| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Triangle of the Tempest - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3.5
SKU: CF.CAS107
Composed by Alan Lee
Silva. SWS FS. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
24+24+6+15+15+15+6+20
pages. Duration 4
minutes, 17 seconds. Carl
Fischer Music #CAS107.
Published by Carl Fischer
Music (CF.CAS107).
ISBN 9781491146675.
UPC: 680160904174. 9 x 12
inches. Key: E
minor. Triangle of
the Tempest is a
fast-moving composition
with interesting rhythmic
challenges and dynamic
color shifts. Starting
with syncopated figures
over a repeated
eight-measure
progression, the piece
builds in intensity as
more sections and layers
are added. The second
part changes tone and is
led by a heroic violin
melody with a soaring
cello obligato. The
themes intertwine and the
material develops into a
dramatic conclusion with
a final explosive
ensemble hit.
Action-packed and full of
rhythmic drive, this
piece is a good choice
for contest or festival
performance. An
up-tempo 3â„4 piece
in E minor, Triangle of
the Tempest features
inviting rhythmic
challenges, provocative
melodic variations and
dynamic color shifts .The
A-section is based on a
repeating eight-measure
harmonic progression with
punctuated open voicings
and syncopated figures .
Each section builds in
intensity as new elements
are added in subsequent
eight-measure increments
. Rhythmically, the
pattern in the A-section
(mm . 1–36)
follows a two-measure
form: the first of the
two measures has a dotted
quarter-eighth syncopated
figure, and the rhythms
in the second measure
fall primarily on the
beats . After the main
eight-measure pattern is
established, the A-melody
and its variations are
introduced on top of it
.A two-measure build (mm
. 35–36),
highlighted by fast
moving ensemble triplet
figures, propels the
piece as it crescendos
into the jubilant
B-section (mm .
37–52), changing
tone and moving to the
relative G major . The
violins carry the soaring
melody atop sonorous
major chords in the mid
and low strings .
Rhythmically, the
alternating syncopated
measure/non-syncopated
measure form continues
through this section
.Returning to the
dramatic E minor
A-section phrases in mm .
53–86, the piece
shifts to the original
eight-measure harmonic
progression with melodic
variations in the violins
over the top . After
reprising the B-section
(mm . 87–102),
intertwining motifs at m
. 103 offer a variation
on the A-theme where the
melodic entrances happen
at one-measure intervals
.The tempo slows slightly
and the tone changes
again in the flowing and
magical C-section at m .
123 as the piece moves
again to the relative G
major . Repeating lyrical
legato violin lines
create the musical
background for a majestic
viola melody, featured in
mm . 126–146 . A
brief fanfare statement
with motifs spread
throughout the orchestra
at m . 153, prepares the
return to E minor and the
A-theme in mm .
160–193 .Measure
194 introduces an E-pedal
point and tension builds,
ramping up emotionally to
the ending . The ensemble
thunders at m . 202 as
the violins and violas
begin a four-measure
syncopated
question/answer section
with the cellos and
basses . The phrases
crescendo and build for
another four measures at
m . 206, setting up the
driving unison, tutti
figures at m . 211 and a
final explosive hit on
the downbeat of m . 212
. About
Carl Fischer Concert
String Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Volume 12 (CD) - Yellow/Red/Blue
-
-
Tchaikovsky/Daehn:
Symphony No. 6
-
-
Third Movement Finale
-
-
Purcell/Daehn: Music for
the Funeral of Queen Mary
-
-
Kirby: The Water Is Wide
-
-
Kirby: Suncrest
(Concert March)
-
-
Grice: Secret Passage
-
-
Vaughan Williams/Daehn:
The Running Set
-
-
Burns: Suspended
Animation
-
-
Rossini/Daehn: La
Cenerentola
(Selections)
-
-
Knoener: The
RegimentÕs Return
-
-
Burns: Cadet Parade
-
-
Farmer: Quest
-
-
Farmer: Viper
-
-
Farmer: Beyond the Meadow
Green
-
-
La Plante: MinkaÕs
Sleigh Ride
-
-
La Plante: Music for the
KingÕs Delight
-
-
Suter: Dancing at
Stonehenge
-
-
Milford: Pride and
Promise
| | |
| III. Full Fathom Five Carl Fischer
Choral SA choir, piano SKU: CF.CM9425 No. 3 from Mark the Music!. ...(+)
Choral SA choir, piano
SKU: CF.CM9425
No. 3 from Mark the
Music!. Composed by
David Ashley White. Fold.
Performance. With
Standard notation. 8
pages. Duration 1 minute,
1 seconds. Carl Fischer
Music #CM9425. Published
by Carl Fischer Music
(CF.CM9425). ISBN
9781491142332. UPC:
680160630394. 6.875 x
10.5 inches. Text:
William Shakespeare.
William
Shakespeare. The
writing of David Ashley
White demonstrates a
varied approach to
texture, mood, and
voicing. His choral
cycle, Mark the Music!,
takes its title from
Lorenzo's Admonition in
The Merchant of Venice.
Full Fathom Five, which
uses text from The
Tempest, is mysterious
and laden with
opportunities for drama
and storytelling. This
movement for women's
voices can stand alone or
be paired with the tenor
and bass movement (CM9439
IV.O Mistress Mine), or
with SATB three-movement
(Mark the Music!, CM9469)
all with piano
accompaniment. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| IV. O Mistress Mine Carl Fischer
Choral TB chorus with Piano and optional Solos SKU: CF.CM9439 No. 4 fr...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9439
No. 4 from Mark the
Music!. Composed by
David Ashley White. Fold.
Performance. With
Standard notation. 8
pages. Duration 1 minute,
27 seconds. Carl Fischer
Music #CM9439. Published
by Carl Fischer Music
(CF.CM9439). ISBN
9781491142479. UPC:
680160630530. 6.875 x
10.5 inches. Text:
William Shakespeare.
William
Shakespeare. The
writing of David Ashley
White demonstrates a
varied approach to
texture, mood, and
voicing. O Mistress Mine,
part of his choral cycle,
Mark the Music!, uses
text from The Tempest and
is rhythmic, jaunty, and
laden with storytelling
opportunities. This
movement can stand alone
or it may be paired with
the SA voices Full Fathom
Five (CM9425), or SATB
three-movement Mark the
Music! CM9469), all with
piano accompaniment. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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