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Organ
Marching band
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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All Instruments (31)
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Organ, Voice (24)
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3 Clarinets (trio) (11)
Violin, Cello, Organ (11)
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Solistes ATB, Choeur SATB, Tro… (11)
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Tenor Saxophone (11)
Recorder (11)
Medium voice, Piano (11)
Orgue Et Instruments Divers (11)
2 Cellos (duet) (10)
Organ, Strings (10)
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Choeur SATB, 2 Fltes Traversi… (9)
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Solistes SATB, Choeur SATB, Or… (7)
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2 Saxophones Alto (7)
Tenor voice, Piano (7)
Flte Traversire et Orgue (7)
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Orgue et Brass Band (6)
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Harmonium (6)
Concert Band ou Harmonie et Ch… (6)
Orgue et Fanfare (6)
Saxophone and Piano (6)
3 Violons, Alto, Violoncelle o… (6)
2 Trompettes et Trombone (6)
Violin, Viola and Orchestra (6)
2 Pianos, 4 hands (6)
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Trompette ou Cornet et Cor en … (6)
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Dulcimer (6)
Orgue et Concert Band ou Harmo… (6)
:: (6)
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2 Recorders (duet) (5)
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Orgue et Musique de Chambre (5)
2 Cors en Mib (5)
Choral SSAATBB, Organ (5)
Pocket, Study conductor (5)
Choeur d'Enfants 1 Partie, 3… (5)
3 Violons, Alto, Violoncelle o… (5)
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Medium voice, Organ (5)
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2 Violons, Alto, Violoncelle o… (5)
High voice, Organ (5)
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Chant et Orgue (5)
Clarinette en Bb [Violon] et O… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Violon, Clarinette Basse et Pi… (4)
2 Saxophones Tnor (4)
Quintette de Cuivres et Orgue (4)
3 Fltes Bec (SAT) et Piano (4)
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Flte Traversire Clarinette, … (4)
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Organ Accompaniment (4)
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Brass Quartet: 2 trumpets, hor… (4)
Bass Clef Instruments (4)
Vocal duet, Piano (4)
Alto, Cordes et Orgue (4)
2 Trompettes, Cor et Trombone (4)
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Violes de Gambe et Orgue (4)
Low voice, Piano (4)
Instrument Cuivre En Mib Et Pi… (4)
Flte Bec Alto, Viole de Gam… (4)
Harp, Orchestra (4)
2 Violons, 2 Violoncelles et B… (4)
Piano, Violon et Orgue (4)
Violon, Alto et Piano (4)
Instruments Acoustiques (4)
Flexible Instrumentation (4)
Flte Traversire, Clarinette … (4)
Quatuor de Saxophones (SATBar)… (4)
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Alto Et Orgue (4)
Clarinette, Trompette, Trombon… (4)
Soprano et Orgue (4)
Dobro (4)
Choeur Mixte a Cappella (SATB)… (4)
Grand Orgue (4)
Baritone voice, Piano (3)
Trompette I (3)
Violoncello, Basso continuo (3)
Low voice (3)
2 Orgues (3)
Concert Band ou Harmonie et Tu… (3)
Trombone Solo (3)
ORG/TBN::Organ, Trombone (3)
3 Cornets et Piano ou Orgue (3)
CHAM::Musique De Chambre (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Orchestre De Chambre (3)
S, A, 3 Parties Mixtes, 2 Trom… (3)
Ensemble De Cuivres Et Orgue (3)
Clavier (3)
Choral Tenor solo, SATB, Keybo… (3)
Orgue (3)
3 Trumpets (trio) (3)
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Tenor voice (3)
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3 Instruments Mlodiques (Flt… (3)
Orgue 4 Mains (3)
Recorder Quartet (3)
Solistes SAT, Choeur SATB, 2 F… (3)
Chur Mixte [SATB] et Orgue (3)
Instrument Cuivre En Sib (3)
Bassoon (3)
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Harp and Organ (3)
Clavecin et Instruments Cord… (3)
Guitar and String Quintet (3)
Carte Postale (3)
Children choir (2)
Guitare ou Ukull ou Mandolin… (2)
Ensemble A 4 Parties et Piano … (2)
Orgue (Harmonium) (2)
Solistes et Choeur SATB/SATB e… (2)
Choeur SA Et Piano (2)
Choeur SSA Et Orgue (2)
Darbouka (2)
