Anthem for 2 Part Voices and Organ (Either Soprano and Mezzo-Soprano or Tenor and Baritone).

This anthem was specially written for a Sunday-School act of worship which took place in St Alban's Abbey Refectory on Good Friday 1989. It can be accompanied with an organ or a piano.

Weigh My Heart is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment that sets words from Psalm 17.

Hear My Voice O Lord is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment. A setting of words from Psalm 27 the piece lasts around 2 minutes.

POD-Joseph Fili David is a work by Matthew Owens for Upper Voices and Organ Accompaniment. A setting of Matthew 1:20 the piece lasts around 3 minutes.

POD-O Trinity! O Unity! is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment setting text from Ave Colenda Trinitas translated by J.D. Chambers.

Magnficiat and Nunc Dimittis-Richard Allain's The Wells Service for Upper Voices and Organ. The Wells Service was commissioned by the Cathedral Commissions Scheme for the Choir of Wells Cathedral. First performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008 by the Girl Choristers of Wells Cathedral with Samuel Hudson organ conducted by the Organist & Master of the Choristers Matthew Owens. Duration: 10 minutes

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

One of the most memorable songs from Lionel Bart's Oliver arranged for 2-Part (SA or TB) choir with Piano accompaniment by Norman Leyden.

Scored for SA Organ and Piano this uplifting anthem by the British composer Malcolm Archer combines two well-known texts that are commonly read at weddings- 1 Corinthians 13:13 â??And now these three remain: faith hope and love. But the greatest of these is loveâ?? and Song of Solomon 8:6-7 â??For love is strong as death. Many waters cannot quench love neither can the floods drown itâ??.Retaining the Organ part of the original SATB version the music perfectly mirrors the message of the texts with melodic vocal lines building to full homophonic textures at the climax.Malcolm Archer: Faith Hope And Love Remain is perfect foruse as part of a wedding ceremony or for a general service or concert.

John Joubert (b. 1927) is a British composer. Born in Cape Town he studied at the Royal Academy of Music and has lived and worked in the UK ever since. His compositions span a wide range of genres from large scale symphonic and operatic works to chamber music and choral miniatures. All Wisdom Cometh From The Lord (Op. 62) was composed in 1969 having been commissioned by Michele Clement for the choir of Queenswood School in Hatfield. It is scored for SA two-part Female Voice Choir with Organ accompaniment. It takes its text from extracts from the first chapter of Ecclesiastes.