Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679

Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano

Hal Leonard Student Piano Library Showcase Solo Level 4/Early Intermediate-Hal Leonard Student Piano Library Showcase Solo Level 4/Early Intermediate. The dizzying perpetual motion of the traditional Italian folk dance is captured in this vivacious and showy piano solo by Jennifer Linn. Excellent recital material this fiery tarantella fits that sought-after category of sounds hard but is easy to learn crowd pleasers. By definition a tarantella is a folk dance of southern Italy. Like the tarantula its name is derived from the town of Taranto. According to legend (now discredited) the dance was a cure for the tarantula's poisonous bite. It is danced by a couple to a regularly phrased tune in 6/8 time which gradually increases in speed. HLSPL Level 4(Early Intermediate) piano solo. A minor; 6/8; Tempo: vivace; 48 measures; ABA form; broken triads in RH accompaniment figures with LH melodic line that crosses over the RH with accented double notes; Reading range: full staff; Perf. time: 50 sec.

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the

Collection of Piano Scores. Yiruma SOLO: Easy is the authorised collection from the best-selling album SOLO, written and scored by Yiruma for easy piano solo. Yiruma?s musical journey began at age five, when a fascination with the piano grew into a love for music and composition. Since then, Yiruma?s huge popularity has led to many sold-out performances and award-winning albums around the world. He continues to find inspiration in people around him, and hopes his music can heal, inspire, and remind the audience of love and hope. ?I have compiled a list of my pieces for solo piano that have existed for a long time. These works were the simplest way of capturing a specific moment and feeling when I wrote them. I would like to share these moments with you now and wish sincerely that my music be a hand to hold along the winding path of life.? - Yiruma

Issue de la collection CHORUS, dont la vocation est de faire travailler l'interprétation de solos au piano, cette méthode présente 20 solos de difficulté progressive, inspirés des plus beaux solos de la musique Jazz. Chaque solo est accompagné d'un commentaire global, puis d'une analyse mesure par mesure. Ces différentes informations vous aideront à interpréter au mieux chaque solo, mais aussi à comprendre la construction d'un solo de Jazz, à mémoriser des plans 'types', à vous familiariser avec les grilles et les outils mélodiques spécifiques, etc. Autant d'informations qui, par la suite, vous permettront de créer par vous-même des solos de Jazz réussis. Le CD, quant à lui, présente 4 plages par solo. La première vous permet d'entendre le solo joué à vitesse normale sur son playback.?La deuxième vous offre la possibilité de jouer à votre tour ce même solo sur le playback seul. Enfin, les troisième et quatrième plages sont identiques aux deux précédentes... mais à un tempo plus lent. Vous aurez ainsi la possibilité d'écouter, puis de travailler, toutes les difficultés techniques à votre propre rythme. / Piano Ou Clavier

Description Featuring songs by the renowned composer and master of the prepared Piano Volker Bertelmann, AKA Hauschka, Solo Pieces is a wonderful compilation of some of his most beautifully engrossing and hypnotic compositions, as well as some fantastic illustrations and writings. A unique figure in the contemporary classical world, Hauschka's works defy categorisation while remaining uniquely effective. Known for his prepared Piano pieces, Hauschka writes that he considers the Piano a keyboard, string and percussion instrument, thereby opening its sonic possibilities to include diverse timbres, tones and textures. Some songs in Solo Pieces are for natural Piano, but others include instructions on how to prepare your own Piano, using everyday materials like foil, greaseproof paper, rubber wedges or erasers. The spirit of Solo Pieces is experimentation, something that Hauschka has always embraced. You don't need to prepare your Piano, or you could use different materials to create a unique performance of the work. Some of the pieces like One Wish feature wonderfully metallic buzzing sounds that complement the changing dynamics of the piece, while others like Early In The Park have unique tinkling percussive effects, adding completely new facets to the already evocative melodies. Far from being simply a collection of Hauschka sheet music, this book is a wonderfully inviting publication, featuring introductory words from Hauschka on his inspirations and processes, as well as notes on his favourite materials throughout. Also included are interesting pieces like short stories, letters and fantastic sketches that are fitting for a personality and artist like Hauschka. This book of Hauschka sheet music is ideal for fans of the inventive composer, but also pianists who looking for some new and unique music to play. Solo Pieces by Hauschka is both a collection of excellent Piano pieces and an aesthetically pleasing publication that celebrates great music. Brooklyn Chat Noir Early In The Park Femme Assise Flingern Heimat Mount Hood One Wish Sehnsucht Zahnlücke

