Featuring a driving pulse powerful percussion and dramatic impact points Richard has effectively adapted his popular concert band work for the marching field. Celebrating the exhilaration of flying this stunning opener is a great way to start a show.

Using a four-note motif Richard builds a monster of an opener developed through intricate rhythms unique harmonies and driving percussion. A bold statement for the adventurous band!

Cleverly spiced with a hoedown flavor in a mini-overture format of fast-slow-fast here is an impressive slice of Americana for the field. Adapted from Richard's popular work for symphonic band this concise version features plenty of energy and impact!

This work by Goff Richards was written in the eighties and is best known under the name Demelza in a version for Tenor horn. Marten van der Wal made an arrangement for solo instrument and band (there are different transpositions of the solo part included). The melody is very special and processes in a beautiful way in the composition .

Richard Saucedo has taken a few creative liberties with this familiar rock anthem and the result is an impressive opener or production number.

This Beatles favorite is treated here in a driving swing style with an absolutely marvelous feature section for trumpets and horns. Richard works in a reprise of Magical Mystery Tour providing a great ending to this clever chart.

Richard Saucedo begins this opener in dramatic fashion with a Maestoso introduction which is followed by the faster main theme. This carefully paced arrangement includes nice feature sections for woodwinds as well as impact pointsfor the brass. The accelerando at the end will have the audience on its feet!

In the course of the two centuries following the death of Henry Purcell in 1695 no British composer of any statue was apparent. Consequently the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar?s music and on the occasion of the fiftieth anniversary of the composer?s death in 1984 he composed the ?CeremonialMarch?. Van der Roost was inspired by the most famous and frequently played works from Elgar?s catalogue of works the characteristic ?Pomp and Circumstances? marches and decided to add his own sixth march to the existing collection.