Score and Parts available (M 1128). Violin 3 and Viola part interchangeable / Ensemble A Cordes

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Violoncelle Et Piano

Par TYSHAWN SOREY. Commissioned by the Los Angeles Philharmonic Association for a world premiere by the LA Phil New Music Group in January 2019, Tyshawn Sorey's gently tolling chamber work For Fred Lerdahl is dedicated to the elder composer on the occasion of Lerdahl's retirement. Sorey credits Lerdahl as one of two teachers who helped him to find his own voice as a composer. A single, 13-minute movement, it features a highly lyrical, muted viola solo over gentle, softly rhythmic dissonances from the two vibraphones and piano. This edition is a performing score, one of four required for performance. / Date parution : 2022-09-07/ Répertoire / Violon, Piano et Vibraphone

For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello).Published in 2001.Commissioned by the Britten Sinfonia.First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury.Score.

Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle

The Arms of God-Uses: General Lent Social JusticeScripture: Matthew 11:28; II Peter 1:11; Psalm 34:18A touching song of the heart this choral rings with authenticity both musically and spiritually. Peacefulphrases promise rest and hope as the emotive text surrounds the community of faith with the gentle reminders of God's enduring grace. Sensitivity to the words will awake singer and listener alike to the ministry of assurance thatis ours to share. The anthem ends with the warming embrace of “welcome home.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion 1 & 2 Harp Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 4:15.

The Viola part for four of Handel's Coronation Anthems which include Zadok the Priest and My heart is Inditing. These varied and rousing Choral Anthems are available in the corresponding parts for a small orchestra set. Violin 1(C5269) Violin 2(C5270)and Violin 3(C5274) Cello/Double Bass/Bassoon(C5272)and a Set of Wind Parts(C5273). The complete arrangement is for SATB chorus 3 Trumpets 2 Oboes 2 Bassoons Strings Percussion and Continuo.

Cello Part. Par COBB CELIA. Top Banana is a collection of 20 performance pieces for young string players (Grades 1–2+), for solo or group playing, composed by Celia Cobb and Naomi Yandell. Drawing on a wide range of moods and styles, the pieces are intended to inspire communicative and committed performances in any concert or exam situation. Each piece aims to capture the musical imagination and to motivate the young player to practise, play and perform. From the teacher’s perspective the pieces include clear teaching points, and incorporate a range of techniques, such as harmonics, glissandi and left-hand pizzicato, intended to encourage the student to develop good technical habits for the future, while having a considerable amount of fun along the way. The keys throughout are compatible, meaning that friends learning violin, viola or cello can enjoy playing the pieces together. / Date parution : 2021-12-09/ Recueil / Violoncelle

Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

Instrumental Accompaniment Set-Includes: Violin I Violin II Viola Cello and Bass