13 Works-One of the most influential musical forces of 19th-century Europe Franz Liszt was the reigning piano virtuoso of his time. This volume contains a rich selection of his finest compositions for solo piano. Reprinted from authoritative early editions.

Par UNGAR JAY. Composed by Jay Ungar and Molly Mason and arranged for solo piano by Molly, this beautiful, romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requested tunes in concert. Perfect for weddings, this carefully prepared piano solo presents the theme 3 times through, beginning in G and modulating to D. The arrangement accurately captures the rhythms, harmonies and chord voicings of Jay and Molly's concert and recorded performances. Jay Ungar is nationally recognized for having composed and performed Ashokan Farewell, the theme of the PBS series 'The Civil War'. The Lover's Waltz is also available in a soloor duo violin edition with piano accompaniment. Composed by Jay Ungar and Molly Mason and arranged for solo piano by Molly, this beautiful, romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requestedtunes in concert. Perfect for weddings, this carefully prepared piano solo presents the theme 3 times through, beginning in G and modulating to D. The arrangement accurately captures the rhythms, harmonies and chord voicings ofJay and Molly's concert and recorded performances. Jay Ungar is nationally recognized for having composed and performed Ashokan Farewell, the theme of the PBS series 'The Civil War'. The Lovers' Waltz is also available in a soloor duo violin edition with piano accompaniment. / Niveau : Intermédiaire / Waltz - Solos / Recueil / Piano

Produced in close collaboration with the composer this exclusive Piano folio presents four tracks from the special edition of Ludovico Einaudi's Elements along with imagery and exclusiveillustrations. Suitable for intermediate pianists this collection comprises pieces from the deluxe album — ‘Drop Solo’ and ‘Twice Solo’ — plus two versions of‘Elegy For The Arctic’ specially written for Greenpeace. Also included are photos from Einaudi’s incredible floating performance on the Arctic Ocean and unique text and illustrations.Einaudi’s 2015 album Elements broke records not only in the classical realm but also the pop charts overtaking Taylor Swift and James Bay and pushing into further genres with remixes byelectronic artists including Mogwai and Starkey. The solo Piano versions of the two tracks ‘Drop’ and ‘Twice’ return the music to a purer form offering a more intimate experiencefor fans enthusiasts and students. Four new transcriptions for Piano solo Notes from the composer Unique illustrations and imagery from Einaudi’s performance on the Arctic OceanIncludes… Elegy For The Arctic Drop Solo Twice Solo and the extended studio version of Elegy For The Arctic Learn the official 'Elegy for the Arctic' Sheet Music for Piano included in the new SpecialEdition 'Extra Elements' in this exclusive video brought to you by Musicroom.  

20 recent chart hits for Piano solo. No lyrics or Guitar chords included. Chart Hits For Piano Solo includes the songs: Style Take Me To Church Thinking Out Loud Am I Wrong All About That Bass All Of Me Love Me Like You Do and more.

Easy Piano-In this updated second edition of Taylor Swift For Piano Solo 15 of the singer-songwriter's biggest hits have been arranged for solo Piano without lyrics. This songbook includes the favourites Love Story Mean Blank Space I Knew You Were Trouble 22 Teardrops On My Guitar Wildest Dreams and more.  

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /