Un recueil de composition de J.S. Bach pour organistes d'église. / Orgue / Partition

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Les noces d'or ( tuba et piano ) du compositeur Hulin Eric a été cataloguée sous la référence FP 1042 par l'éditeur. Cette oeuvre est écrite pour Tuba, Euphonium ou Saxhorn. En 3 clics et quelques jours elle peut être chez vous. / Tuba Et Piano / Partition

Evergreens. Par CORNICK MIKE. Play with style using Mike Cornick's Style Collection. Thirteen old favourites - all with everlasting appeal and in a variety of styles, have been arranged for the middle-grade pianist to play and enjoy. Includes Summertime, Give my Regards to Broadway, Maple Leaf Rag, Plaisir D'Amour. The CD provides the option of playing along as part of an ensemble which is both confidence-building and fun, while the demonstration tracks for listening are not only inspiring but hugely entertaining. • Old favourites that have stood the test of time arranged for the intermediate-level pianist • An enjoyable and rewarding way to become acquainted with a variety of styles and extend your pianistic skills • Play along in your own ensemble using the CD minus-one tracks - a pleasure on your own and when entertaining others / Evergreen / Etude / Piano

for Bb Trumpet (or Bb Flugel Horn) and Concert Band-Belvedere est un magnifique solo pour trompette ou bugle et fait partie de City Scapes (? paysages urbains ?) un morceau de concert inspir? de Central Park de New York. Le titre Belvedere fait r?f?rence au ch?teau du Belv?d?re construit en 1869 et l??uvre rayonne de l?atmosph?re paisible de cet endroit.

Le Glenmasan Manuscript est un manuscrit historique écossais du XVe siècle qui contient des textes légendaires celtiques de la région d?Ulster. Dans sa composition Marc Jeanbourquin a évoqué des atmosphères et illustré en musique aussi biendes paysages que des héros légendaires de ce pays. Le final extraordinaire et spectaculaire est sans doute l?une des raisons pourquoi cette ?uvre exigeante convient aux concours et aux concerts.

for Symphonic Band-Située sur la rive Nord du lac de Garde au nord de l?Italie la charmante ville de Riva del Garda jouit d?un environnement naturel grandiose. Dame Nature y a célébré de somptueuses noces : celles des montagnes et du lac. Séduction des eaux claires plénitude des paysages alentours Riva del Garda agit comme un mystérieux aimant secoué par les vagues impétueuses que le vent soulève à la surface du lac. Et lorsque les frimas de l?hiver se font sentir les paysages montagnards qui ceignent la « belle enchantée » enfilent leur chemise de neige. Le voyageur est sans cesse émerveillé par ces tableaux raffinés et élégamment contrastés qui se déroulent sous ses yeux.André Waignein adédié cette œuvre au compositeur italien Daniele Carnevali.

Tonalité : D-Moll - Hochstein, Wolfgang (Arr.) -. Par HASSE JOHANN ADOLF. The festive work with their, for Hasse’s time, relativly large orchestra ensemble, was first performed on 29 June 1751 on the occasion of the dedication of the new Catholic Court Church in Dresden. They are appropriate for performance together in either worship services or in a concert setting. / Messe / Répertoire / Solistes s ATB, Choeur SATB, 2 Flûtes Traversières

100 Ultimate Jazz Riffs for Clarinet. 100 Ultimate Jazz Riffs for Clarinet. by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the clarinet and the rhythm section, as well as the rhythm section without the clarinet. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Violin

Compiled and Arranged by Franco Cesarini. During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians? awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!

Par TORELLI GIUSEPPE. Editeur(s) d'origine: Tarr, Edward H./ Répertoire / Trompette, Cordes et Basse Continue