2 Hautbois, 2 Clarinettes, 2 C… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Music Courses : Practice books… (2)
4 Trombones, Orgue et Voix (2)
Choeur Mixte et Orgue, Concert… (2)
Orchestre A Cordes Ou Quatuor … (2)
Piano Accompaniment (2)
High voice (2)
Soli/Choeur 2 Voix de Femmes S… (2)
Children choir, Piano (2)
Orgue, Cuivres et Percussion (2)
2 Ou 4 Voix Mixtes Et Piano (O… (2)
4 Voix Mixtes Et Orgue (2)
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3 Violons, 2 Altos Et Violonce… (2)
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Littrature Musicale (2)
1 ou 2 Violoncelles (2)
Saxophone Alto et Piano ou Org… (2)
Solistes TTBB, Choeur TTBB, Vi… (2)
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Parties Supplmentaires (2)
2 Trompettes et 3 Trombones (2)
Petit Ensemble Contemporain (2)
Musical dictation (2)
3 Ou 4 Violons Et Violoncelle … (2)
Pennywhistle (2)
2 Choeurs et 2 Orgues (2)
String Trio: 2 violins, viola (2)
Orgue et Concert Band/Harmonie… (2)
Clavecin / Orgue (2)
Chant La De Voix (2)
Chamber Music (2)
SABou SATB avec Orgue ou Clavi… (2)
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Drum set and Piano (2)
Choeur Mixte a Cappella (2)
Viola da Gamba (2)
WIND 5TET::Quintette Vent (2)
Solostimmen (SSB) auch Chor (… (2)
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ORG/PERC::Organ, Percussion (2)
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Clavier Numrique (2)
Soli (SMsATB), Chor (SATB) un… (2)
Marimba and Organ (2)
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Tuba or Euphonium or Saxhorn (2)
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Soprano (2)
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2 Guitars (duet) (2)
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SA ou TB et Piano ou Orgue (2)
4 Trombones et Piano ou Orgue (2)
Band Scores (2)
Trumpet, Orchestra (2)
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4 Cornets (2)
Cello Ensemble (2)
Clavecin et Orgue (2)
Flte Seul Ou Avec Piano (2)
4 Voix Mixtes Et Accompagnemen… (2)
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2 Clarinets (duet) (2)
Choeur SATB et Orchestre (2)
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Choeur et ensemble vocal (2)
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Orgue ou Clavecin (2)
Matriel D'Orchestre (2)
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Choeur Mixte (SATB) Et Basse C… (2)
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Voix Mixtes (2)
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Partie Spare (2)
Concert Band ou Harmonie et Op… (2)
Chur d'Hommes [TTBB/TTBB] et … (2)
Orgue Sans Pdale (2)
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Melody line, Piano (2)
Orgue 4 Mains (2)
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Soprano (Ou Tenor) Et Piano (O… (2)
3 Parties Voix Aiges (SSA) et… (2)
12 Parties de Choeur a Cappell… (2)
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SAM et Piano (2)
Solostimme und Basso continuo… (2)
Choir, 2 Trumpets, Horn, Trom… (2)
2 Fltes (2)
Flte Et Orgue (2)
Clavecin ou Piano ou Orgue (2)
Opra (2)
Voix Mixtes et Orgue (2)
Clavecin, Pianoforte, Orgue (1)
Orgue, 2 Hautbois, Basson, 2 V… (1)
Trompettes Et Autres Instrumen… (1)
Chur Mixte [SATB] et Orchestr… (1)
S Solo, SATB et Orgue (1)
SA/PFA::SA, Piano Accompanimen… (1)
Chur 4 parties de Voix Egal… (1)
Orgel (Cembalo, Klavier) (1)
3 Trompettes En Do, Carillon, … (1)
Soprano ou Alto solo, Cordes … (1)
Soli, Gemischter Chor 1 & 2, … (1)
2 Fltes Traversires et Basse… (1)
Chanson (1)
Choeur Mixte (SAB), 2 Trompett… (1)
Instruments Cordes et Orgue (1)
Trompette (en Ut ou Sib), Tro… (1)
Instruments Divers dont L'Alto… (1)
SCORE/ORCH::Partitions/Orchest… (1)
HARM/EGTR/BGTR/HND/ACDN::Harmo… (1)
Guitare Et Clavecin (1)
Manuels/ DVD Technique (1)
2 Parties Voix Aigues (SA) Et … (1)
4 Trompettes, 2 Cors, 2 Trombo… (1)
Trompette en Do / C et Orgue (1)
Orgue et Clavier (1)
Orgue, Quintette A Cordes Et T… (1)
Xylophone (ou marimba) (1)
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9 Orgues (8 Orgues Positifs Et… (1)
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Tenor (Ou Soprano) Et Orgue (1)
SSATB et Orgue (1)
Trompe de Chasse (1)
Flute, Basso continuo (1)
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2 Barytons, SATB, Orgue Acc (D… (1)
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Orgel (Pauke ad libitum) (1)
Dessus Et Basse Continue, Dess… (1)
