Une collection passionnante et variée de 35 airs traditionnels du monde entier, arrangées pour violon facile (violon). Tous les morceaux sont écrits clairement en solfège ainsi que les orientations à l'arc. Un CD d'accompagnement contient tous les morceaux, joués à une vitesse gérable, accompagné par un orchestre de guitares, basse, mandoline et percussions.Les mélodies viennent d'Afrique, du Nord et Amérique du Sud, Europe, Moyen-Orient, en Asie et en Australie, et sont spécialement arrangées par l'auteur avec le début / joueur de violon intermédiaire à l'esprit. Sur le CD, les mélodies sont jouées 2 ou 3 fois, de sorte que vous pouvez vraiment entrer dans la sensation de la mélodie en jouant long. La vitesse des airs est assez lent, mais pas si lent à emporter à partir de la sensation essentielle de la musique.Il ya une mine de la grande musique à découvrir à travers le monde, dont un exemple peut être trouvé dans cette sélection rare et stimulant, qui pourrait bien se révéler être un tremplin pour d'autres études de styles traditionnels. / Violon

This chamber piece is the first of a two-part work depicting the dances of Hungary and songs of the Hussars. The brilliant virtuoso Rózsa Csárdás is full of typical rhythms of Eastern European music and delightful if demanding moments. After a career spanning decades and all of Europe ending as one of Hungary?s most significant musical figures of the last century Jenö Hubay fell out of the music-loving public?s consciousness for a time. Recent scholarship and support has begun to return this maestro to his rightful place in the heart of serious 20th century music. Born in Pest now Budapest Hubay began his solo Violin career at the age of 11 performing throughoutEurope. After establishing himself in Paris founding several quartets and chamber groups and heading the department at the Brussels Royal Conservatory. At the request of Franz Liszt he returned home to lead the Conservatory of Budapest and launch a parade of highly accomplished Violinists onto the world stage.

Written by Gypsy Violin expert Mary Ann Harbar this comprehensive beginner's guide contains everything you need to know to start playing the Violin in an authentic Gypsy style. Gypsy Violin Basicstakes students on a musical journey along the Romany trail assimilating the musical idioms of Eastern Europe and the Mideast. Here are the core nuggets of the flashy and exotic Gypsy style distilled to theiressence. This book demonstrates all of the techniques required to master the style such as scales bowings ornaments and more. A selection of fun easy-to-play Gypsy tunes are also included along with online lead andaccompaniment tracks. Gypsy Violin Basics also features a glossary of techniques and terms.

Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifiée de sa très acclamée \' Klezmer Collection \', Stacy Phillips a compilé une sélection de pièces pour compter les instrumentistes de ce livre classique. Musique klezmer venait à l\'origine les ghettos juives d\'Europe de l\'est de la XIXe et au début du XXe siècle. Le style reflète son mélange de patrimoines d\'Europe, Near East et tzigane. Ces arrangements sont fondées sur certaines des premiers enregistrements classiques en Europe et en Amérique. À ce titre, ils sont une grande introduction à cette musique qui est maintenant un phénomène mondial. Chaque numéro est arrangé pour C, Bb, Eb et instruments de bass clef. Laiton, reed, piano, flute et acteurs de la chaîne peuvent recevoir la gratification instantanée de ces accords de niveau d\'entrée. Le CD accompagnant montre des versions de l\'ensemble de la musique, effectuée au rythme lent, par des artistes de Klezmer de classe mondiale sur la clarinette, violon, guitare et basse. / Niveau : Débutant à Intermédiaire / Jewish - Solos / Recueil / Violon

Wonderful World of Tchaikovsky for Violin and Piano-Russian composer Pyotr Ilyich Tchaikovsky’s works included symphonies concertos operas ballets chamber music and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most populartheatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally which he bolstered with appearances as a guest conductor later in his career in Europe and theUnited States.Arranged by Andrew Moore for intermediate level Violin and Piano The Wonderful World Of Tchaikovsky includes Barcarolle Daydream Love theme from Romeo andJuliet Old French song Tears Theme from second movement of Symphony No 5 and Waltz from Swan Lake.

