This method is designed for both the bassists and drummers and its purpose is to help them play together in almost all major musical styles: Rock Blues Funk Rhythm and Blues Disco/Dance Reggae Latin music etc... The many grooves presented here even if they can be practised alone are intended to be played in a band or at least by a bass/drum duo either on stage or in a studio or simply among friends. Each example displays the bass line along with its tab and the drum score just below allowing to situate each instrument in relation to the other. In this way the grooves can easily be read and analysed from both perspectives. For each style you will begin practisingone bar then two bar patterns... before tackling longer and more complex grooves. To put this into application all you will have to do is use your own chord changes or those you like as well as play the patterns you find interesting over these chords. On the CD the bass examples are played on the left channel and the drums examples on the right channel. With a centred sound balance you will be able to hear both instruments! This method is designed for both the bassists and drummers and its purpose is to help them play together in almost all major musical styles: Rock Blues Funk Rhythm and Blues Disco/Dance Reggae Latin music etc... The many grooves presented here even if they can be practised alone are intended to be played in a band or at least by a bass/drum duo either on stage or in a studio or simply among friends.Each example displays the bass line along with its tab and the drum score just below allowing to situate each instrument in relation to the other. In this way the grooves can easily be read and analysed from both perspectives. For each style you will beginpractising one bar then two bar patterns... before tackling longer and more complex grooves. To put this into application all you will have to do is use your own chord changes or those you like as well as play the patterns you find interesting over these chords.On the CD the bass examples are played on the left channel and the drums examples on the right channel. With a centred sound balance you will be able to hear both instruments!

Par WEIGERT DAVE. Atelier jazz pour basse et batterie : comment jouer en groupe. \' Jazz Workshop for Bass and Drums \' distills years of experience and knowledge down to an easy-to-utilize and understandable method. This course of study is valuable for educators and students alike, and now it is available for the world-at-large to benefit from. This book sould be in every school jazz band director\'s library\' - Peter Erskine. En anglais / MĂ©thode en anglais / MĂ©thode / Guitare Basse et Batterie

The Ultimate Rhythm Section Workout-If you're looking for a challenge The Ultimate Rhythm Section Workout Book And CD Set is the book for you and your rhythm section.This book has an eclectic mix of Rock Hip Hop Latin and Blues styleswith a fantastic range of time signatures that will really challenge and tighten any rhythm section as you work through the book. This book also comes with an accompanying Audio.

At last a DVD of the drummers who created the grooves on hits of the 60's like Cold Sweat Licking Stick Funky Drummer and Sex Machine with the godfather and founder of funk music James Brown. Groove masters Clyde Stubblefield and John Jab'o Starks represent the true roots of soul-all the roads of funk pass by them. This historical first instructional dvd will be an essential learning tool for every funk devotee demonstrating playing tecniques and valuable tips for creating the ultimate funk groove!

ComposĂ©e par Dayan Jean-Luc la partition Drum's control ( mĂ©thode de batterie) est Ă©ditĂ©e par les cĂ©lĂšbres Ă©ditions françaises Robert Martin sous la rĂ©fĂ©rence SL10264.De ce fait, si vous ĂȘtes un grand amateur de Percussions et encore plus de Percussions vous trouverez dans cette piĂšce tout ce que vous cherchez. Alors plus que quelques clics et cette partition vous appartiendra!!! / Percussions

La section rythmique basse et batterie peut ĂȘtre considĂ©rĂ©e comme le moteur d’un groupe. En plus de son rĂŽle fondamental au niveau du tempo et de la pulsion, il n’est pas rare qu’elle soit confrontĂ©e Ă  d’autres styles de musique en dehors de ceux qu’ elle pratique couramment. C’est pourquoi nous avons crĂ©Ă© “Groove Performances”, pour vous