PARTITIONS GRATUITES :
- With These Tears - Conductor Score

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

Violin and Piano

SKU: YM.GTW01100445

Composed by Various. Japanese Traditional Songs; Strings. Score and part. Yamaha Music Media #GTW01100445. Published by Yamaha Music Media (YM.GTW01100445).

ISBN 9784636103052. 8.5 x 12 inches.

Here, you can enjoy the beautiful Japanese classic tunes expressing the changing seasonal sentiments in this book. It features 25 songs, mainly nursery rhymes, children's songs, and shoka songs, and it comes with a karaoke CD of piano accompaniment. Please enjoy these wonderful arrangements, which are perfect for recitals and concerts.

By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompanied/ba sso continuo. Mixed Voices. Oxford Choral Classics Collections. Sacred, Choral Collection. Vocal score. 384 pages. Published by Oxford University Press

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101305

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Choral Score. Composed 1726. BWV 13. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.013/05. Published by Carus Verlag (CA.3101305).

ISBN 9790007102944. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score available separately - see item CA.3101300.

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101319

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Set of Orchestra Parts. Composed 1726. BWV 13. Duration 21 minutes. Carus Verlag #CV 31.013/19. Published by Carus Verlag (CA.3101319).

ISBN 9790007138950. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score and parts available separately - see item CA.3101300.

Flute, clarinet - Level 5

SKU: BA.BA11060

Composed by Dieter Ammann. In a folder. Performance score. Composed 2011. 14/4 pages. Duration 12 hours. Baerenreiter Verlag #BA11060_00. Published by Baerenreiter Verlag (BA.BA11060).

ISBN 9790006559022. 42 x 29.5 cm inches.

... she stood leering hideously, and much dust sodden with tears lay upon her shoulders.

These snippets from Johann Heinrich Voss's translation of Hesiod's Shield of Hercules, where the din of battle is brought to a standstill for the wink of an eye, made me think of music that describes the 'inwardness' of a particular feeling, close to the much-cited metaphor of an entire life flitting past the inner eye in the space of a second, when, as in Hesiod, Atropos severs the thread of life. Viola and piano join forces on an equal basis to inscribe ever more lines and shapes which, however, relate in their inmost essence to intertwining circles laden with melancholy.
(Philipp Maintz)