| The Real Little Ultimate Fake Book - 3rd Edition (C Edition) [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
(4)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - 3rd Edition Fake Book [Fake Book] Hal Leonard
Eb Edition. By Various. Fake Book (Includes melody line and chords). Size 9x12 i...(+)
Eb Edition. By Various.
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 816
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano seul Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU:
ST.C463 Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463). ISBN
9790570814633. This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Aliseo
was originally written
for the film â??Aire
libreâ? (1995), by
Luis Armando Roche. It
contains elements of
diverse types of
Venezuelan joropo. In the
film, the character of
Aliseo Carvallo is played
by the composer himself
who performs this piece
on a harpsichord to
welcome scientists
Alexander von Humboldt
and Aimé Bonpland one
day at the turn of the
1800â??s, as a sample of
the new music from the
South American land. It
presents the refinement
of the late European
classical era in fusion
with Venezuelan folk
music. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Song We Sing (William Averitt and Robert Bode) GIA Publications
SKU: GI.G-1133 GIA ChoralWorks Series. Composed by Cameron LaBarr ...(+)
SKU: GI.G-1133
GIA ChoralWorks
Series. Composed by
Cameron LaBarr & Missouri
State University Chorale.
GIA ChoralWorks. Music
Education. Choral score.
GIA Publications #1133.
Published by GIA
Publications (GI.G-1133).
UPC:
785147813323. The
Song We Sing was
commissioned by the Arts
Chorale of Winchester
(Virginia) to honor
founding artistic
director Michael Main and
his husband, accompanist
Richard McPherson upon
their retirement from the
ensemble after 19 years.
Scored for SATB chorus
and piano four-hands, the
score sets three new
poems by Robert Bode,
himself a well-known
choral conductor as well
as a poet. Track Listing:
Let's Move to the Sea The
Song We Sing Morning
Dance “Let’s
Move to the Seaâ€
(#1) references
Michael’s and
Richard’s plan to
relocate from Virginia to
the seaside resort of
Rehoboth Beach, Delaware.
The music is marked
“Brightlyâ€
and is highly rhythmic
and dancelike. Robert
Bode’s poem is in
three verses, and the
music follows this
layout, with three
clearly related sections.
The poem “The Song
We Sing†(#2) is a
quiet, and rather
profound, meditation on
the underlying meaning of
choral singing—the
deeper sense of what it
means to sing together.
It underscores the fact
that choirs often create
a feeling of community
where individuals are
accepted for themselves
without prejudice as they
come together to make
music. Like the first
movement, “Morning
Dance†(#3) is
rhythmic and playful. The
poem is organized into
four verses, each
followed by a refrain.
The music, similarly, is
written in four sections
that are based on
closely-related musical
materials, each followed
by a refrain of almost
identical music.
Everything culminates in
the poem’s
ecstatic final line,
“Lift your arms to
the sun, and
dance!†The
Missouri State University
Chorale is the flagship
choral ensemble at
Missouri State
University. Made up of a
diverse group of singers
from a variety of
backgrounds, this
renowned ensemble
performs at an incredibly
high level and enjoys an
international reputation.
The MSU Chorale has
performed regularly at
conferences of the
American Choral Directors
Association, Missouri
Music Educators
Association, the National
Association for Music
Education, and has toured
throughout North America,
Europe, Asia, and Africa.
Cameron F. LaBarr is
director of choral
studies at Missouri State
University, where he
leads a comprehensive
choral program including
eight choirs and a
graduate program in
choral conducting. He
holds a Bachelor of Music
from Missouri State
University and earned a
Master of Music and
Doctor of Musical Arts
from the University of
North Texas.
Additionally, Dr. LaBarr
has completed further
study in choral music and
conducting with Simon
Carrington and Alice
Parker. Dr. LaBarr has
worked as a guest
conductor, clinician, and
adjudicator across North
America, Europe, Africa
and Asia, recently at the
China International
Chorus Festival, the Bali
International Choir
Festival, and the
Limerick Sings
International Choral
Festival (Ireland). $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lift Your Voice and Sing Subito Music
SSAATTBB, Piano (3 hands) & Percussion SKU: SU.YR9912 For SSAATTBB, Pi...(+)
SSAATTBB, Piano (3 hands)
& Percussion SKU:
SU.YR9912 For
SSAATTBB, Piano (3 hands)
& Percussion.
Composed by Jason
Shelton. Vocal/Choral,
Secular Choral.
Accompanied by
percussion, accompanied
by piano. Choral Octavo.
Subito Music Corporation
#YR9912. Published by
Subito Music Corporation
(SU.YR9912).
Words by Mary
Katherine MornSSAATTBB,
piano (3 hands) &
percussion Composed: 2002
Published by: Barton
Rhodes Press Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com. $2.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lift Up Your Hands in the Sanctuary - Instrument edition GIA Publications
Trumpet 1 in B-flat, trumpet 2 in B-flat, trumpet 3 in B-flat SKU: GI.G-2790I...(+)
Trumpet 1 in B-flat,
trumpet 2 in B-flat,
trumpet 3 in B-flat
SKU: GI.G-2790INST
Composed by Harold Owen.
This edition: Instrument
edition. Sacred.
Instrumental part(s). GIA
Publications #2790INST.
Published by GIA
Publications
(GI.G-2790INST).
$6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |