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Orchestra
Alto Saxophone and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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Bird Concerto For Alto Saxophone And Piano (OBRADOVIC PETAR)
Alto Saxophone and Piano
Alry Publications
Par OBRADOVIC PETAR. The Bird Concerto by Petar Obradovi is a work for alto saxo...
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Par OBRADOVIC PETAR. The Bird Concerto by Petar Obradovi is a work for alto saxophone and orchestra with a duration of approximately 20 minutes. The score available here is the piano reduction of the orchestral parts. Dedicated to saxophone virtuoso Nikola Fabijani , the concerto was premiered by the Dubrovnik Symphony Orchestra in 2017./ Répertoire / Saxophone Alto et Piano
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The Joy of Freedom
Alto Saxophone and Piano
[Sheet music]
Symphonic Dimensions Publishing
Par SAMITZ NICO. Nico Samitz has been composing for chamber ensembles since his ...
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Par SAMITZ NICO. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the ?BlechReiz BrassQuintett? ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music?and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the ?BlechReiz BrassQuintet?. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ?earworm?. / Date parution : 2023-07-31/ Répertoire / Saxophone Alto et Piano
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Escapades John Williams
Alto Saxophone and Piano
Hal Leonard
for Alto Saxophone and Orchestra with Piano Reduction. This new edition in the J...
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for Alto Saxophone and Orchestra with Piano Reduction. This new edition in the John Williams Signature Series features Escapades from the DreamWorks film Catch Me If You Can, arranged for professional-level alto saxophone with a piano reduction of the orchestral score. A great rehearsal tool for soloists! / Saxophone
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Ponte Vecchio (YAGISAWA SATOSHI)
Alto Saxophone and Piano
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De Haske Publications
Eb Alto Saxophone and Piano. Par YAGISAWA SATOSHI. Cette oeuvre est une commande...
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Eb Alto Saxophone and Piano. Par YAGISAWA SATOSHI. Cette oeuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite à Florence. Cette oeuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette oeuvre se pre te aussi a une interpre tation avec un trompette ou baritone. / Niveau : Avancé / Date parution : 1905-07-10/ Recueil / Saxophone Alto et Piano
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Poème Op. 39
Alto Saxophone and Piano
Schott
La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été...
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La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été quelque peu éclipsée par celle de Bedrich Smetana et AntonÃn Dvorák. C'est fort dommage, pour Fibich, bien qu'il est mort jeune, apporté une contribution tout aussi importante à l'émergent styl national tchèque avec son large éventail de compositions. Après le début des leçons de piano avec sa mère comme son premier maître, le garçon ensuite à l'école de musique à Prague, puis au Conservatoire de Leipzig, où il apprend son métier comme compositeur. Il passe quelques mois enseignement de piano à Paris et poursuit ses études avec Vinzenz Lachner à Mannheim. Prague a finalement pour devenir le centre d'activités musicales du Fibich : comme son rêve d'un poste au Conservatoire est resté déçus, son emploi principal était donner des leçons de musique privée et comme un compositeur Zdenek Fibich a écrit des oeuvres de nombreux genres musicaux : chant et musique de chambre, pièces pour piano et oeuvres orchestrales, opéras, musique de scène et mélodrames, récitals littéraires avec orc... / Saxophone En Mib Et Piano
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