guitar
11
Saxophone, Bassoon (duet)
10
Clarinet Quintet: Clarinet, String Quartet
10
Recorder, Guitar (duet)
10
Clarinet, Organ
9
Saxophone and Harp
9
Flute and String Quartet
8
Flute, Guitar, Piano
7
Clarinet Quartet: Clarinet, Violin, Viola, Cello
7
Oboe, Violin, Viola and Violoncello (Quartet)
6
Clarinet, Orchestra
5
Saxophone and cello
5
Flute, Viola and harp
4
Flute, Harp and Cello
4
Flute, Basso continuo
4
Clarinet, Double bass (duet)
4
2 Oboes and Basson
3
Clarinet, Saxophone, Piano
3
Oboe, Clarinet, Bassoon and Piano
3
Flute, Violin, Guitar
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe and Orchestra
3
2 Flutes and Guitar
2
2 Flutes, Basso continuo
2
2 Flutes and Harp
2
Pan Flute
2
3 Recorders, Piano
2
English horn, Harp (duet)
2
Bagpipe
2
Oboe and String quartet
2
Oboe, Organ
2
Recorder, Harp
1
Flute, Viola and Cello
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 Recorders, Guitar
1
Descant (Soprano) Recorder, Basso continuo
1
Instrumentations suivantes
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WOODBRASS
Trumpet
9233
Trombone
7289
Trumpet, Piano
7239
Trombone and Piano
6041
French Horn and Piano
4410
Brass Quintet: 2 trumpets, horn, trombone, tuba
3495
Tuba and Piano
2143
French horn
1591
Brass quartet : 2 trumpets, trombone, tuba
1458
Euphonium, Piano (duet)
1300
Trumpet (band part)
1292
English horn, Piano
1162
2 Trumpets (duet)
1139
Trombone (band part)
1088
2 Trombones (duet)
1025
Tuba
1014
Brass Quartet: 2 trumpets, horn, trombone
894
Brass Quartet
862
Trumpet, Trombone (duet)
703
Euphonium
582
2 French horns (duet)
533
French horn (band part)
477
Brass Quartet: 4 trombones
336
Trumpet, Horn (duert)
302
Bass Trombone and Piano
281
Trumpet, Saxophone (duet)
268
Tuba (band part)
238
Brass Quartet: 4 horns
225
Trombone ensemble
183
Tuba and Organ
153
2 Trumpets, Keyboard (piano or organ)
150
2 Tubas (duet)
148
Brass Trio
141
Trumpet ensemble
134
3 Trombones (trio)
133
English Horn
131
Brass Quartet: 4 trumpets
112
3 Trumpets (trio)
109
2 Euphoniums and 2 Tubas
107
Bb Instruments
82
Bass Clef Instruments
78
4 Tubas
76
Brass Quartet: 2 trumpets, 2 trombones
72
Trombone, cello (duet)
55
Horn Ensemble
53
Trombone, Horn (duet)
52
Trumpet, Trombone, Piano
50
Trumpet, Tuba (duet)
49
Trumpet, Bassoon (duet)
47
Trumpet, Cello, Piano
45
Trumpet, violin (duet)
44
2 Trombones, Piano
42
Euphonium, Tuba (duet)
42
Horn, Cello (duet)
40
Trombone, Violin (duet)
40
Bass Trombone
39
Trombone, Organ
38
Trombone, Tuba (duet)
34
2 Euphoniums (duet)
27
3 French horns (trio)
26
F Instruments
25
Trumpet, Cello (duet)
25
Horn, Tuba (duet)
24
English Horn, Guitar (duet)
20
Cornet
20
2 French horns, Piano
18
3 Tubas (trio)
18
Cornet and Piano
17
Horn and Organ
15
French horn and Basson (duet)
15
French Horn and Harp
12
Clarinet, Horn (duet)
11
2 English horns and Pianoforte
11
Tuba or Euphonium or Saxhorn
10
Tuba ensemble
9
Trumpet, Harp
8
Horn, Cello and Piano
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Trumpet, Orchestra
6
Euphonium or Saxhorn and Piano
5
3 Euphoniums
4
Trumpet and Guitar
4
Trombone and Orchestra
4
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
4
Bass Saxhorn or Euphonium or Tuba and Piano
3
Trombone, Viola (duet)
3
4 Euphoniums
3
Horn and Orchestra
2
English horn, Harp (duet)
2
Cornet and Orchestra
1
Flügelhorn
1
Trumpet, Euphonium (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
19026
Cello, Piano
12001
String Quartet: 2 violins, viola, cello
8932
Viola, Piano
8822
Violin
8091
Cello
5198
Viola
3871
Harp
1837
Violin, Cello (duet)
1801
Double bass, Piano (duet)
1760
2 Violins (duet)
1640
String Trio: violin, viola, cello
1409
2 Cellos (duet)
1394
String Quintet: 2 violins, viola, cello, bass
1137
Violin, Viola (duet)
981
Violin (band part)
964
2 Violas (duet)
905
Piano Trio: Violin, Viola, Piano
816
Double Bass
808
Viola (band part)
658
Doublebass (band part)
501
String Trio: 2 violins, cello
441
Viola, Cello (duet)
417
Cello (band part)
373
2 Violins, Piano
347
4 Cellos
299
String Trio: 3 violins
272
String Trio: 3 cellos
231
Violin, Guitar (duet)
209
String quartet: 4 violins
142
2 Harps (duet)
134
Harp, Flute (duet)
133
Cello, Guitar (duet)
121
2 Cellos, Piano
119
String trio
119
2 Double basses (duet)
118
Harp and Piano
107
Violin, Clarinet, Piano (trio)
105
Violin, Bassoon (duet)
103
String Trio: 2 violins, viola
99
String Trio: 3 violas
94
String Quartet : 4 violas
92
Viola, Guitar (duet)
83
Cello, String Bass (duet)
80
Harp, Violin (duet)
78
2 Violas, Piano
72
Viola and Bassoon
72
Harp (band part)
59
String Quintet: 2 violins, 2 violas, cello
45
Harp, Cello (duet)
42
String Quintet: 2 violins, viola, 2 cellos
42
Cello, Organ
37
Harp, Voice
35
Violin, Organ
32
Viola and Harp
31
Cello Ensemble
29
Violin ensemble
27
Violin, Tuba (duet)
23
Viola ensemble
22
Cello, Orchestra
19
4 Double Basses
19
Violin, Basso continuo
17
Cello and Marimba
15
Violin, Trumpet and Piano
14
Flute, Doublebass (duet)
13
Harp, Violin, Violoncello
10
Viola and orchestra
8
Viola, Organ
7
2 Violins and Basso
7
Harp, Trombone (duet)
6
3 double basses
5
Violoncello, Basso continuo
5
Harp, String quartet
4
Violin, Cello, Clarinet
4
Harp and mandolin
4
Double basses ensemble
3
Autoharp
3
4 Harps
3
Harp and Organ
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
8565
Drums
6235
Orchestra
5196
String Orchestra
3898
Jazz Ensemble
2837
Handbells
1910
Brass ensemble
1721
Chamber Orchestra
1359
Jazz combo
1184
Marching band
550
Percussion (band part)
515
Percussion
405
Percussion Ensemble
311
Drum (band part)
234
Marimba
178
Xylophone, Piano
156
Piano and Orchestra
144
Timpani (band part)
105
Woodwind Quintet
87
Timpani
83
Vibraphone
78
Snare drums
68
Xylophone
52
Vibraphone (band part)
51
Woodwind Quartet: any 4 woodwinds
46
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
41
Vibraphone, Piano
29
2 Marimbas
17
Marimba, Piano (duet)
17
Flexible Instrumentation
15
2 Xylophones
14
Orchestra, Violin
12
School Ensemble
11
Vibraphone and Marimba
8
Big band
7
Brass Quintet: other combinaisons
7
Mariachi
4
3 Marimbas
4
Woodwind Trio: any 3 woodwinds
3
Marimba or Xylophone and Piano
3
Xylophone or Marimba or Vibraphone
2
Marimba and Organ
2
Symphonic Band
2
Drums-Marching band
2
Voice and Orchestra
1
4 Percussions
1
Bongos
1
Cajon
1
2 Percussions
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
97
Music Theory
7
Stationery
1
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9976
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
(+)
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
9.96 €
#
Piano solo
#
Sebastian Freisleben
#
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
#
Sebastian Freisleben
#
SheetMusicPlus
Prelude 1 in C Major Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 19 in A Major Ionian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 16 in G# Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Happy Birthday Through The Modes - for piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and…
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Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and Mildred J. Hill (1859). Arranged by Len Rhodes. Holiday,Standards,Traditional. Score. 7 pages. Len Rhodes Music #884496. Published by Len Rhodes Music (A0.1294014). An exciting “journey for the musician who wants more for their birthday than the tried and tested major key! These seven piano arrangements (including guitar chords) begin with the familiar major (Ionian) mode; and then journey through Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes. I think this arranger’s favourite is the Phrygian.Your download contains all seven modal versions - enjoy!
