Daily Exercises - Tägliche Übungen-Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Pour tous les saxophones-Quarante-huit Études by Marcel Mule (1901-2001) is a set of 48 exercises for all Saxophones by Franz Ferling and enlarged with twelve new studies by Mule. Made for intermediate/advanced players this is a rich material to develop style and virtuosity. Ferling’s book “48 studies” was lacking exercises on some tonalities. Marcel Mule therefore added those missing pieces dealing with the following enharmonic tones: C flat major A flat minor G flat major C sharp major A sharp minor and D sharp minor. He took great care of keeping the original style of Ferling’sstudies to obtain an harmonious set throughout this book. Marcel Mule (1901-2001) is one of the greatest French Saxophonist renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as Dix-huit Exercices ou Études Exercices Journaliers d’après Terschack or 30 Grands Exercices ou Études d’après Soussmann (in two books) among others.

Marin Marais (1656-1728), prestigieux compositeur français de la période baroque jouait également la viole et la viole de gambe pour Louis XIV. Il écrivit près de 600 pièces pour son instrument, réparties en 5 livres, chacun comprenant, entre autres, une quarantaine de suites. Nicolas Prost propose une sélection de 24 pièces adaptées pour saxophone, qui pourront aisément être programmées pour le concert ou dans le cadre pédagogique, comme études mélodiques et virtuoses, à partir du 2e cycle.