Ce songbook Trombone vise à fournir au début du joueur de Trombone avec un répertoire de 101 familier et facile à jouer des morceaux écrits pour Trombone. Toutes les chansons sont écrites spécifiquement pour Trombone utilisant dynamique, marquages expression et articultions. Les signatures de clés pour les chansons sont dans une gamme confortable convenable pour le début du joueur de Trombone. Ce recueil de chansons est un complément idéal à n'importe quel livre de Trombone méthode élémentaire. La plupart des chansons est appropriée pour la performance aux concerts, récitals et concours. Les enseignants privés assignera un ou deux des chansons de ce livre à chaque leçon. Les chansons aidera le début étudiant Trombone de développer la technique, la capacité de lecture rythmique et confiance. / Trombone / 72 pages / niveau : Débutant / Partition - Format: 11 X 8,5

C'est le samedi 28 juillet 1855, au Conservatoire de Paris, que le concours de la classe de trombone eut lieu. Cette année-là, une matinée suffit à auditionner tous les candidats pour la raison qu'explique Paul Smith, dans la Revue et Gazette musicale: «?Toute la famille des instruments à vent [?] s'était donné rendez-vous avec une harpe dans une seule et même matinée. La guerre s'est chargée d'abréger le concours: beaucoup d'élèves avaient forcement quitté les classes pour suivre leurs régiments en Crimée. Néanmoins, il en restait encore assez pour que le concours fût honorable.?» Le professeur, Antoine Dieppo, présenta ce jour-là deux étudiants qui furent récompensés: Jean-Baptiste-Frédéric Masset (né en 1828) obtint un premier prix tandis que François-Achille-Alfred Dauger (né en 1825) recueillit un deuxième prix. En plus de l'exécution du morceau imposé - le Solo de Trombone de Charles Gounod (1818-1893) présentement édité -, les élèves étaient également soumis à une épreuve de lecture à vue. En 1855, il s'agit d'un allegro pour trombone avec accompagnement de violoncelle d'un compositeur anonyme, morceau déjà imposé en 1852.Le Solo de Trombone de Gounod ne fut jamais publié et la partition disparut bientôt de la circulation, étant déclarée perdue par l'ensemble de biographes du compositeur jusqu'à très récemment. Deux manuscrits ont permis la reconstitution de la présente édition. Le premier - une partie de trombone seul - fut découvert dans une brocante à la fin des années 1990, le second appartient à Frantz Couvez, tromboniste, qui en possède une photocopie reçue de son professeur, Gilbert Moisand. Différents éléments stylistiques confirmèrent rapidement qu'il s'agit bien d'une pièce de Gounod: le style général, proche des Six mélodies pour cor et piano de 1839, certains détours harmoniques - même si la main n'est pas encore tout à fait personnelle - et l'accompagnement de piano, qui ne fut pas sans poser quelques problèmes. L'aspect non pianistique d'autres oeuvres du compositeur, déjà frappant dans les Mélodies pour cor, se retrouve en effet ici : Gounod n'était pas pianiste et détestait réaliser ce genre de réduction, détail confirmé par Gérard Condé. La présente édition réaménage donc certains passages (harmonie complétée ou redistribuée, figurations pianistiques améliorées, superpositions de mains réaménagées?).Ce Solo est écrit en deux mouvements. Le premier, en sol mineur, débute par une introduction andante, étonnement développé par rapport à l'ensemble de la pièce. Ce tutti débouche sur un adagio cantabile en 6/8, véritable aria à la sensualité toute italienne. La ligne instrumentale, soutenue par un balancement régulier de triolet, épouse les contours d'une phrase vocale caractéristique de Bellini ou Donizetti, alors en pleine vogue à Paris. La seconde partie de la pièce en molto pomposo e ben marcato en si bémol majeur, fait office de cabalette, achevant par des figures en triolets d'une difficulté non négligeable.Laurent MadeufParis, septembre 2018Cette première publication du Solo de Gounod est enrichie par la pièce de la lecture à vue (déchiffrage) donnée à la même année. Cette courte pièce avec accompagnement de violoncelle d'un auteur anonyme suit une longue tradition de juger le candidat par sa capacité de lire et d'interpréter avec une très brève préparation. / Trombone / Bim

