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Orchestra
Choral SSAA
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
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Soprano, Baryton Et Orchestre (2)
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Voix solo - piano (2)
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Carillon Cloches (2)
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Flűte Seul Ou Avec Piano (2)
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Rapport Critique (2)
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STRING ENSEMBLE (2)
Voix Mixtes et Orchestre (2)
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Voice Soprano, Cello (2)
Cor en Fa (2)
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Guitar, Bassoon (2)
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Book (2)
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Johannes Brahms: Ave Maria Op.12: SSAA: Vocal Work
Choral SSAA
SSAA A Cappella
[Sheet music]
Bosworth
Among the many works for which Brahms is celebrated his Choral oeuvre is signif...
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Among the many works for which Brahms is celebrated his Choral oeuvre is significant. This first Choral work Ave Maria originally written for SSAA and Organ is not mere juvenilia. The flowing 6/8 piece is structured like ashort sonata movement with the two pairs of Voices trading contrapuntal entrances until the parts join their Voices in the pleading â€ÂOra pro nobis’ all with Brahmsian harmonies in the accompaniment.Brahms later arranged the workfor SSAA and Orchestra followed by this setting for Chorus and Piano.
3.99 GBP - Sold by Musicroom UK
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Greg Gilpin: Why We Sing: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
This powerful original ballad by Greg Gilpin is stunning in lyric and song. A s...
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This powerful original ballad by Greg Gilpin is stunning in lyric and song. A simple unison beginning builds to an ending with full choral presence and moving descant. “A sound of hope a sound of peace a sound thatcelebrates and speaks what we believe ... this is why we sing why we lift our voice.” This will be your power ballad for the year and with the full orchestration available or CD accompaniment track your singers andaudience will literally be moved to tears. An outstanding choral work! Available separately: SATB SAB TBB SSAA 2-part Orchestration StudioTrax CD.
13.75 GBP - Sold by Musicroom UK
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John Frandsen: Requiem: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Wilhelm Hansen
Vocal score (only SSAA) for John Frandsen's Requiem. Requiem for Soloists (SATB)...
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Vocal score (only SSAA) for John Frandsen's Requiem. Requiem for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010) by John Frandsen. Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR Full score: WH31253 Â
3.50 GBP - Sold by Musicroom UK
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Gabriel Fauré: Requiem Op.48: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Barenreiter
A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Re...
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A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.
10.50 GBP - Sold by Musicroom UK
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears...
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The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite â€ÂSongs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem â€ÂThe Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
2.25 GBP - Sold by Musicroom UK
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George Dyson: The Canterbury Pilgrims: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
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Intermediate
Thames Publishing
This 18-minute suite was adapted by Dyson from his full scale Choral and Orchest...
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This 18-minute suite was adapted by Dyson from his full scale Choral and Orchestral work of the same name. It is arranged for women's voices (SSAA) and Piano accompaniment.
6.99 GBP - Sold by Musicroom UK
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Joseph M. Martin: The Awakening: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
This dramatic and best-selling choral classic is now available for women's voice...
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This dramatic and best-selling choral classic is now available for women's voices. This moving work about “the glory of music” is treated with great depth and musical-textual imagery with all its voicings and this newSSAA will certainly be no exception. Available: SSAA (new!); SATB; TTBB; Orchestration Score and Parts; StudioTrax CD.
13.75 GBP - Sold by Musicroom UK
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Judith Herrington: Born in a Symphony: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Pavane Publishing
Commissioned by the Texas Choral Directors Association for their 2010 convention...
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Commissioned by the Texas Choral Directors Association for their 2010 convention this piece was premiered under the direction of Dr. Rollo Dilworth. Relating our lives to instruments in an orchestra this piece encourages us tolive our song. The music is powerful and motivating with rhythms and melodies that are driving and uplifting.
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John Høybye: The Little Mermaid: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
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Intermediate
Wilhelm Hansen
The Little Mermaid by John Høybye - Version for solo Soprano Female or Girls' ...
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The Little Mermaid by John Høybye - Version for solo Soprano Female or Girls' Choir Narrator and Piano. Text: Hans Christian Andersen & Edward Broadbridge. Piano part available: WH31814A Full version for Soprano solo Mixed Choir (SATB) Narrator and String Orchestra: KP01863
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Ola Gjeilo: Gloria: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
Walton Music
This jubilant new work is a fine festival selection. It can be performed with th...
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This jubilant new work is a fine festival selection. It can be performed with the 4-hands piano accompaniment or with small orchestra added which also makes it suitable for an any-time concert program.
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Brant Adams Joseph M. Martin: A Festive Call to Praise: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psa...
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Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.
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Ola Gjeilo: Song of the Universal: Upper Voices a Cappella: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Walton Music
Walt Whitman's unabashed optimism exuberance and unwavering confidence in our d...
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Walt Whitman's unabashed optimism exuberance and unwavering confidence in our deeper humanity is beautifully portrayed through music in Gjeilo's setting of excerpts of the ?Song Of The Universal? poem.For String Orchestra Piano and Choir this work will be a grand addition to your women's Choir repertoire. Duration: ca. 11:30.
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De Profundis Ssaa
Choral SSAA
Alfred Publishing
Now available for SSAA, this exciting mixed-meter festival piece features both L...
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Now available for SSAA, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: 'Out of my depths I have cried to thee, O Lord.? Recording provided by the Virginia District XV High School Women's Honor Choir, directed by Russell Robinson, RonArt Associates Recordings. Optional rental orchestration available at alfred.com/rental. / Choeur SSAA
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Eriks Esenvalds: Choral Anthology 3: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Peters
Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of...
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Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir â€ÂLatvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Esenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Winter Wonderland of Snow: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
What do you get when you give Mark Hayes two favorite winter songs to arrange? Y...
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What do you get when you give Mark Hayes two favorite winter songs to arrange? You get this incredible work of “Winter Wonderland” and “Let It Snow” together in one arrangement! The orchestration isspectacular as only Mark can do. Smart vocal lines that sing with the greatest of ease help make this a must-have choral for your holiday or winter program.
12.50 GBP - Sold by Musicroom UK
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Kirke Mechem: Blow Ye the Trumpet: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Schirmer
Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mec...
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Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mechem's Opera John Brown based on the life of the abolitionist campaigner of the same name. It was later popularised inSongs of the Slave a suite of works from the same opera. The text is adapted from a traditional hymn said to be Brown’s favourite with a new tune composed in the early American folk style. KirkeMechem (b. 1925) is an American composer who has found worldwide popularity with his collection of over 250 compositions in almost every form. Blow Ye The Trumpet has been arranged here for SSAA chorus andPiano with optional orchestral accompaniment.
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Nicola Porpora: Laetatus Sum: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Edward B. Marks Music Company
Psalm 121-This 8-minute Latin setting of Psalm 121 for women's voices will be an...
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Psalm 121-This 8-minute Latin setting of Psalm 121 for women's voices will be an excellent choice for honor choirs college groups and better high school ensembles. The Baroque composer Nicola Porpora is well known for his florid style.Perform with keyboard or with chamber orchestra on rental from Theodore Presser. Duration: ca. 7:30.
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Irving Berlin: God Bless America: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Truly a song that needs no introduction! This national treasure is arranged for ...
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Truly a song that needs no introduction! This national treasure is arranged for success with power and respect for the original song. Quoting America the Beautiful, the arrangement begins with a flourish before settling into the opening, lesser-performed verse of the Irving Berlin standard. Gradually building to a massive finale, this anthem will have the audience singing along and cheering even before the final notes are sounded. Score and Parts for Orchestra (fl 1-2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-3, hp, pno, vn 1-2, va, vc, db) and Brass/Percussion (hn, tpt 1-2, tbn, tba, perc 1-2) are both available as a digital download.
13.75 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Ralph Vaughan Williams: Folk Songs Of The Four Seasons: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Oxford Univertsity Press
Ralph Williams Vaughan's Folk Songs Of The Four Seasons is a Cantata for women...
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Ralph Williams Vaughan's Folk Songs Of The Four Seasons is a Cantata for women's chorus with orchestra or strings and piano.
10.75 GBP - Sold by Musicroom UK
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Joseph M. Martin: Goin' to the Holy City: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Begi...
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Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.
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Ring Those Christmas Bells: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
What a stunning arrangement for the holidays! Happy holiday bells! Fred Waring ...
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What a stunning arrangement for the holidays! Happy holiday bells! Fred Waring and His Pennsylvanians first performed this showstopper. Now you can sing and enjoy hearing this new arrangement for SATB voices and four-hand piano accompaniment including optional handbells and orchestra performed by the Mormon Tabernacle Choir! It will light up your holiday concert and certainly bring the house to its feet!
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Felix Mendelssohn Bartholdy: Midsummer Night's Dream: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Mendelssohn’s A Midsummer Night’s Dream incidental music to the play b...
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Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.
14.99 GBP - Sold by Musicroom UK
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Edward Elgar: Praise To The Holiest: SSAA: Vocal Score
Choral SSAA
SSA, Piano
[Sheet music]
Novello & Co Ltd.
The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. I...
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The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. It was a large-scale work for chorus soloists and orchestra setting a poem by Cardinal John Henry Newman. The section of the text beginning Praise To The Holiest had already been set and popularised to an Anglican hymn tune but Elgar shunned this version preferring to write his own melody. This has been arranged here for female chorus with Piano accompaniment. Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment whichallowed his music to be fresh and unencumbered.
3.25 GBP - Sold by Musicroom UK
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Herbert Howells: A Maid Peerless: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
Mediaeval poem set for a choir of women's voices (accompanied). Composed for th...
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Mediaeval poem set for a choir of women's voices (accompanied). Composed for the British Federation of Music Festivals National Competitive Festival June 1951. Orchestral accompaniment available on hire.
3.99 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
8.00 GBP - Sold by Musicroom UK
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Johannes Brahms: How Lovely Are Thy Dwellings (SSAA): SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Originally part of Brahms's Requiem Op.45 this undulating and expressive settin...
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Originally part of Brahms's Requiem Op.45 this undulating and expressive setting has been arranged by H.A. Chambers for a chorus of high voices with a full Piano accompaniment derived from the orchestral score.
3.99 GBP - Sold by Musicroom UK
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Impossible Dream The
Choral SSAA
Alfred Publishing
Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. Wh...
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Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. What more could you ask from this thrilling new arrangement by Mark Hayes? A real tour de force that is equally moving with either the full piano accompaniment or the complete orchestration. / Choeur SSAA
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