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All instrument
Soli, Mixted choir and accompaniment
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
2.90 EUR - Sold by LMI-partitions
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
2.90 EUR - Sold by LMI-partitions
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
2.90 EUR - Sold by LMI-partitions
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2003-02-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
23.40 EUR - Sold by LMI-partitions
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Requiem: Mixed Choir and Accomp.: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 f...
(+)
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen Odenwald. This followed the Miserere of 1773 and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical “Sturm und Drang.” With all its youthful unconcern towards compositional technique this music displays his seriousness and strength of expression together with a dark instrumental timbre as well as an abruptness or at times brusqueness. The publication of the Requiem in the Complete Edition is the first historical and critical edition of the work
36.80 GBP - Sold by Musicroom UK
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt s...
(+)
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
12.00 EUR - Sold by LMI-partitions
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Hymn of Praise - Symphony cantata - MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
28.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
77.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin I: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
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The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
27.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
19.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
4.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
4.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
8.00 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Mass In B-flat: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt i...
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Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
16.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.258: Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...
(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
4.50 GBP - Sold by Musicroom UK
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Requiem: Mixed Choir and Accomp.: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Carus Verlag
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 f...
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Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen Odenwald. This followed the Miserere of 1773 and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical “Sturm und Drang.” With all its youthful unconcern towards compositional technique this music displays his seriousness and strength of expression together with a dark instrumental timbre as well as an abruptness or at times brusqueness. The publication of the Requiem in the Complete Edition is the first historical and critical edition of the work
13.80 GBP - Sold by Musicroom UK
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
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Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
168.89 EUR - Sold by LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
202.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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