With ?The Techniques of Trombone Playing?, Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called ?the unlimited expansion of new performance possibilities?: micro-intervals, multiphonics and the combination of the trombone sound with the human voice ? all accurately described and illustrated with many annotated music examples. ? Includes many tables and music examples on the basics and expanded techniques of trombone playing ? Practical information on mutes, repertoire, etc. ? With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

100 Ultimate Jazz Riffs for Trombone. 100 Ultimate Jazz Riffs for Trombone by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the Trombone playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the Trombone and the rhythm section, as well as the rhythm section without the Trombone. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Clarinet, Trumpet and Violin. Facebook Twitter Pinterest Google Quantity

Cet ouvrage permet de travailler les grandes ?uvres du vaste répertoire de la musique classique au trombone. Il a ainsi pour triple objectif d?enrichir votre culture musicale d?améliorer votre technique de jeu mais aussi plus simplement de vous faire plaisir en jouant des airs connus au trombone. Tous les grands compositeurs y sont à l?honneur au travers d?une ou plusieurs ?uvres. Vous y trouverez ainsi des concerts des symphonies des sonates des lieder des airs et ouvertures des danses de la Renaissance des pièces orchestrales des valses des ballets mais aussi des pièces instrumentalestelles que des préludes des nocturnes des études des marches des gymnopédies etc. Et pour que le plaisir soit vraiment complet chaque partition est accompagnée de 2 enregistrements audios sur le CD-MP3 joint à la méthode. Le premier présente la partie de trombone jouée sur son accompagnement musical alors que le second propose le seul playback (accompagnement musical) afin de vous permettre de jouer à votre tour la partition avec votre trombone. Soit au total 174 enregistrements et plus de 6 heures de musique à votre disposition!

From Dixieland and boogie woogie to swing, blues, jazz, bop, Latin, and rock music, this title offers a variety of styles. Along with music to fifteen songs, downloadable MP3s provide a chance to play with a top Broadway trombonist.Each song is recorded three ways:1. Practice playing melody (1st trombone) or harmony (2nd trombone) with the title tracks, MP3s 1-15, marked TT.2. Practice playing melody (1st trombone) with accompaniment, MP3s 16-30, marked MT.3. Practice playing harmony (2nd trombone) with accompaniment, MP3s 31-45, marked HT.These rehearsal routines are comparable to playing a 25-minute set with a live stage band! / Trombone

Michael Roseâ??s Trombonistâ??s Ten is a superb collection of original compositions and is part of the ABRSM syllabus. Included are ten easy trombone pieces covering a variety of styles and genres all pleasantly melodic and well written for the instrument. This useful anthology is ideal for building technique and providing enjoyment- the most necessary requirement for learning. There are separate bass clef and treble clef parts provided to be as flexible as possible whilst maintaining the spirit of each piece. This volume will be a welcome addition to the trombone repertory at this early level.

Born in Calais in 1946 Yves Demarle studied at the Paris Conservatoire where he won first prize for Trombone. He then went on to play with the Orchestre de Paris. His Flexibility for Tenor Trombone therefore is very well-informed. This volume is essential to trombonists who already have experience of the instrument. Flexibility for Tenor Trombone addresses use of the tongue in conjuction with the air column and are to be practised alongside the student's usual technical studies. All exercises should be practised up to the seventh position and repeated until they can be played with perfect synchronisation between thelips tongue and jaw. With detailed instruction in French English German and Spanish Demarle's Flexibility for Tenor Trombone is essential to the progression of technique of all aspiring trombonists.

