Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks 1762 in Wien uraufgeführter Oper 'Orfeo' [Furienszene, Eingangschor] zeigt, greift der junge Mozart in diesen Teilen der Messe unmittelbar auf bühnendramatische Ausdrucksmittel zurück. So besticht die Messe gerade durch ihre Kühnheit und lebhaften Kontraste, die Mozart in seinen späteren Messen eher vermeidet. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day.The ?Sparrow Mass? is one of the most significant pieces of church music from Mozart?s years in Salzburg.Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances.Urtext of the New Mozart EditionIdeal for church services and concert performancesFull score & performance material (BA5343) and vocal score (BA5343-90)for saleArrangement for soloists choir & organ (BA7522) for saleArrangement for soloists and female choir (BA5693) avaailable for sale

Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again?? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre

The young Mozart composed three settings of the Regina Coeli an ancient Latin Marian hymn of the Catholic church. K.276 in C major probably composed in 1779 in Salzburg is scored for SATB soloists SATB chorus Oboe (2) Trumpet (2) Strings (without Viola) Organ.Full score vocal score (BA4888-90) and performance material (BA4888) based on the Urtext New Mozart Edition are available for sale.

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks 1762 in Wien uraufgeführter Oper 'Orfeo' [Furienszene, Eingangschor] zeigt, greift der junge Mozart in diesen Teilen der Messe unmittelbar auf bühnendramatische Ausdrucksmittel zurück. So besticht die Messe gerade durch ihre Kühnheit und lebhaften Kontraste, die Mozart in seinen späteren Messen eher vermeidet. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Coronation Mass-Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.

Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor K.139 to inaugurate a new orphanage on Vienna?s Rennweg in 1768.This astonishing early work adheres to the form of a Neapolitan cantata mass in which the separate movements (?Gloria? ?Credo? etc.) are themselves made up of self-contained choruses ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrast between its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church services andconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists choir & organ (BA7521) for sale

The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale

Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Siedel, Mathias (Arr. ) - KV 257/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

C-Dur. Par RATHGEBER JOHANN VALENTIN. Tonalité : C-Dur - Opus : 19 #1 - Dotzauer, Wilfried (Arr.) - / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin