La référence AL25542 de l'éditeur Leduc dont l'auteur célèbre est Charpentier J., qui a pour titre Concert N06 (Htbois Et Cordes), a été écrite et composée pour Hautbois et plus particulièrement pour Hautbois Et Piano. Cette partition musicale appartient à la catégorie Classique. / Hautbois Et Piano / Partition

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.In about three minutes, the small and charming two-part piece Kontraste [Contrasts] for oboe and harp captivates with clarity and limitation to the essentials. The name says it all: A lively humoresque is followed by a rather delicate, even almost melancholy second movement which is headed 'largo e mesto'. The composition was written in 2009/10 as a birthday present for the Swiss oboist - and this work's dedicatee - Heinz Holliger (and his wife, the harpist Ursula Holliger). / Hautbois Et Piano

Par BARNES LARRY. Cloud Breathing by Larry Barnes, for Oboe and Piano. Cloud breathing is a technique in Chinese martial arts involving short, sharp inhaling breaths and a slow exhale to oxygenate the body in preparation for fighting, meditation and healing. In this work, the piano begins in the upper register with tones like wind chimes, with the oboe entering beneath. This meditative first section leads to sudden shifts in harmony under a quiet oboe melody. Activity increases, leading to an oboe cadenza and a fast section based on rapid repeated notes in the oboe with the piano accompanying with contrapuntal lines. A brief piano solo leads to fragments of melody from the slow opening, now transformed. After a fortissimo climax, the quiet wind chime opening suddenly returns. The music gradually regains momentum to break into a bright Lydian climax and a strong close. / Date parution : 2022-11-29/ Répertoire / Hautbois et Piano

Composer's NoteSecond Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren oboe and Stefan Bojsten piano). The work belongs to a planned series of virtuosoduos 'meetings'. The first one (from 1982) is written for clarinet and harpsichord.Formally Second Meeting is very close to a familiar 'theme and variations' category although there are seven themes or melodies all quiteclosely related.In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra trying to remain reasonably faithful to the original (a la Ravel perhaps). The orchestral version iscalled Mimo 1).Esa-Pekka Salonen