In this first volume of master classes for trombone virtuoso Per Brevig of the Metropolitan Opera Orchestra demonstrates each of these wonderful solos then you join the piano accompanist for a journey to pro level on the trombone! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Per Brevig trombone Accompaniment: Judith Olson piano

Conceived for upper-intermediate players and written in 1921 André Lafosse?s Complete method of Slide Trombone ? Volume 3 is the last volume of this series with comments and explanation for Slide Trombone. Including various exercises and studies this complete method will also guide the player with the right positions to adopt and direct him to produce a clean sound on the instrument. Complete method of Slide Trombone has been written in three volumes the two first one in 1921 and the last one in 1946 and the bass Trombone is covered in an appendix of three pages. AndréLafosse (1890-1975) was a Trombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called Suite Breve and recorded with Stravinsky.

French professional trombonist André Lafosse (1890-1975) was a professor at the Paris Conservatoire during the early 20th Century. His Complete Method of Slide Trombone is compiled from a wealth of experience and expertise. With detailed instruction in French English German and Spanish the second volume is immediately accessible to all aspiring trombonists. Volume two of Complete Method of Slide Trombone comprises exercises in scales arpeggios chromaticism and ornaments. Exercises and studies are based on pre-composed works by much-loved composers including J. S. Bach Rameau and Mozart. Suitable for intermediate to advanced level Trombone players Lafosse's second volume of Complete Method of Slide Trombone is essential to the progression of technique to a high standard.

I Used to Play Trombone is a new book for adults looking to get back into playing the Trombone and will help jumpstart their memory and comfort with music. Its no. 1 goal is to get people re-acquainted with their instrument by providing them with types of music they want to play like pop jazz and classic tunes rather than etudes. The book contains a CD with audio MP3 files of complete performances of most songs plus accompaniment-only versions. The CD also contains printable PDFs of piano parts for practice or performance opportunities. It’s just the push former players need to fall back in love with the Trombone again!

Par ARBAN JEAN-BAPTISTE. Arban's fundamental method book for trumpet was first published in 1864 and has held a top spot in trumpet studies ever since. In 1936, two of the finest trombonists of the day, Charles Randall and Simone Mantia, revised the method for trombone, creating the basis for trombone studies over the ensuing 75 years. Today, Alan Raph brings the Arban into the 21st century, enhancing and expanding the complete Arban text, and addressing new skills and techniques developed up to current times. Sections have been expanded (i.e., scales, arpeggios), and new sections have been added (i.e., slide drills, contemporary forms of double and triple tonguing). Alternate positions havebeen updated and expanded. Sometimes F-attachment positions are given to facilitate awkward slide movements. Raph's exceptional edition also includes a CD of MP3 accompaniments to the 12 Celebrated Fantaisies and Airs Varies, as performed by John Walker, for a complete instructional package for trombone students. / Date parution : 2023-06-02/ Méthode / Trombone

Conceived for beginners and written in 1921 André Lafosse’s Complete method of Slide Trombone – Volume 1 is an introductory method with comments and explanation for Slide Trombone. Including various exercises and studies this complete method will also guide the player with the right positions to adopt and direct him to produce a clean sound on the instrument. Complete method of Slide Trombone has been written in three volumes the first two in 1921 and the last one in 1946 and the Bass Trombone is covered in an appendix of three pages. André Lafosse (1890-1975) was aTrombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called 'Suite Breve' and recorded with Stravinsky.

Instrumental Solos-This instrumental series contains themes from Blizzard Entertainment's fantasy multiplayer role-playing video games and includes 4 pages of art from the World of Warcraft universe. The compatible arrangements are carefully edited for the Level 2-3 player and include an accompaniment CD which features a demo track and play-along track. Titles: Lionâ??s Pride * The Shaping of the World * Pig and Whistle * Slaughtered Lamb * Invincible * A Call to Arms * Gates of the Black Temple * Salty Sailor * Wrath of the Lich King * Garden of Life.