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Violin
2 Pianos, 4 hands
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Klavier (Cembalo), 2 Violinen… (3)
3 Trompettes Et Timbale(s) (3)
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Kaija Saariaho: Graal Théâtre: Piano Duet: Score
2 Pianos, 4 hands
[Sheet music]
Chester
Rehearsal Accompaniment Reduction For Two Pianos-Kaija Saariaho's Graal Théât...
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Rehearsal Accompaniment Reduction For Two Pianos-Kaija Saariaho's Graal Théâtre for Violin and Orchestra was commissioned for the Centenary Season of Promenade Concerts 1995. This arrangement for Violin and Two Pianos by Yann Ollivorequires two grand Pianos with sostenuto pedal and may be used for rehearsal of both the full Orchestra and Chamber versions of the work. Two copies of the score will be supplied.  The solo Violin part may beordered separately (CH61222-01).
59.99 GBP - Sold by Musicroom UK
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Cyril Scott: Lotus Land Op.47 No.1 For Two Pianos: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
Novello & Co Ltd.
Cyril Scott was an English composer writer and poet. He was essentially a lat...
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Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott is undoubtedly best known for the solo Piano piece Lotus Land which is transcribed here for two Pianos. LotusLand seems impossibly modern for 1905 and additionally possesses a preternatural sense of jazziness. It has been recorded over fifty times both in its original form for Piano and in a wide variety of arrangements from vocals to jazz groups and from Brass bands to Synthesizer. Later Scott also wrote a poem with the same name.
14.99 GBP - Sold by Musicroom UK
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 hands
[Sheet music]
Schott
Fantasie ĂĽber das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie ĂĽber das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ RĂ©pertoire / 2 Pianos
11.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Dvorak A. - Concerto In G Minor Op.33 - 2 Pianos
2 Pianos, 4 hands
Barenreiter
Dvorák, AntonĂn Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...
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Dvorák, AntonĂn Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák?s only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel ?olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák?s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel ?olc.
36.90 EUR - Sold by Woodbrass
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Carl Philipp Emanuel Bach: Harpsichord Concerto D Minor Bwv 1052A: Harpsichord:
2 Pianos, 4 hands
[Sheet music]
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
19.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
2 Pianos, 4 hands
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...
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for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
20.00 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Introduction Et Rondo Capriccioso Opus 28: Violin and
Français
2 Pianos, 4 hands
Durand
transcription pour 2 Pianos par Claude Debussy
25.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Piano Concerto Op.61a After The Violin Concerto: Piano
2 Pianos, 4 hands
G. Henle
Henle Urtext Edition featuring Piano reduction of original Orchestral accompanim...
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Henle Urtext Edition featuring Piano reduction of original Orchestral accompaniment.
31.75 GBP - Sold by Musicroom UK
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