Instrumentation : SSAA a cappella CHORAL VIVACE is a major new choral series by the internationally-acclaimed Australia composer Sandra Milliken. Contact us to receive your free CHORAL VIVACE sampler CD Content : The series consists of a varied collection of choral music for upper and mixed voices and is graded into three levels - easy, intermediate and advanced.

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt. / Choeur De Femmes (SSAA) A Cappella

This 18-minute suite was adapted by Dyson from his full scale Choral and Orchestral work of the same name. It is arranged for women's voices (SSAA) and Piano accompaniment.

Smooth a cappella harmonies and unique choral textures make this Rodgers & Hart standard an exceptional choice for SSAA ensembles. Available for SSAA only. Performance time: Approx. 3:00.

We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné - personally recommended by the editors of your choral department! / Choeur SSAA A Cappella

La musique de l'album de vendre des millions de dollars, en vedette sur le Delta Air Lines TV commercial. ' Adiemus ' combine classique et des influences ethniques pour créer un tribal sonore haunting. ' Chansons de sanctuaire ' est une oeuvre de choral-type étendue basée sur la cla européenne / Choeur De Femmes (SSAA), Flûte A Bec, Cordes Et Instruments De Percussions (Ou Choeur De Femmes Et Piano)

It is created out of nothing and develops into sound. This choral improvisation on the kyrie from 'Messe à trois voix' by André Caplet gives the singers space to shape the piece themselves while nevertheless being self-contained. A short concert piece for experienced musicians. / Choeur SSAA A Cappella

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella

Now available in a treble voicing this energetic spiritual features a soloist with choral backup bright percussive rhythms a bluesy vocal bass line and the visual appeal of body percussion making this a first-rate showcase formixed or treble choirs! Available separately: SATB SSAA. Duration: ca. 2:30.

A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts 'New-made for a king' was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts the choral texture is homophonic the harmony rich yet approachable by young performers with a decorative piano accompaniment. In the mould of a lullaby the piece?s over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano in response to the poem?s portentous closing words.

Medley-Here is a tapestry of carols that you will perform again and again! Opening brightly with a mixed meter choral fanfare it then moves into a smooth and unhurried verse and chorus of “Angels We Have Heard on High ”followed by “Lo How a Rose E'er Blooming” and culminating with a joyful “Hark! The Herald Angels Sing.” It can be performed with piano or a cappella making it especially useful for community performances.Available separately: SATB SSAA. Duration: ca. 3:20.

This latest selection from the Henry Leck Creating Choral Artistry series will be debuted by the ACDA Junior High Honor Choir in February. Based on the Kenyan phrase for “the voice of the dove” this compositioncombines the imagery of the African landscape and its musical essence.Available separately: SATB SAB and SSAA. Performance Time: Approx. 3:40.