Par HARRIS RICHARD. 'Pulp Fiction ', ' Halloween ', ' Bullitt ' et ' L'Exorciste ' sont meilleurs films classiques qui ont gagné leur place dans la culture populaire. Si comique, palpitante, romantique, action ou Sci-Fi, la combinaison de superbes effets audio et visuels est une expérience puissante. Cette collection imaginative comprend les principaux thèmes de ces films aux côtés des pièces classiques bien connus de films tels que ' Le Clockwork Orange ', ' Fatal Attraction ' et ' Confidentiels L.A. '. Donc recréer les sons du grand écran avec ces arrangements de cultes inoubliable !/ Recueil / Clarinette et Piano

Cette partition CONSONANCES de Deshays Pierre-Richard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8731. Cette oeuvre d'une durée de 00:01:40 est idéale pour les musiciens pratiquant Clarinette. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Clarinette Et Piano / Partition

Cette partition UN SOIR AU CHATEAU de Deshays Pierre-Richard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8730. Cette oeuvre d'une durée de 00:02:00 est idéale pour les musiciens pratiquant Clarinette. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Clarinette Et Piano / Partition

Par RIMBERT RICHARD. / Musique Instrumentale / Date parution : 2023-03-21/ Etude / Clarinette et Piano

Par RICHARDSON NORMAN. Format: New Edition portrait/ Répertoire / Clarinette et Piano

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl adding “It would be really wonderful if you brought your B flat Clarinet with you andif you were in no great hurry” – for the two Sonatas Op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: “Thesonatas [...] are wonderful and will cause a great sensation”. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the Clarinet repertoire.

Play Hollywood features 10 all-time great film themes from across the decades from the classic Chariots Of Fire and Superman to action-packed Star Wars James Bond and Lord Of The Rings selected arranged by Richard Harris for the intermediate (Grade 3-5) clarinet player with fun backing tracks to play along with. In addition the accompaniment CD is 'enhanced' and includes a PDF of piano accompaniments to download.

The 1960s and 70s were decades of flower power short skirts and soul. This new sound forged from R 'n' B and gospel took the world by storm influencing artists across the decades. Play Soul features 10 of the best soul songs ever - from legendary pioneers James Brown Otis Redding and Aretha Franklin to Michael Jackson and Alicia Keys. All songs have been carefully arranged by Richard Harris for the intermediate Clarinet player with easy piano accompaniments and a funky backing CD!

Landscape with Blues-This new edition offers for the first time a clarinet solo part edited with commentary by internationally-acclaimed clarinet artist Richard Stoltzman. Includes piano reduction by Sarah Gibson along with a CD containing Stoltzman'soriginal recording with the IRIS Chamber Orchestra.

These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73. What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions). For the first time ever the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke.All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasised by Alan Hacker in his Foreword where he comments on the superior strength of theoriginal: 'greater assymetry slightly varied harmony and many other touches all intensify passionate and impulsive instability the main expression of the work.'

Par BAERMANN HEINRICH JOSEPH. Voici un très bel Adagio écrit en 1821 par Heinrich Baermann, le célèbre dédicataire des oeuvres pour clarinette de Weber. Longtemps considéré comme une oeuvre de jeunesse de Richard Wagner, ce n'est qu'en 1964 que l'on s'aperçut que ce manuscrit non signé, découvert en 1922, était en fait l'Adagio du Quintette #3 Opus 23 avec Cordes détaché de sa partition originale. - Renaud ESCRIVA / Niveau : Difficile / Répertoire / Clarinette en Sib et Piano

The music of Wagner effectively transcribed for clarinet and piano by Sidney Lawton. Includes four pieces from the music dramas and 'Traume' from the 'Wesendonk Lieder'.