$6.95
6.3 €
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Piano solo
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Len Rhodes
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Happy Birthday Through The Modes - for piano
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Len Rhodes Music
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano solo
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano solo
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.57 €
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Piano solo
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Liebestraum and Friends Beginner Piano Collection
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Arranged by SilverTonalities. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score. 43 pages. SilverTonalities #984461. Published by SilverTonalities (A0.1401274). Liebestraum and Friends Beginner Piano CollectionPopular Classics for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2PASTORAL SYMPHONY NUMBER 6 in F Major Third Movement is one of Beethoven’s most popular Symphonies which premiered in Austria in 1808, pages 3-7SONATINA OPUS 36 NUMBER 1, 1st Movement of the Italian Composer, Muzio Clementi’s set of 12 Sonatinas published in 1794, pages 8-9SILVER SWAN is the most famous of the English Renaissance Composers, Orlando Gibbon’s Madrigals which was published in 1612, pages 10-12NORWEGIAN DANCE, OPUS 35 was originally written for 4 Hands (Duet) in 1880 by the Scandinavian Composer, Edward Grieg, pages 13-15SERENADE from the Austrian Composer, Franz Joseph Haydn’s String Quartet Opus 3 Number 5 2nd Movement which premiered in 1717, pages 16-20JUNE Barcarolle Opus 37 is from the Russian Composer, Peter Ilyich Tchaikovsky’s set of 12 short Character Pieces “The Seasonsâ€, pages 21-23 CAN CAN from the Austrian Composer, Franz Lehar’s popular Operetta “The Merry Widow†which premiered in 1905 in Vienna, Austria, pages 24-26LIEBESTRAUM (Dreams of Love) from the Hungarian Romantic Era Composer, Franz Liszt’s set of 3 Piano Solos written in 1850, pages 27-30SONATA IN C MAJOR K545, Second Movement was written in 1788 by the famous Austrian Composer, Wolfgang Amadeus Mozart, pages 31-33SONG OF INDIA from the Russian Composer, Nikolai Rimsky Korsakov’s 1896 Opera “Sadko, pages 34-37THE WILD HORSEMAN Opus 68 Number 8 from the German Composer, Robert Schumann’s “Album for the Youngâ€, pages 38-41MANHATTAN BEACH MARCH was written by the American Military Composer John Philip Sousa in 1893, pages 42-45.
$9.99
9.06 €
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Easy Piano
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Franz Liszt
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Liebestraum and Friends Beginner Piano Collection
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SilverTonalities
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SheetMusicPlus
Rondo Veneziano
Piano solo
By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero R…
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By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero Reverberi (1939-). Arranged by Juliano Music. Contemporary. Score. 5 pages. Juliano Alessandro Molteni #5336777. Published by Juliano Alessandro Molteni
My arrangement for PIANO SOLO of the song "BETTINA" by G. REVERBERI (RONDO' VENEZIANO).<br> <br> JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.
$4.99
4.52 €
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Piano solo
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Rond Veneziano
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Rondo Veneziano
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Juliano Alessandro Molteni
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SheetMusicPlus
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