Camille Saint-Saëns? The Carnival of the Animals is one of his most popular works altogether. Yet during his lifetime he refused to publish this orchestral piece for fear it would damage his reputation as a serious-minded musician.Now Jennifer Seubel and Sally Beck the flautists of ?Duo Noble? have arranged this famous work for two flutes.The transformation of the major instruments timbres and melodies of the orchestral version into solely two flute parts posed a special challenge. The results exploit the full tonal spectrum of the flute. The arrangement offers several alternatives to expand the range of sound: for example a piccolo can be substitutedfor either flute part in No. 2 Poules et coqs and for the first flute in No. 7 Aquarium.The complete Carnival of the Animals for two flutes14 challenging and effective pieces

Flute Friction is a series of flute duets in three books aimed at flautists from grade 1 to 8. 15 Flute duets. 10 Flute Trios.In this first book in the series ten flute trios are also included which teachers will find particularly profitable when working with small groups although the main emphasis in this series is on the interaction between two players similar in standard. In many cases each part is given equal importance so it is the ease with which players can shift from pole position to a more supporting role and back again that poses the principle challenge. Elsewhere the spoils are slightly less equitably carved up and again teachers willquickly gauge for themselves which pieces best suit the abilities and personalities of their students. If teachers can get their students to learn both parts in each piece then in a sense the books immediately double in value!I like to think of these pieces as being useful from a number of viewpoints and would suggest using them in a variety of ways not exclusively as light relief at the end of lessons. Duets are an excellent way of improving sight-reading to be sure as well as building confidence and assertiveness. But at least as importantly they nurture that most underestimated of skills listening without which musical accomplishment is doomed to certain failure. If the teacher is limited in pianistic ability then duets offer a much needed chance for students to play in a small ensemble setting which is the first stage to being able to 'hold a line' in a wind band or orchestra.Above all perhaps the sheer joy of being part of a 'winning team' can hardly be overestimated; played well a duet is greater than the sum of its parts and may well have the potential to please in a concert setting. The business of matching intonation is of course especially important in duets and similarly taking breaths in suitable places is critical to the way an audience understands the overall musical texture.Balance

Flute Et Orchestre A Strings. Par JOLIVET ANDRE / MULLER-D. originally for flute and string orchestra/ Répertoire / 2 Flûtes Traversières