PARTITIONS GRATUITES :
- Traditional Latin Hymn

Guitar, keyboard

SKU: GI.G-7400

This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400).

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

By David Schwoebel. For Unison/2-part Choir, Organ and congregation (with optional trumpet). Hymns of Faith Series. Sacred Anthem: Christmas. Octavo. Published by Chorister's Guild

SATB choir a cappella - Intermediate

SKU: MN.50-1233

Composed by Michel Guimont. Christmas, Transfiguration. MorningStar Music Publishers #50-1233. Published by MorningStar Music Publishers (MN.50-1233).

UPC: 688670512339. Latin.

This brief, deeply moving setting of a traditional Latin hymn is appropriate for worship or concert use.

By Herbert Howells. For Soprano, Tenor, SATB Choir and Piano. Choral, Sacred, 20th Century. Sheet Music. 100 pages. Published by Novello and Co Ltd.

Composed by Antonin Dvorak (1841-1904). Arranged by Karel Solc. Stapled. The Complete Works of Antonin Dvorak, Volume II/6. Czech title: Te Deum op. 103. Classical, Sacred. Piano reduction. With Publication language: Latin. Opus 103. Published by Editio Baerenreiter Praha (PA.H4523-90).

Choral TB chorus with Piano and optional Solos

SKU: CF.CM9725

Composed by Traditional. Arranged by Noah Reese. 12 pages. Duration 2:40. Carl Fischer Music #CM9725. Published by Carl Fischer Music (CF.CM9725).

ISBN 9781491161043. UPC: 680160919642. Key: G minor. English. Traditional Carol.

O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns. In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know.  .
O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns.In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know. .

Edited by Simon Carrington. Arranged by Ian David Coleman. Octavo. Alliance Music Publications #AMP 1107. Published by Alliance Music Publications

Handbells 3-5 octave handbell choir with optional 3 octave handchimes & percussion - Level 3

SKU: HP.2841

Arranged by Tammy Waldrop. Thanksgiving, Sacred. Handbell score. 8 pages. Hope Publishing Company #2841. Published by Hope Publishing Company (HP.2841).

UPC: 763628128418.

Tradi tional Thanksgiving tune
Here is a buoyant setting of the traditional Thanksgiving hymn which incorporates the Welsh melody associated with the Fred Pratt Green text, For the Fruit of All Creation. The syncopated melody, colorful accompaniment, and optional Latin percussion all combine to depict joyful gratitude to God for all his blessings.