Well-known carols from Europe and the USA, compiled by Katharina Apostolidis for Violin (but can also be played by Flute, Piano or other C-instruments. Buntes Weihnachtswunderland contains 17 favourite Christmas carols for young violinists aged 5 to 9 to enjoy.Featuring carols like Jingle Bells, Twinkle, Twinkle, Little Star, Gloria and O Tannenbaum, this songbook is perfect for young violinists to bring in the spirit of Christmas, while learning some valuable repertoire at the same time. Buntes Weihnachtswunderland also supplements books 2 and 3 of Katharina Apostolidis' Violinschule series. Selected scores can be downloaded easily using the QR code on the back cover, while the Violin notes in this book are coloured in a large print, making them as easy as possible to play. Chord symbols are also included for teachers, parents or Guitar accompaniment, encouraging playing with others. Buntes Weihnachtswunderland is an ideal Christmas songbook for young violinists to introduce them to playing some wonderful carols. / Violon

Oskar Nedbal (1874-1930) was a Czech composer and conductor. He studied at the Prague Conservatory before touring all over Europe first playing in a string quartet and then conducting the Czech Philharmonic Orchestra. His most famous work is undoubtedly the hauntingly beautiful Valse Triste (Sad Waltz) in G minor. First published as an independent work in 1905 it was originally written in 1901 for the ballet Pohadka o Honzovi (Simple Johnny). Originally scored for a string quartet it has been arranged here for solo Violin with Piano accompaniment.

A collection of 63 gypsy tunes from Eastern Europe and the Balkans collected and arranged for fiddle with chord symbols. Countries represented include Russia Hungary Romania Ex-Yugoslavia Poland Czech Republic Slovakia Bulgaria Romany Tunes and some Virtuoso gypsy pieces to finish. Difficulty level ranges from easy to advanced. Accompanying CD was recorded live by Gundula Gruen (violin) and Zivorad Nikolilc (accordion).

Author of Scottish Fiddle Tunes (ED 12759) Iain Fraser presents a collection of 60 pieces for solo violin. Drawn from the rich tradition of Canadian folk music the collection covers a range of regional styles including Celtic, French Canadian, Métis and Newfoundland. The volume includes notes on the tunes, and is accompanied by a CD with a recording of all pieces. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the bestselling World Music series, which also includes music from England, Ireland, Scotland, Eastern Europe, America, Argentina, India, China and Korea / Violon

Elegy has been performed throughout North America and Europe by over twenty-five artists including Levon Ambartsumian (Moscow State Conservatory) Jacques Israelievitch (Toronto Symphony) and Silvian Iticovici (Saint Louis Symphony). Unaccompanied.

Two fantasies on the thematic fragments from the string quartets.-'- Two fantasies on the thematic fragments from the 9th & 3rd string quartets of Paisiello.Matthias Pintscher was born in Marl in North Rhine-Westphalia Germany in 1971 and studied composition with Giselher Klebe and Manfred Trojahn. Formative influences were his encounters with Hans Werner Henze who invited him to Montepulciano in 1991 and 1992 and with Helmut Lachenmann Pierre Boulez and Peter Eötvös. Awards include first prize in the Hitzacker Composition Competition (1992) the Rolf Liebermann Prize and the Opera Prize from the Körber Foundation Hamburg (1993 and 1996) the Prince Pierre de Monaco Prize (1999) Composition Prize from the Salzburg EasterFestival and the Hindemith Prize from the Schleswig Holstein Music Festival (2000). In 2002 he was awarded the Hans Werner Henze Prize (Westphalian Music Prize). Pintscher first came to international attention with the opera Thomas Chatterton at the Semper Opera Dresden (1998) and later with his second opera L'espace dernier at the Opéra National de Paris (2004). He was composer-in-residence with the Cleveland Orchestra in 2002 the following seasons at the Konzerthaus Dortmund Lucerne Festival with the Radio Symphony Orchestra Saarbrücken at the Philharmonie Cologne and at the RSO Stuttgart . From 2010 onwards Pintscher is ?Artist-in-Association? at the BBC Scottish Symphony Orchestra since 2014 Artist-in-residence at the Danish Radio Orchestra. As a conductor Matthias Pintscher works regularly with leading orchestras and ensembles in Europe and the USA. From 2007 to 2009 he was Professor of Composition at the University of Music and Performing Arts Munich and 2010 to 2011 at the New York University. He is Music Director of the Ensemble intercontemporain and since the 2013 14 season. As of September 2014 he is Professor for composition at the Juilliard School of Music New York.

Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.

The Balkans - where Europe meets Asia...All the cultural diversity of the Balkans is reflected in its varied and colourful music. Hidan Mamudov's selection of pieces from the region, in arrangements for ensemble and separate play-along editions for solo instruments, will provide new experiences for middle-grade players and beyond?The pieces are selected from Turkey, Hungary, Croatia, Bulgaria, Macedonia, Serbia and Bosnia-Herzegovina. Included are fascinating historical notes about the music and descriptions of traditional instruments. Special playing techniques are explained and performance tips will help players achieve an authentic sound. All this, together with the CDs of demonstration performances and play-along tracks is sure to be inspirational. / Violon