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4 Voix Mixtes Sans Accompagnem… (1)
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ENS::Ensemble (1)
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8 Saxophones (Ss,Aa,Tt,B) Et H… (1)
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Johann Sebastian Bach: Organ Fugue: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
Organ Fugue
73.99 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Organ Fugue: Fanfare Band: Score
Marching band
De Haske Publications
Organ Fugue
14.99 GBP - Sold by Musicroom UK
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Ruud Bos: Fata Morgana: Fanfare: Score and Parts
Marching band
[Score and Parts]
Bronsheim Music
Fata Morgana
134.20 GBP - Sold by Musicroom UK
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
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Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
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Rob Goorhuis: Sonata da Chiesa: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Tijdens zijn loopbaan als concertorganist speelde Rob Goorhuis talloze malen de ...
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Tijdens zijn loopbaan als concertorganist speelde Rob Goorhuis talloze malen de Sonata da Chiesa van Hendrik Andriessen een werk dat typisch is voor de stijl en het coloriet van deze Nederlandse organist-componist. De betekenis van Andriessen voor de Nederlandse kerkmuziek is zeer groot geweest. Vele koor- en orgelwerken ontstonden in de bloeitijd van het rijke Roomse leven. Als eerbetoon aan deze kunstenaar die destijds als organist van de kathedraal van Utrecht talrijke luisteraars trok met zijn kleurrijke en vernieuwende orgelbespelingen schreef Rob Goorhuis een fantasie over het thema van diens Sonata da Chiesa. Deze Sonata bestond uit een reeksvariaties op een zelf ontworpen thema. De sfeer van het werk reikt van zeer intiem tot uiterst uitbundig. Deze uitersten heeft Rob Goorhuis in zíjn interpretatie en verwerking van het thematisch materiaal eveneens opgezocht. De vroomheid en luister van het orgel werden echter vervangen door de passie en de virtuositeit van een modern blaasorkest. De band met het originele werk van Andriessen wordt onderstreept door een aantal soms licht verborgen citaten van bijzondere muzikale wendingen. De handtekening van de oude meester blijft zo herkenbaar. Op deze manier toont Rob Goorhuis zijn bewondering voor diens componeertalent. Het werk werd geschreven in opdracht van fanfare Kunst en Vriendschap Partij-Wittem onder leiding van Paul Oligschläger ter gelegenheid van de deelname aan het Wereld Muziek Concours Kerkrade in 2009.
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Rob Goorhuis: Sonata da Chiesa: Fanfare Band: Score
Marching band
Gobelin Music Publications
Tijdens zijn loopbaan als concertorganist speelde Rob Goorhuis talloze malen de ...
(+)
Tijdens zijn loopbaan als concertorganist speelde Rob Goorhuis talloze malen de Sonata da Chiesa van Hendrik Andriessen een werk dat typisch is voor de stijl en het coloriet van deze Nederlandse organist-componist. De betekenis van Andriessen voor de Nederlandse kerkmuziek is zeer groot geweest. Vele koor- en orgelwerken ontstonden in de bloeitijd van het rijke Roomse leven. Als eerbetoon aan deze kunstenaar die destijds als organist van de kathedraal van Utrecht talrijke luisteraars trok met zijn kleurrijke en vernieuwende orgelbespelingen schreef Rob Goorhuis een fantasie over het thema van diens Sonata da Chiesa. Deze Sonata bestond uit een reeksvariaties op een zelf ontworpen thema. De sfeer van het werk reikt van zeer intiem tot uiterst uitbundig. Deze uitersten heeft Rob Goorhuis in zíjn interpretatie en verwerking van het thematisch materiaal eveneens opgezocht. De vroomheid en luister van het orgel werden echter vervangen door de passie en de virtuositeit van een modern blaasorkest. De band met het originele werk van Andriessen wordt onderstreept door een aantal soms licht verborgen citaten van bijzondere muzikale wendingen. De handtekening van de oude meester blijft zo herkenbaar. Op deze manier toont Rob Goorhuis zijn bewondering voor diens componeertalent. Het werk werd geschreven in opdracht van fanfare Kunst en Vriendschap Partij-Wittem onder leiding van Paul Oligschläger ter gelegenheid van de deelname aan het Wereld Muziek Concours Kerkrade in 2009.
24.99 GBP - Sold by Musicroom UK
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Toon Hagen: Jubilant Prelude: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
âJubilant Preludeâ is an orchestration of the âPreludium over Psa...
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âJubilant Preludeâ is an orchestration of the âPreludium over Psalm 150â originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the âGrote or Sint Michaëlskerkâ in Zwolle (the Netherlands). He has written several âcontemporaryâ compositions for organ.âJubilant Preludeâ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for fanfare band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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Jubilant Prelude: Fanfare Band: Score
Marching band
Gobelin Music Publications
âJubilant Preludeâ is an orchestration of the âPreludium over Psa...
(+)
âJubilant Preludeâ is an orchestration of the âPreludium over Psalm 150â originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the âGrote or Sint Michaëlskerkâ in Zwolle (the Netherlands). He has written several âcontemporaryâ compositions for organ.âJubilant Preludeâ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for fanfare band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
13.99 GBP - Sold by Musicroom UK
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Bert Appermont: Catedrales: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...
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Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
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The Doors: Light My Fire: Marching Band: Score
Marching band
Hal Leonard
A lone trumpet announces this signature hit by The Doors as the chart settles in...
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A lone trumpet announces this signature hit by The Doors as the chart settles into the familiar moderate rock groove. Particularly effective is the woodwind feature section simulating the unique sound of the Farfisa organ of the late 60s.
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Max Reger: Ten Chorale Preludes: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Anglo Music
During his short lifetime Max Reger (1873-1916) was a prolific composer with man...
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During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation sound and balance.
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Max Reger: Ten Chorale Preludes: Fanfare Band: Score
Marching band
Anglo Music
During his short lifetime Max Reger (1873-1916) was a prolific composer with man...
(+)
During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation sound and balance.
17.99 GBP - Sold by Musicroom UK
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The Doors: Light My Fire: Marching Band: Score & Parts
Marching band
[Score and Parts]
Hal Leonard
A lone trumpet announces this signature hit by The Doors as the chart settles in...
(+)
A lone trumpet announces this signature hit by The Doors as the chart settles into the familiar moderate rock groove. Particularly effective is the woodwind feature section simulating the unique sound of the Farfisa organ of the late '60s.
54.99 GBP - Sold by Musicroom UK
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Jan Van der Roost: Homage: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
In the most literal sense: a piece for an occasion. The actual occasion was Jan ...
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In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan?s twentieth anniversary as a conductor of the top Dutch brass band ?Soli Deo Gloria? (Leeuwarden). To mark the occasion the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen a piece with which Jan de Haan has a special bond.Apart from this chorale Homage is also based on the names of notes taken from ?Jan de Haan? and ?Soli Deo Gloria? resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns? theme.
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Bert Appermont: Catedrales: Fanfare Band: Score
Marching band
Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...
(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
22.99 GBP - Sold by Musicroom UK
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Henk van Belcum: Partita Piccola: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
As the title suggests this work is a partita: it consists of a number of variat...
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As the title suggests this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries especially when it comes to organ music. Henk van Belcum who is active in the choir world chose for his Partita Piccola the German hymn Wunderbarer König as a starting point. Partita Piccola consists of four variations and a choral setting. After a majestic opening fanfare the second variation follows based on a canon by Pachelbel. Händel?s Sarabande is the basis of the third variation. Next comes the chorale setting after which the work ends festively with a dance that has been written in the form of a courante. PartitaPiccola is an asset for church services and for concert platforms.
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O Christmas Tree: Fanfare Band: Score
Marching band
Gobelin Music Publications
The tradition of the Christmas tree in Western Europe dates back to a time long ...
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The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to ?kill? nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These ?living? trees said to be the work of benign spirits were brought into people?s houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ?s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ?O Tannenbaum? the melody being a well-known folk song. Next to ?Stille Nacht? ?O Tannenbaum? is the most famous German Christmas song now known throughout the world. In the United States of America the melody of ?O Tannenbaum? has even been used in four States (among which the State of Maryland) for their State song. In David Well?s arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
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